Saving a legacy .ai of version 7 flattens each transparent image at its own
resolution, limited only by total pixels. The renderer draws at most 32,768
pixels a side, so an image that came out longer than that at its resolution
was cut off and placed as if whole: the part past that length showed the art
under it without the image. The resolution is now lowered until the longest
side fits.
Print as Bitmap limited each page's image to 65,535 pixels a side, but the
renderer draws at most 32,768. A 9000 x 100 pt artboard at a 300 ppi raster
effects resolution printed as an image that stopped at 7,864 pt and was
placed as if whole. The resolution is now lowered until the longest side
fits.
Pasted art whose SVG filter is renamed to a free name ("Soft 2") had
the new name written into the filter's id. For a filter at the 64 KB
limit the longer id made it too long to draw, so the pasted art lost
the effect. Paste now takes the first free name under which the filter
still fits: a shorter start of its name ("Sof"), else a free letter or
digit. The filter's id is always the effect's name.
Threaded type read from a file was flowed through its frames before
the document's composite fonts were registered, so a story set in one
was measured in the fallback font. Frames then held the wrong share of
the story after opening, until a frame was edited. load_with now lends
the document's composite fonts while it lays out its threads.
Object > Rasterize and the redrawn path of Crop Image allowed images up to
65,535 pixels a side, but the renderer draws at most 32,768. A 100 x 5569 pt
rectangle rasterized at 600 ppi came back 32,768 pixels tall, and the bottom
29% of the art was gone. Such an image is now refused like one over the
64 megapixel limit, and the art stays as it was.
A centered label such as Q||1 has no baseline for its empty middle
line, so a label that keeps more leading was not moved back to its
place. The graph now centers a label whose first and last lines hold
characters, whatever the lines between them hold.
The tool-edit sweep sent `{"<key>": "on"}` for every documented key, so
`prefs.export` wrote a preferences file named `on` into crates/engine on
every run, and `folder`, `destinationFolder` and `diffPath` strings from
`junk_params` named locations under the working directory.
- `is_path_key` covers `path`, `diffPath`, `folder` and
`destinationFolder`; `safe_value` sends a temp file for a file key and
a temp folder for a folder key, and both sweeps use it.
- A new test builds both sweeps' cases for every command and fails when
a string under one of those keys is outside the temp folder, without
running any command.
effect.deferredStatus only lists the document's deferred stages, so it joins reviewed::ALLOWED. effect.refreshDeferred runs plug-in effects again, so it joins reviewed::DENIED, which fixes every_command_is_reviewed.
The flattener limited an image's resolution only by its total pixels, while
the renderer draws at most 32,768 pixels a side. A long area, such as a narrow
see-through gradient strip down a 2 m banner at 1200 ppi, came back cut off
at that length and was placed as if whole, so the rest of the strip was lost
in Flatten Transparency and in PDF/X-1a, PDF/X-3 and PDF 1.3 exports. The
resolution is now also limited by the longest side, as raster effects are.
`#strict on` and `//@strict on` no longer end the run as unsupported. They
turn on the checks the dollar-object help page gives for `$.strict`
(https://extendscript.docsforadobe.dev/extendscript-tools-features/dollar-object/):
an assignment to a read-only property throws a TypeError, and so does a new
property on an object that takes none.
VectorCraft's own rules: a getter-only property counts as read-only; the
objects that take no new properties are the non-extensible ones
(preventExtensions, seal, freeze, and the frozen vc and $ objects); the last
`#strict` line of the script and its includes sets the whole run, and runs
without one are unchanged; eval and Function take the checks of the code
that compiles them; a file $.evalFile runs keeps its own line's checks for
its code and functions, or takes the caller's without one. The rest of ES5
strict mode stays with 'use strict'.
The js crate carries the setting per compiled source
(Realm::set_strict_writes, and a strict_writes callback on
HostItem::Evaluator), and applies it only to property assignments.
When text.setGlyphAlternate leaves the text unchanged, it now reads
the glyph from the unchanged text. A character after the first in a run
that holds a glyph choice could be reported with its own glyph instead
of the ligature drawn for it, which text.glyphAlternates reports.
Pasted art whose svg.filter effect named one of the document's SVG filters
but drew another definition kept that name, so editing or deleting the
document's filter rewrote the pasted art's filter. Paste now renames such
a filter to a free name ("Soft 2") when the art comes from another
document or from SVG, and takes the document's filter when the art is
pasted back into the document it was copied from. Symbols, patterns,
brushes and graphic styles on the clipboard follow the same rule.
Category labels beside an axis and labels in pie wedges are centered
on their place by the default leading. A multi-line label that keeps
more leading or paragraph spacing ran down from that place instead.
The graph now puts the middle of such a label's first and last
baselines on its place.
A dimension selected with the art it measures became a plain group of
paths and text when Object › Expand, Object › Expand Appearance or
Object › Path › Outline Stroke ran, so it no longer redrew when moved
or restyled.
These commands now leave such a dimension's lines and label as they
are, also inside selected groups without fills, strokes or effects of
their own, and change only the other art. The dimension keeps its
export assets and variable bindings. When the new art no longer fits
the dimension's link, for example because the outlined stroke has
other anchors, the dimension stays where it was, no longer linked, as
it does when its art is deleted. Undo links it again.
When the dimension is all the command would change, the command
changes nothing and reports the error it gives for a selection with
nothing to change. Object › Expand… is no longer dimmed for the label
of such a dimension. A dimension selected without the art it measures,
a part of one, and one inside a selected group with an appearance of
its own still become plain groups, and Type › Create Outlines still
outlines the label.
Docs: docs/dimensions.md, docs/mcp.md, docs/target-app-parity.md.
With no glyph choice left on the character, text.setGlyphAlternate
returned the font's default glyph for it: 0 for a character the font
lacks, which a fallback font draws, and the lowercase glyph for a
letter under All Caps. It now reports the glyph the character is drawn
with, as text.glyphAlternates does.
A <text> in a <clipPath> was dropped with a warning, so a clip path made
only of text had no content and the art it clipped was hidden. The
clipPath content model in CSS Masking Module Level 1 lists text and use
(https://www.w3.org/TR/css-masking-1/#ClipPathElement).
The importer now clips by the text's glyph outlines, together with any
shapes in the same clip path, and keeps clipPathUnits, the transforms,
clip-rule, visibility, the conditional processing attributes and a clip
path on the text. A <use> in a clip path that shows a text clips the
same way, placed by the <use>; a clip path on the <use> applies in the
<use>'s user space, and a reference goes to the first element with the
id. When the clip path holds only one visible text, with no clip path
of its own and no even-odd clip rule, the clipping path of the clip
group is the text object with no fill or stroke, the same structure
Make Clipping Mask produces for type. A text or a <use> with an id in a
clip path can still be shown by a <use> outside it. Each text's
outlines are laid out once, however many elements use the clip path.
A transform set by a style rule or a style attribute on a text now
places it, as it does a shape. Before, only the transform attribute was
read, inside and outside clip paths.
The legend measured each label with System Layout off, while the graph
draws the labels with the document's setting. With System Layout on,
a long legend label could run over the next swatch in Legend Across
Top. The legend now measures labels with the same setting.
BFlat