A <use> in a clip path that shows a text kept only one clip path when
both carried one: the text's own applied, and the <use>'s was dropped
with the warning "clip path of ... in a clip path ignored: the text's
own applies", so art that the <use>'s clip path should hide showed.
The placeholder for such a text now clips by a clip path that holds
both: the text's clip path in the text's user space and the <use>'s in
the <use>'s, each on a rectangle over the text's bounds so a clip path
in bounding box units still measures the text.
Merge carried each old edge's paint only to the new edge nearest the old
edge's middle, so when an added path cut a repainted edge, the other
piece went back to its source's stroke. Every new edge whose middle lies
on an old edge now takes that edge's paint, with its rows fitted to its
part of the edge, as Gap Options does.
Reverse Path Direction reversed each member path of a compound path and
turned the members' own stroke records, but left the compound path's
strokes as they were. A compound path's strokes run along its members'
subpaths in order, so its width profile and pen pressure, tilt, bearing
and rotation then ran the old way and the stroke drew differently.
reverse_stroke_records now also takes a compound path, reading its
members' subpaths in order, and path.reverse turns each compound path's
strokes with the combined reversal of its members before they reverse.
As for a path, the strokes turn only when every subpath turns alike.
Show Code in the SVG Options dialog that File > Export Selection opens
encoded the whole document at the first artboard, while OK writes the
selected objects alone, cropped to them. The code view now encodes the
same selection document OK writes, without the artboard options, and
encodes it again when the selection changes.
show_hidden_characters_lays_out_only_type_that_changed retries its two
frames when another test changes the fonts or the hyphenation exceptions
between them. Every retry set the same text, which after the first
attempt is no edit, so the object kept its marks and the test failed
with "the edited object is laid out again". Each attempt now sets
different text.
File > Save to the document's own file planned the save with acknowledgeLoss
set, so that only its own path was asked about, and then wrote that plan. With
the acknowledgment in the plan, the files written beside the path (an EPS
saved with Use Artboards writes one per artboard) were not checked against the
file the document was read from. A document opened from one of those artboard
files, with things left out when it was read, was written over by File > Save
without the question. Save As and Save a Copy already plan again without the
acknowledgment before writing; File > Save now does the same.
Follow-up to #6751.
* CI: FreeBSD builds with two jobs
The nightly FreeBSD run has been killed for memory (exit 137) while
compiling the workspace's test targets, on both architectures, every
night since at least 9 November. Two rustc processes at a time fit in
the VM's 12 GB.
* CI: one FreeBSD build job at a time
With two jobs the engine and ui-egui test builds were still killed when
they compiled together.
A quoted CSV cell keeps its line breaks, and a category or series label
draws each one as a new line, as it does a `|`. Labels beside an axis or
in a wedge counted their lines by `|` alone, so a label with a line break
was set off center, and with kept leading or paragraph spacing it was
not moved back to its middle when the graph was drawn again. The label
now counts lines in the text it lays out.
Follow-up to #6574.
An SVG keeps only its text variables, so the values of its visibility, image and graph variables are passed over unread, and one that Load Variable Library would refuse no longer keeps the text variables from opening.
The test for a Calligraphic path followed by samples of the pen varied
the diameter, roundness and angle with the pen all at once. It would
still pass if the reader checked only one of the three settings, left
out Tilt, or tested the pen modes and the variations separately.
- Four new cases vary one setting with the pen and fix the other two:
the diameter with the pressure, the diameter with the tilt, the
roundness with the bearing and the angle with the rotation. Each
keeps the drawn look with its note.
- A new brushed case pairs a Random setting that varies with a pen
setting that varies by 0. The path comes in brushed.
Follow-up to #7367.
The panel collected the objects for its nested rows from the document
as it is between commands, where the art of the stored brushes is not
set, so rows whose owner is a brush found no object and drew a blank
thumbnail. When an id is not found otherwise, the panel now sets that
art on a copy of the document, as links.list does, and collects the
objects from it. A recheck of the files at the same revision keeps the
objects collected before.
The Links panel menu gets Copy Info, which runs the new UI command
links.copyInfo {ids?}: the file names of the selected rows (or of ids),
one per line in the order the panel shows them, go to the clipboard.
