A clip group whose clipping path is type with a fill or stroke lost that
paint when a group around it had a geometry effect. Outlining the type
for the effect replaced it with a group of glyph outlines, and a group
paints nothing as a clipping path. Distort effects lost it on the canvas
and in SVG and PDF; Transform effects that only move lost it in SVG and
PDF when other type in the group stayed type.
The type's outlines now clip, its fills become art behind the clipped
art inside the clip, and its strokes become art over it outside the
clip, as the canvas draws an unaffected clip group.
A startOffset given as a length now counts in the units of the
referenced element's pathLength, so pathLength="100" on a path 400
long puts startOffset="50" at 200. A percentage stays a share of the
computed length. A pathLength of 0 keeps an offset of 0 at the start
and puts any other offset past the end, and an offset too large to
scale starts at the path's end instead of its start.
https://www.w3.org/TR/SVG2/text.html#TextLayoutAlgorithmhttps://www.w3.org/TR/SVG2/paths.html#PathLengthAttribute
A triple-click with the Live Paint Selection tool on a face now selects
every face of its group with that face's fill, and on an edge every edge
of its group that draws with that edge's stroke paint. Hidden faces and
edges are left out. Before, a triple-click selected only what its third
click selected.
With Shift held, the parts are toggled from the selection there was
before the clicks: the tool keeps what the double-click and the Shift
clicks of the series toggled, and the triple-click toggles those back.
docs/target-app-parity.md's Live Paint Selection line says so.
Replace measured the image inside a PSD or PSB file's clip group only
when the new file brought its own clipping path. A plain image placed
with `replace` over such a clip group took only the group's center and
came in at 100%, losing the image's scale and rotation. The image in
the group is now measured whenever the new art is an image, clipped or
not.
set_by_not_rules tested every rule with a :not() against every element,
while matched_bytes, which charges the import's selector budget, counts
only the rules Index::candidates gives for the element. A style sheet of
many class-keyed :not() rules made the pre-pass test rules x elements
selectors that the budget never saw. It now loops over the same
candidates, which hold every rule that can match the element, so the
properties it returns are unchanged.
The writer compared the top object's patch with the one the reader makes
of the written grid on an even 9 x 9 grid of places. A split side can
change how the reader samples a short curve that falls between those
places, so a top object could be written live although the reader would
map the contents differently there.
Coons::places gives the places in u and v where the patch's sides have
points. Each side runs straight between them, so the writer now compares
the four sides of both patches at every one of those places, within a
third of the tolerance; a point inside a patch blends its sides and
corners, so the patches then lie within the tolerance everywhere.
An immediate paste that asks about swatch conflicts now records the
document it asked in. When another document is active at OK, the
dialog closes as Cancel does and pastes nothing, as Delete Brush does
(dialogs/brush_delete.rs). A deferred paste still goes back to the
document it was given in.
With the Transform group off, the bar no longer reserves room for its link
and X/Y/W/H fields before showing Select Similar Objects. Every control
ahead that is left out for room is now noted, and the button shows only
when nothing ahead was left out. The test sweeps bar widths with
Transform off.
BFlat