Add Line Arrow, a 41st generated arrowhead: two arms as thick as the line
(at 100 % scale) meeting at right angles in a sharp tip, cut square at their
ends. It is saved by the new name `LineArrow`, appended so existing names
stay stable, and listed third in the arrowhead menus after Arrow (open).
Its arms spread four weights either side of the line, twice as wide as the
other heads, so Arrowhead now states its own reach and half width. Visual
bounds and clicks on the canvas (head_reach, head_contains) use them instead
of one fixed 4.6 x 2 box; every other head keeps the sizes it had.
Tests: the outline test checks each head against its own reach and half
width; a new test checks the line arrow's tip, corners, open middle and arm
thickness; outset_covers_arrowheads checks that the wider head grows the
outset; the saved-name list includes LineArrow.
An image in a Separation color space opened as an RGB image: its spot ink
was lost (no plate in Separations Preview), and Fill and Recolor Artwork
didn't reach its color.
It now opens as a grayscale image of its tints (white where it lays no
ink, black at 100 %, its Decode array applied; 1 to 16 bits a sample, or
one gray channel from its JPEG, CCITT, JBIG2 or JPEG 2000 decoder),
colorized by its ink at 100 %: the spot swatch, a process plate's CMYK
color, or Registration. Its mask becomes its opacity mask, as a CMYK
image's does. The ink is found by the image's color space among those the
file defines, once per image. The ink None, an ink whose color can't be
told, images inside an alpha soft mask, inline images and DeviceN images
open as before; samples that can't be read open in RGB with a warning, and
the ink gets no swatch.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A mark glyph's vertical translation started a new draw_glyphs batch, so
krilla received the cluster's source range again and mapped its
characters twice. Copying or searching the exported PDF then found
doubled letters for Arabic harakat in any font, and for every dotted
letter in fonts that draw dots as zero-advance mark glyphs (Noto Sans,
Naskh and Kufi Arabic).
Keep compatible glyphs on the same layout line in one batch and carry
their relative vertical placement as per-glyph y_offset; horizontal
placement is unchanged (next_x - x advances). Font, size, linear
transform, line/column, paint run, list marker and hyphen boundaries
still split batches. Krilla keeps owning cluster mappings and
ActualText. No importer change.
Regressions decode the content stream and ToUnicode maps: one batch per
layout line, no duplicated cluster assignment, one ActualText per
multi-glyph cluster, contours within 0.05 pt of outline export; mixed
scripts, vertical columns, path rotations and PDF/X variants covered.
The reader round-trip stays an ignored test until the importer consumes
ActualText (#6165).
Addresses #6309.
Editable PDF import derived characters from glyph Unicode/CID mappings
even when the enclosing marked-content sequence supplied /ActualText.
A span that paints "xy" but says "AB", followed by "C", imported "xyC".
Track the outermost replacement owner per span (absent, explicitly
empty, consumed), decode it with the existing PDF text-string decoder,
emit it once at the first placeable glyph, and let the remaining glyphs
of the span advance the pen without phantom character slots or
inferred spaces. Authored stretches keep their logical order while
adjacent ordinary text still goes through visual-to-logical
reconstruction. Glyph identity still drives font matching. Depth and
size are bounded; oversized or unbalanced spans fall back to glyph
mappings with a warning.
Outlines mode and PDF export are unchanged. Parity docs updated,
scores unchanged.
Fixes#6165.
A PDF image mask (`/ImageMask true`) painted in a solid color opened as an
RGB image with the color in its pixels: Fill and Recolor Artwork didn't
reach the color, a spot color lost its ink, and the same mask painted again
in another color took the first one, because the painted image was cached
by the mask alone, and so did an uncolored pattern whose cell draws a mask.
It now opens as a grayscale image of what it paints, colorized by that
color, as the .ai reader opens a 1-bit image mask (#5790). A spot color
keeps its swatch and tint. The page's walk counts paths, not images, so the
ink is found from the color space. Readings of a pattern cell are told
apart by colorized images' colors too. Inside an alpha soft mask, or
painted with a pattern, a mask opens as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
copyFrom only writes paints enabled for pickup and apply, and paint, Transparency and the Eyedropper record an undo step only when the override changes.
copyFrom still edits the part when reverse, append and defaultsOnly are false, and reverse copies onto source. transparency.set records an undo step only when the override changes.
A picked part takes transparency and the Eyedropper only when those calls omit their other targets. Art, Pattern and Bristle brushes, native Wayland and the web still do not take tilt, bearing or rotation.
Move form transforms into page space so Quartz keeps gradients aligned with their artwork. Add macOS rendering regressions and round-trip coverage for transparency, masks, layers and overprint.
Update the fix for the shared craft-pdf writer and the split exporter modules. Preserve upstream mask, coordinate-limit and layer-box fixes, moving the layer's paper bounds into the form's new space too.
Verified all three Quartz regressions fail on upstream 65adb7b21 and all five gradient-form tests pass with the fix. The new translated-layer regression also fails without moving the layer's paper bounds.
Before the final rebase onto 782f213e4: 463 PDF tests passed (one existing ignored test), workspace fmt, PDF Clippy, wasm, pdf-deps, layers, assets and brands passed. The final rebase reconciles documentation only; the PDF crate is unchanged from that tested revision.
After the final rebase, workspace fmt and Clippy pass. Full cargo xtask ci timed out while compiling workspace tests, so the full test suite and remaining CI stages did not complete. The earlier macOS Clippy blocker has been fixed upstream.
Direct Selection of a path, compound path or type inside a dynamic instance now applies transparency and gradient or pattern fills through the usual paint commands, and the G5 docs catch up on Overlap and Pattern auto corners.
On macOS the canvas paints tool cursor glyphs into the frame, so they
trail the pointer by a frame or more (#2292). This interim adapter
delivers the same glyphs as native NSCursors, which AppKit moves
independently of canvas redraws.
ui-egui prepares cached 1x/2x RGBA requests from the existing cursor
rasterizer and hotspots (transparent padding only) and keeps returning
a visible system fallback icon. The desktop host builds NSImage/NSCursor
objects with point-sized images and hotspots, owns cursor-rectangle
suspension and restoration, and hands the cursor back on menu tracking,
focus loss, empty passes, cursor overrides and shutdown.
Windows/X11, Wayland and web delivery are unchanged. No artwork, no
production unsafe, no new dependency package: only four AppKit features
are enabled on the already-shipped objc2-app-kit. Remove once the pinned
winit sizes macOS cursor images and hotspots in points.
Addresses #2292.
docs/mcp.md: vectorcraft-cli's mcp and run sessions keep the words in the file too; only without preferences do they last until the app closes. docs/type-parity.md: the custom dictionary commands are done and only the dialogs and Auto Spell Check remain, with the evidence at the end of the row.
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