The duplicate Type core rows carried evidence the kept row did not: recent-font groups (#3515), Fractional Widths per type object, color emoji bitmap fonts, and the threading ports clause (#2572) with its test names. Move it into the kept row's evidence cell.
With several rows highlighted, Layer Options shows the first row's
settings, and OK sent Show, Lock, Color, Template, Print, Preview and
Dim Images to layer.setProps for every row. Changing one setting gave
every row the first row's values for all of the others as well.
The dialog now records each setting set by one of its controls or by
ui.dialog.set, and for several rows OK sends only those. A setting set
to the value the dialog shows is still sent, so choosing the first row's
color gives every row that color.
When Template changes and Lock and Dim Images are not set in the dialog,
OK does not send them. layer.setProps then locks each row that becomes
a template and dims it to 50%, unless a percentage is set in the dialog,
and unlocks and stops dimming each row that stops being one. When
Template is turned on, the dialog shows that 50%. When Template is set
back to the first row's value, the dialog shows the first row's Lock,
Dim Images and percentage again. A Dim Images percentage set in the
dialog is sent whenever Dim Images is on, also when Template turned it
on.
ui.dialog.set of template now also sets locked and dimImages, as the
Template checkbox does, for one row as well as several. Before, a script
that set template to true and confirmed the dialog left the layer
unlocked and undimmed.
The Dim Images percentage field now has the accessible name "Dim Images
to:", as its checkbox has.
Window › Toolbars › Manage Toolbars… and Manage Toolbars… in the All Tools
drawer's menu open a dialog that lists the toolbars made with New Toolbar.
A name typed for the selected toolbar renames it, + copies the selected
toolbar or, with none selected, makes a new one, and the trash can deletes
it (https://helpx.adobe.com/illustrator/using/tools.html, Manage toolbars).
VectorCraft's own details:
- A rename applies at Enter, when the text box loses focus, or at OK. The
name follows New Toolbar's rules: not empty, at most 200 characters, and
not another toolbar's in any case.
- A copy is called "<name> Copy" (then "<name> Copy 2"), shows a little
below the toolbar it copies and below earlier copies; a new toolbar is
called "Toolbar N".
- Each change applies at once; deleting also removes the groups torn off
the toolbar.
- When the typed name is refused, a click on +, the trash can or another
toolbar is not applied, so the name can be corrected. When the selected
toolbar is deleted elsewhere while the dialog is open, none is selected.
- Renaming or deleting a toolbar closes the All Tools drawer and a group's
flyout open on it; a change of case only leaves them open, and the Tools
panel's flyouts and other toolbars' stay open.
- Each change shows under Window › Toolbars and is kept with the workspace.
New commands: window.toolbar.manage, window.toolbar.rename,
window.toolbar.duplicate and window.toolbar.delete, with catalog rows for
their labels in every language.
Docs: control-protocol.md, gaps.md, target-app-parity.md, ui-parity.md.
Part of #1759
On Windows, closing a socket with unread input resets the connection, and
the reset can discard the reply before the client reads it, so the test
failed under load. The request after junk is still covered by the
in-memory tests.
When the layers fail the comparison with the file's own page because some objects draw
differently (an object in another color, or one that only one side draws), the import finds
each top-level object whose bounds hold a patch of such pixels (the smallest one that holds it)
and replaces it with the page's art in its bounds, in the same way as an unread object. It then
compares the layers with the page again. When that comparison passes, the layers stay, and a
warning names the layer or sublayer of each replaced object (`<Layer>` for one without a name)
and how many were replaced on it. Like the warning for unread objects, this warning counts as
a loss, so an export or Save As to the file's own path needs `acknowledgeLoss: true`. A
replaced wrap object keeps its wrap options, and area type is wrapped again around the page's
art. Placed files at their other placement are tried too when the first placement can't be
kept.
The file still comes in as its PDF part, with the same reason, when only edges or type differ,
when a difference lies outside every top-level object, when more than half of the top-level
objects (or more than 64) hold one, when such an object is or holds type or holds a wrap object
inside a group, when the page's type of a text object that stays would be copied into a
replacement, when the page's art can't replace an object for the reasons it can't replace an
unread one, when matching the differences to the objects would take too much work, or when the
second comparison still fails. Trusting the editing data keeps the objects as read.
The task bar offered no Type on a Path item for a selected type on a
path: of the type actions, it showed only Create Outlines. It now also
offers Type on a Path Options, which opens the same dialog as Type ›
Type on a Path › Type on a Path Options, with the selected type's
effect, alignment and spacing filled in. Point and area type keep
their Convert To Area Type and Convert To Point Type buttons.
Select > Same > Font Family, Font Family & Style, Font Family, Style & Size,
Font Size and the text fill and stroke color commands took the type to match
from the first type found among the selected objects. Type that is hidden or
locked inside a selected group, type on a template layer and type outside the
isolated group could set the reference. They now take it from the type that
Link Block Series starts from, in the same selection order. A selection whose
only type cannot be selected returns "select a text object".
Dylan M. Taylor