Linked pages on their trim boxes were spaced by the 36 pt gap alone, so
with a large bleed one page's bleed box reached into the next artboard
and a page export could show part of its neighbor. The artboards are
now laid out once the document's bleed is known, 36 pt apart plus the
bleed on both sides: the document's bleed, or a page's own bleed box
where it reaches farther.
After Select All in a threaded story whose edited frame is empty, the
panel's commands style the text of every frame, but the checkbox rows,
Stylistic Sets and the East Asian items read only the empty frame. They
now read the runs of every frame, leaving out runs with no text while
any run has text, so a feature the story's text has shows checked and a
click turns it off.
With linkPages and cropTo: crop, a PDF-compatible .ai opened on its crop
boxes, while opening it as art uses its trim boxes. It now uses the trim
boxes too. A page on its trim box shows its bleed box round the
artboard, and the pages' bleed (the widest on each side) becomes the
document's bleed, as the importer sets it.
linkPages read and checked the whole PDF again for every page it
linked. The pages are now read from the file opened once. With
cropTo: bounding, a blank page stopped the open with "has no art to
place"; it now gets its crop box, as opening the page as art does.
linkPages refused other files but let a .ai whose page is only a
placeholder through, and each such page then showed the file's editing
data. A page read from editing data is now refused with the existing
error. The file is also hashed once for all its linked pages instead
of once per page.
An action or journal entry recorded before Scale and Reflect followed the
turned bounding box has no basis value. Replayed, such a step now acts along
the page's axes, as it did when it was recorded; steps recorded now carry
basis "box" and replay along the box. The built-in Reflect Horizontal action
names basis "box", so it keeps reflecting across the box's own axis.
The symbol test that reflects a turned instance names basis "page", which
is the reflection it was written for.
Object › Distribute follows Object › Align and lists Horizontal
Distribute Left, Center and Right, Vertical Distribute Top, Center and
Bottom, Horizontal Distribute Space and Vertical Distribute Space. Each
item runs the button's `align.distribute*` command, so it uses Align To,
the key object and the Distribute Spacing value, and with the Artboard
tool chosen it spaces the selected artboards.
Unit::parse took one level of recursion per + - * / sign, so a text such
as "1+1+...+1" with 200,000 terms overflowed the stack and aborted the
process. Every number field, parse_number and every command parameter read
as a length went through it.
Text with more than 128 + - * / signs now reads as nothing; text with 128
or fewer reads as before. docs/mcp.md states the limit for length strings.
The test a_very_long_expression_reads_as_nothing aborted with a stack
overflow before the change.
At a Type tool caret the panel's commands style all of the text, but the
checkbox rows, Stylistic Sets and the H or V Style and Roman Italics
items showed only the caret's style. A click could then turn a feature
off for the whole text while most of it did not have the feature. At a
caret they now read every character of the text: a mixed row shows a
dash, a mixed item shows unchecked, and a click turns the feature on
throughout.
The PSB row of docs/file-format-parity.md says the merged image comes in
clipped by the file's clipping path, as the PSD row does, and
docs/target-app-parity.md's evidence list gets a line for it.
dotCooCoo