- When the faces that overlap form a cycle of depth orders, the order
broke the cycle only after drawing every face with nothing to wait
for, so a cap could be drawn before the walls and they painted over
it. A face drawn last now keeps its place: no face moves across it.
- A face with a corner at or past the eye, which the perspective
projection holds just in front of the eye, no longer gets a plane,
so its depth is not measured on a plane its drawing does not match.
- docs/three-d.md states the masked member rule in Groups as the
Fills and strokes section does, and docs/target-app-parity.md cites
the Inflate test by its name.
Extrude & Bevel, Extrude & Bevel (Classic) and Inflate sorted the fill
walls and the faces of a stroke that leaves gaps (dashed, profiled,
brushed) by one depth each, so a far stroke face could draw over a near
fill wall and the reverse. Two such strokes on one shape drew over each
other the same way, and Inflate drew a plain stroke as if it covered
the fill's edge, which an inflated fill can rise in front of.
- Each flat facet now carries its plane, so its depth can be measured
at any point under it, with orthographic and perspective views.
- Where faces of one shape's fill and strokes overlap in the wrong
order, the overlapping faces are ordered by their depths where they
overlap. A fill wall and its covering stroke keep their order.
- A face of a stroke that leaves gaps that passes through a fill wall,
a covering stroke's face or an earlier such stroke's face is cut
along the line where their depths meet, keeping its curved outline,
within the face limit and the paint allowance.
- Under Inflate, no stroke counts as covering the fill's edge.
- The faces go in one order when the fill and strokes are at full
opacity with Normal blending. A member of a 3D group with an opacity
mask or a blending mode of its own orders its faces inside it when
its own paints qualify. A gradient with transparent stops keeps the
one order with graphics on its cap, and so does Inflate in gradients
under a colored light. A solid color under a colored light, drawn as
one composite per surface, still draws each surface whole.
affinity-corpus.yml ran a local job; it now calls craft-common-actions
gate.yml with the same toolchain (1.95), environment and commands, and a
cache of its own. release.yml's git-sources copy is removed: the shared
release.yml runs the same check before any build.
Stroke is the widest feature that can be stroked, and it was applied to
each connected shape as a whole: a thick body with thin arms stayed one
filled area. Now a shape wider than Stroke somewhere keeps as its area
every disc wider than Stroke that fits in it, and each piece outside
those discs that reaches out of them at least one and a half times its
own width (and 3 px) is traced as a stroked center line. A line's end at
the area goes to the cut, so the line's cap closes the join. Corners and
edge slivers stay in the area, and a piece that cannot be traced stays
in it too. Shapes no wider than Stroke trace as before.
Each line keeps one width; without Fills, the area is still a 1 px
outline.
Docs: docs/target-app-parity.md.
The fuzz case counted objects that match the look style C applies, so a
C read with no paint also passed. It now also checks that C's look has
no fill and one red 2 pt stroke.
Mesh export checked the object's solids together by building all of them
before the first mesh. It now builds and counts each solid as the loop
reaches it, so a mesh past the triangle budget stops the export before
the solids after it are built.
The kept grid now records whether a type measure was registered, so a
grid built before registration is not reused when the registered inputs
number happens to be 0.
object.mesh.movePoint and object.envelope.setMeshPoint compare a handle
end with point plus handle, the form the caller sends, so a rounding
difference in (p + v) - p no longer turns an unchanged warp into a mesh
envelope with an undo step.
The fuzz case also loads its .ai library with graphicStyle.loadLibrary,
applies every style to the rich document's objects and then applies a
red 2 pt stroke style read before the fuzzed one, and checks that the
stroke style reaches the objects whenever the fuzzed text is only paint
operators.
The i18n test that main added for 3D refusals calls validate_three_d_at with this branch's (Option<usize>, usize) position: effect 0 of appearance item 0 is (Some(0), 0).
With Background Save and Background Export on, Package's OK on a dirty
document starts the package once the save's result arrives. That start
ran in background::after's callback, on the frame that applied the
save's result, so the worker took the frame's file access scope. The
desktop frame has no automation roots, so a package asked for by an
automation request confined to its roots could write outside them.
OK now captures the scope in force and starts the deferred package in
it, so the package is checked against the same roots as the save.
Adds a test with a half-transparent square that its own clip group,
its clipping layer, or two nested clipping paths together hide, so the
square no longer marks the DCS image under it.
A plain group holding just the image becomes its clip group again only
when the image takes its DCS file's clipping path. When Placement Options
clip the image, it goes into a new clip group as before, so a group the
user made around the image alone stays a plain group.
The check that decides whether a linked EPS file is DCS now gets the
file's size. When the bytes read hold the whole file, it reads them as a
full read does. A binary EPS header whose PostScript or TIFF preview ends
past the end of the file names no plates, so such a file keeps its
preview with lowResProxyEps on instead of going missing.
Validation built the Extrude & Bevel, Inflate and Rotate solids from the
stored shape, while drawing, Export 3D Object and Expand as Wireframes
build them after the geometry effects before the 3D effect. A Transform
effect with copies before Extrude & Bevel could pass the check and then
draw the source art. Validation now reshapes the object, the fill or
stroke, or a group's members with those effects first.
validate_three_d_at and validate_three_d_at_in take the effect's index
for an effect on the object too, so an edit checks the effects before
that effect, and effect.apply checks a new effect after the others.
With both guides of an axis past the same edge, the art keeps its size
from the other edge of the instance, or shrinks to the instance's width
or height when the instance is smaller than the art. The module doc,
AxisMap::new and the docs/target-app-parity.md entry now say so.
dotCooCoo