With colored lights a surface can be one clipped composite of its facets. The comment above the plain check now states that every surface of such a solid, masked ones included, draws whole in member order.
With Extrude & Bevel, Extrude & Bevel (Classic) or Inflate on a group
or an object with fills and strokes, a solid whose gradient has
transparent stops carries an opacity mask, and it was drawn as one
whole surface in the order of the members. It could cover a solid in
front of it or hide behind one it is in front of. Its faces now take
their places in the one back-to-front order of every solid's faces, in
runs that each carry the solid's opacity mask. A run splits only where
a face drawn after it overlaps the next face.
Paragraph Style Options and New Paragraph Style gain a Tabs section. It
lists the style's stops and edits the selected stop's Alignment, position
(X:, or Y: for vertical type), Leader and Align On character. Add puts a
left stop 36 pt past the furthest one, Delete Tab removes the selected
stop, and Clear All Tabs leaves the style with no stops. OK sorts the
stops by position and keeps the stop edited last when two share one
position. Reset Panel removes the style's tabs.
paraStyle.new, paraStyle.setAttrs and paraStyle.edit check changed tabs
stop by stop: at most 256 stops, and each changed stop's position from 0
to 100000 pt and leader of at most 8 characters. Stops the style already
has are kept as they are. Changed tabs are sorted by position, keeping
the first of stops at one position. text.tabs.set rejects a leader longer
than 8 characters, an Align On value of more than one character and more
than 256 stops. Loading paragraph styles skips a style whose indents,
spacing, hyphenation, justification or tabs are out of range.
Docs: docs/mcp.md, docs/target-app-parity.md.
flat_charged and the property-key path now root the rope itself, so a string held only by
native code (a getter's result for ++o.x, a valueOf result, a toString key) still counts
what it holds when the reservation collects. The per-call roots for these cases are removed.
When the flattened copy of a String object's concatenated string would pass the heap limit
before a collection can run, the indexed read walks the rope to the unit instead, taking a
unit of fuel for each node it visits, so no copy is made.
Inside braces, a line such as `#include$size = 1` was taken for an `#include` line, because only the ASCII letters, digits and `_` after the `#` were compared with the directive names. The name now runs over every character a name may hold, written out or as an escape, before the comparison.
On Windows, removing a copy whose path runs through a file reports the copy as missing, so the removal counted as done and the file in the way went unreported, while a listing names it. The removal now names that file, and a copy that is just not there still counts as removed.
effect.deferredStatus lists a stage in the art of a symbol, pattern, brush
or opacity mask by the id of the object in that art. effect.refreshDeferred
took such an id only while the object still had a deferred stage; an
existing object there without one was refused as no such object, while a
layer object without a stage was accepted. An id is now valid when it names
an object in the layers or in that art, an object without a stage adds
nothing to the counts, and an id of no object is an error.
The params text and docs/mcp.md said `id` names one object, but the params
text did not list the key, so `{id: N}` was refused as an unknown
parameter. It is now `{ids?|id?}`, and the command checks only the form of
the ids before it looks them up itself.
The requested ids are held in a set while the art is walked, and only those
with a stage are handed to the refresh.
- wrapping a string no longer flattens it, so Object(s).length and new String(s) on a large concatenated string make no copy and cannot collect while a call's operands are off the stack
- reading a String object's character by index, `in` and hasOwnProperty count the flattened copy at the next limit check, and the run ends before the copy when the fuel for it is not left
- unary plus on an object whose valueOf returns a concatenated string, and a property key from toString, keep that string rooted while its copy is reserved
- the unshift comment cites step 6 of section 15.4.4.13
A command given a key without a modifier did not open the slider or
dialog that its menu item and its chords open. With Smooth on F,
pressing F opened no slider, and Offset Path, Reflect, Average, Split
Into Grid, Vector Halftone, Divide into Dashes and Find Nearest Swatch
changed the document at once with their default values. The single-key
handler ran the command directly, while a chord goes through the menu's
route. Single-key presses now take the chord's route (run_hit), so
Smooth and Simplify show their sliders, and Offset Path, Move, Rotate,
Scale, Reflect, Shear, Transform Each, Average, Average & Join, Split
Into Grid, Vector Halftone, Rearrange All Artboards, Pathfinder Options,
Arrange in Grid, Divide into Dashes and Find Nearest Swatch open their
dialogs. Commands without a dialog still run at once. On that route a
single key also finishes a pending tool edit before its command runs,
as a chord does.
Holding a key that opened a dialog or the palette no longer types into
it: the key's repeats and the text they type are held back until the
key is let go. With Move on F, holding F typed "ffffffff" into Move's
first field. A shortcut that opens a dialog or the palette also stops
the shortcuts after it in the same frame, single keys and chords alike,
so they no longer change the document behind the dialog.
The drag out of the rulers' corner was ended only by the rulers' own
input, which the canvas skips while the rulers are hidden (View › Rulers,
Presentation Mode). Hiding them mid-drag left the drag's snapping guides
on the canvas and its state open until the rulers came back.
The canvas now ends the drag, cancelled, while the rulers are hidden,
through the same helper a release uses.
The zero point dragged out of the box where the rulers meet snaps as a
Pen or shape tool's point does: with Smart Guides onto the anchors,
centres, edges and paths of the art and the artboards or into line with
them, with Snap to Point onto the anchors and along the ruler guides,
else onto whole pixels or the grid. The guides showing what it snapped
to show during the drag and go when it is released or cancelled
(Escape, focus loss, another document). The origin is still set once,
on release (document.setRulerOrigin, one undo step).
The engine snaps it (Session::ruler_origin_drag, with the tools crate's
rulerguide::OriginDrag over PointSnap::drawn), as it does a guide
dragged out of a ruler.
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