The i18n test that main added for 3D refusals calls validate_three_d_at with this branch's (Option<usize>, usize) position: effect 0 of appearance item 0 is (Some(0), 0).
Validation built the Extrude & Bevel, Inflate and Rotate solids from the
stored shape, while drawing, Export 3D Object and Expand as Wireframes
build them after the geometry effects before the 3D effect. A Transform
effect with copies before Extrude & Bevel could pass the check and then
draw the source art. Validation now reshapes the object, the fill or
stroke, or a group's members with those effects first.
validate_three_d_at and validate_three_d_at_in take the effect's index
for an effect on the object too, so an edit checks the effects before
that effect, and effect.apply checks a new effect after the others.
Extrude & Bevel (both kinds) and Inflate built every fill and stroke
solid of an object, each up to 163,840 faces, before any check, so one
effect on a path with many strokes or a group with many members could
build several times that. The solids are now built in order and their
faces counted together: once they pass 163,840 (VectorCraft's own
limit), no later solid is built, the object draws its source art, and
effect.apply, effect.setParams, Export 3D Object and Expand as
Wireframes report "The 3D surface is too complex; simplify the shape".
A stroke left out for its own limits is not counted.
Export 3D Object now builds Extrude & Bevel (Classic) meshes with the
Classic bevel options, so the exported solid matches the drawn one.
With Background Save on, Package's OK started the save of a dirty
document on the worker and then wrote the package whether or not that
save succeeded. With both preferences off, a failed save already stopped
the package, so the result depended on the preferences.
The package now starts only after the save is written, with both
preferences in every combination. With Background Export on, it is still
collected from the document as it was at OK and starts once the save's
result arrives; when the save fails, or asks a question first, no package
is written and the save's error stays in the status bar. With Background
Export off, the dialog shows the save's error.
background::after runs a step on the UI thread once a job's result is
applied.
The refusals of Extrude & Bevel, Revolve, Inflate, Rotate and their
Classic forms (art a 3D effect can't build a solid from, invalid
light, shadow, graphics and surface settings, and Expand as Wireframes
notes) now have an @msg row in every complete-message catalog, as do
the effect names and object kinds the messages name, so the status bar
shows them in the interface language. Parameter keys, numbers and
names keep their English form; command replies stay English.
A value a message quotes in "...", curly quotes or backticks, such as a
symbol's name, is shown as written instead of being looked up as a
message of its own.
With Smart Guides on, a selection moved with the Selection tool, Direct
Selection or a shape tool reached a ruler guide only within the Snap to
Point distance (2 px), while drawn points and bounding-box handles reach
it within the Snapping Tolerance (4 px). The move now uses the Snapping
Tolerance for the grabbed point and the edges, with and without Shift.
With Smart Guides off, Snap to Point keeps its own distance.
The characters of an inline graphic draw no glyph, so their fill and
stroke paint only their underline and strikethrough (not on a path or in
vertical type) and the ruby readings that layout draws with them (a
reading takes the paint of the first base character on its line, and
type on a path has no ruby). Without one, their pattern no longer counts
as painted for Find, selection-only Change and Print.
Version 4 marks sets with Select Object steps, so a build that reads
version 4 but has no select.storedPath accepted a Select Path set and
failed at the step during playback. Sets with Select Path steps now
save as version 5, Load Actions reads versions 1 to 5, and docs/mcp.md
and the file header say so.
A colorized image whose linked file is missing shows the placeholder
preview, whose pixels are not grayscale. paint.setFill skipped such an
image and added a fill item instead, while the Fill proxy showed the
image's colorize color. A solid color now replaces the colorize color.
While that color is a spot color, black or white, a process color is
refused, since the relinked pixels may have an alpha channel.
A print to a file and the print preview list their notes as saves and
exports do since #6920: what the job leaves out of the document or prints
differently first (art outside the imageable area, type in a fallback
font, transparency flattened for PostScript), then the notes on the
options (halftone screens and a fixed flatness that aren't written, copies
per sheet that don't fit, a printer profile left out, ink options that
name no ink). Each kind keeps the order it is given in.
The print layout, the PDF print and the PDF print plan return the notes
on the options in `setting_notes` beside `warnings`, as `ExportReport`
does. The status message after a print to a file names the first note,
so a fixed flatness no longer hides type printed in a fallback font.
A solid now shares its mapped graphics only with the run of solids just
before it that have the same opacity and blending mode. Before, it
joined any earlier solid with the same settings, so with members A, B
and C where A and C match, A's graphic was drawn after C and over B.
The Materials tab shows no artboard handles for graphics on a hidden
fill or stroke, which draws no solid and no graphics.
docs/three-d.md now says that pattern tiles in a graphic keep their own
colors instead of taking the face's light.
Space held while dragging out a new anchor already moved it, handles and
all, but the closing drag skipped it, so the closing anchor could not be
repositioned. The closing drag now moves the first anchor by as far as the
pointer moves while Space is held, its handles with it, and the drag
shapes the handles round the new place once Space is released.
path.close takes `at: [x, y]`, which moves the first anchor, its handles
with it, before `in` and `out` are placed. docs/mcp.md and the Pen line
in docs/target-app-parity.md describe it.
A Warp on a layer whose hidden circle keeps its shape past the budget
moves the layer's placed gradient from the layer's bounds to the warped
square's bounds, as the art and inside the art. Edited freeform points
on a path, on a group inside the art and on the art itself move from the
bounds before the warp to the bounds after it.
- The link watch and links.updateChanged look at a DCS file's plate files
of their own, so a changed plate file is read again.
- links.update and links.relink apply the file's clipping path to the
images in symbols, graph designs, patterns and masks too. When the new
file has no clipping path, a clip group holding the old file's clipping
path loses that path and stays as a plain group of the image, keeping
its id, name, visibility and transparency. The image keeps that path with its plates to tell it from a
clipping mask made in the document; a clipping path given another fill
rule in the document stays. An even-odd clipping path in the file is
kept as the same area under the nonzero rule.
- links.update and links.relink return the swatch warnings file.place
gives, including two files that add one ink in two colors.
- links.relink with copy fails for a DCS file with plate files of its own.
- file.place answers the image id of a clipped DCS placement as image,
and checks page and crop for a DCS file as it does for an EPS file.
- Print separations and Separations Preview take a spot plate's color
from the document's swatch of its ink, and a reduced image's plates
keep their coverage.
- Show DCS Transparency Interactions counts a transparent DCS image and
characters filled or stroked with a transparent gradient.
- %%PlateFile names keep their spaces, and header bytes that are not
UTF-8 are read as Latin-1.
- A plate program that draws more than one image, art besides its image,
or its image through a clipping path is an error naming the plate
instead of printing the wrong ink.
- Nested clipping paths around the composite clip the image together.
- A kept image with more plates than are read, or more TIFF directories
than its composite and plates, is the CMYK image of its composite
only, not a set of plates cut short.
- swatch.unused counts a spot or process swatch as used only while an
image the art shows has a spot plate of its name.
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