The item is off with no row selected. An id that is not an image or a
placed document, or a malformed ids, is an error and leaves the
clipboard as it was.
A computed name such as o[key], where key's toString returns a rope,
is flattened into a copy that only native code held. A getter or
setter that started a collection dropped that copy from the heap
estimate, so the live heap could pass the limit by one name per
nested access. Indexed reads, ++ and -- on an indexed property, and
Object.defineProperty now keep the converted name reachable while the
accessor runs.
The rename field in Export for Screens tracked the artboard by its index. If the
artboards changed order while a name was typed (a command from the control channel
or MCP), Enter renamed the artboard that had moved into that index. The field now
tracks the artboard by its id and by the document it was opened in. When that
artboard is deleted, or another document becomes active, while its name is typed,
the field closes, no artboard is renamed, and Escape closes the dialog again.
The Japanese row in docs/localization-parity.md said every message is
translated, and the Japanese catalog line in docs/target-app-parity.md
said 38 messages were missing, one of them waiting on #7214, which has
merged. On main the untranslated report lists 98 messages without a
Japanese row, 77 of which every complete-message language lacks. Both
lines now give the counted rows and the report's count, and name the
open pull requests that translate part of them.
A block's line took the tallest ascent and deepest descent of its
characters, or the height of the stack's em boxes, whichever was larger.
The top block line's characters reach above the stack by their ascent
past the em box, and the bottom line's below it by their descent, so with
a wide Line Gap the line was too short for them. The line's ascent and
descent now also take in each character's reach from its own block line's
baseline.
PDF, EPS, print and DXF export place each symbol instance whose art has
live effects as that art, baked. The bake followed only an object's
children, so an instance in the art of an enabled opacity mask stayed an
instance, and the mask was written with the symbol's stored art and
without its effects. A symbol whose art used such a symbol only inside a
mask was not placed either.
The bake now also looks into the art of enabled opacity masks: that art
is baked one level deeper and written back to the mask, and symbols that
use a placed symbol only inside a mask are placed too. Disabled masks
and the masks of objects the export leaves out stay as they are.
- Outline Stroke on a graph's strokes, including Object > Expand with
Stroke on, adjusts the bounds the graph keeps, the same way
Create Outlines on its labels does. Before, the stroke outlines
changed the bounds of the art without type, and the next redraw
stretched the plot by the width the outlines added.
- A graph that keeps `placedArt` and has no art other than type left
is no longer measured on the bounds of all its art. A label edit on
such a graph moved and stretched the plot at the next redraw; the
plot now stays where it is.
- A redraw no longer measures a move or scale on art that has no width
or no height now, such as a graph left with one axis line. Before,
the plot collapsed to no width.
- A clipping group in a graph that holds type is measured on its clip
when the clip does not depend on type, so moving art outside the clip
does not change the bounds. Blends, envelopes and repeats are
measured whole, as they are drawn.
- The doc crate's helper is named `graph_art_without_type` and sits
with the file's other free functions.
- docs/mcp.md lists Outline Stroke and states that moving an outlined
label, a swatch, an axis or a tick mark on its own can move or scale
the plot, and that a graph left with only labels, or with art that
has no width or height, does not follow a move.
- Tests: a scale of the graph made before outlining a label, a move of
a graph opened from `.ai` after its label is restyled and moved,
Outline Stroke after a move, a graph left with only its labels or
with one line, and clipping groups holding type.
Effect > Blur > Radial Blur... has a Blur Center box. A press or a drag
in the box sets the point the spin or zoom starts from, the arrow keys
move it 1% (10% with Shift), and Horizontal and Vertical fields take the
same position in percent. Screen readers get the box with both values.
- blur.radial takes centerX and centerY, from 0 to 1 across and down the
object's bounds (0.5 each by default), so the center moves and scales
with the object. An effect saved without them draws as before.
- effect.apply and effect.setParams refuse a value outside 0 to 1, or
one that is not a number; a saved one draws at the nearest edge.
- The raster's margin is measured from the center, and the center stays
in the object's own bounds when a Rasterize splits the stack.
- Params text, docs/mcp.md, the evidence line in
docs/target-app-parity.md and a Blur Center row in every catalog.
BFlat