Mesh export checked the object's solids together by building all of them
before the first mesh. It now builds and counts each solid as the loop
reaches it, so a mesh past the triangle budget stops the export before
the solids after it are built.
The kept grid now records whether a type measure was registered, so a
grid built before registration is not reused when the registered inputs
number happens to be 0.
object.mesh.movePoint and object.envelope.setMeshPoint compare a handle
end with point plus handle, the form the caller sends, so a rounding
difference in (p + v) - p no longer turns an unchanged warp into a mesh
envelope with an undo step.
The i18n test that main added for 3D refusals calls validate_three_d_at with this branch's (Option<usize>, usize) position: effect 0 of appearance item 0 is (Some(0), 0).
With Background Save and Background Export on, Package's OK on a dirty
document starts the package once the save's result arrives. That start
ran in background::after's callback, on the frame that applied the
save's result, so the worker took the frame's file access scope. The
desktop frame has no automation roots, so a package asked for by an
automation request confined to its roots could write outside them.
OK now captures the scope in force and starts the deferred package in
it, so the package is checked against the same roots as the save.
The check that decides whether a linked EPS file is DCS now gets the
file's size. When the bytes read hold the whole file, it reads them as a
full read does. A binary EPS header whose PostScript or TIFF preview ends
past the end of the file names no plates, so such a file keeps its
preview with lowResProxyEps on instead of going missing.
Validation built the Extrude & Bevel, Inflate and Rotate solids from the
stored shape, while drawing, Export 3D Object and Expand as Wireframes
build them after the geometry effects before the 3D effect. A Transform
effect with copies before Extrude & Bevel could pass the check and then
draw the source art. Validation now reshapes the object, the fill or
stroke, or a group's members with those effects first.
validate_three_d_at and validate_three_d_at_in take the effect's index
for an effect on the object too, so an edit checks the effects before
that effect, and effect.apply checks a new effect after the others.
With both guides of an axis past the same edge, the art keeps its size
from the other edge of the instance, or shrinks to the instance's width
or height when the instance is smaller than the art. The module doc,
AxisMap::new and the docs/target-app-parity.md entry now say so.
A selected warp envelope now shows the points of its surface on a 4x4
grid (8x8 or 16x16 where 4x4 strays more than 0.1% of the warp's
diagonal from it). object.mesh.movePoint, movePoints, addLine,
deletePoint and object.envelope.setMeshPoint accept a warp: the first
edit turns it into a mesh envelope on that grid and applies the edit as
one undo step, so Undo or Escape gives the warp back with its style and
bend. An edit that moves no point leaves the warp and adds no undo
step. A warp that no such grid follows (some version 0 maps) shows no
points and its edits fail without changing anything.
movePoints and setPointColor on a gradient mesh record no undo step
when they change no point.
The dialog stored the scroll area's offered height as its content
height, which is taller than a short section draws. The room it gave a
longer section after a switch then left too little for the rest of the
window, and on a small screen OK and Cancel went below the screen. It now
stores the height the scroll area shows, the smaller of the offered
height and the content's height.
A changed content height also lays the frame out again before it is
shown, so the window is placed at its new size in the frame of the
switch rather than one frame later.
#5748 moved the Pencil's and the Paintbrush's Fidelity to screen pixels, but
docs/ui-parity.md still gave it in points. The Pencil row now gives the
slider's rail, the field and the key steps in px, and says the tool sends
path.freehand the value in points at the current zoom.
The Pencil row also appeared twice, the second copy without the Fidelity
text. The two rows are merged into one.
The comments on FIDELITY_MAX, fidelity_step, fidelity_at and fidelity_from
in the Tool Options dialog name the tool's unit, since the slider is shared
with Smooth and Blob Brush, which stay in points.
With the lowResProxyEps preference on, opening a document kept the saved
preview of a linked DCS file, so the link showed as EPS without its
plates. Opening now reads the first 1 MiB of each such EPS file and reads
a DCS file in full. The whole file is read only when a binary EPS header
puts the PostScript past those bytes or the header comments run past
them. Other EPS files keep their preview.
In the Touch workspace, a two-finger tap on the canvas now switches
between the Selection tool and the drawing tool chosen last, as the
help page describes. It no longer undoes there; outside Touch a
two-finger tap still undoes, and a three-finger tap still redoes in
every workspace.
- New UI command tool.toggleTouchMode (Switch Selection and Drawing
Modes, {} -> {tool}). From the Selection, Direct Selection, Group
Selection, Magic Wand, Lasso or Perspective Selection tool it chooses
the drawing tool chosen last in the window, or the Pencil tool when
none has been chosen; from any other tool it chooses the Selection
tool. The Hand, Rotate View, Zoom and Print Tiling tools never become
the drawing tool. It adds no undo step.
- These tool lists and Pencil as the first drawing tool are
VectorCraft's own rules.
- The label is in every catalog. Docs: docs/mcp.md, the touch row of
docs/hardware-parity.md and docs/target-app-parity.md.
After a rotation the Selection tool already shows and drags a bounding
box turned with the objects, but the Free Transform tool still used the
page-aligned box. Its handles sat on the wrong corners, a side handle
scaled along the page axes, and Perspective Distort and Free Distort
started from a box that did not match the art.
- The Free Transform tool keeps the selection's turned box for the
drag. Handles, the rotate zone and the move zone are read in its
frame; a handle scales along the selection's own sides from the
opposite handle (or the center with Alt) and snaps as the Selection
tool's does; Cmd/Ctrl on a side handle shears along that side; the
outline, handles and cursors are drawn on the turned box.
- Perspective Distort and Free Distort move the corners of the turned
box. `object.distort` takes `angle?` (degrees): `from`, or the
selection's bounds without it, is then a box in the frame turned by
that angle. Upright boxes send the same params as before.
- The Scale and Reflect tools, their dialogs and commands, and the
Transform panel's flips keep the page's axes.
Docs: docs/mcp.md, docs/target-app-parity.md.
A new Type preference, Show samples on white (`fontSamplesOnWhite`, off
by default), draws each family's sample in every font menu, and in
Type → Font in the in-window menu bar, in the Light brightness's text
color on a white area, in every interface brightness. A row's white
area is drawn while its sample is still rendering, and leaves 2 pt above
and below it where a highlighted row's color shows. The family names and
the rest of the menu keep the interface's colors. Preferences dims the
checkbox while Enable in-menu font previews is off.
Docs: docs/mcp.md (prefs), docs/target-app-parity.md evidence line.
BFlat