The doc comments of read_samples, with_room and extra_samples_tiff_rgba
name the SampleFormat check, and those of tiff_source and tiff_inks name
the 64-sample limit, the SampleFormat check and the decoder row check.
read_samples gives the decoder's limit as 256 MiB.
the_planar_copy_is_allocated_at_its_length copies 33 samples and checks
that the copy has room for at least 33 and fewer than 64, the room a
copy grown as it was filled ends with, rather than an exact capacity.
Each run is rewritten in pieces between the ruby spans' ends, so no
replacement joins characters across one, and each span is moved to where
its characters land in the new text. Expert Fractions treats a digit of
any script next to a fraction as part of a larger number.
livePaint.strokeEdge wrote the paint and weight into an edge's topmost
stroke even when that stroke was hidden. An edge whose hidden top stroke
sat over a drawn one kept drawing its old paint, and since the edge
scopes now match the paint an edge draws, a samePaint or connected
stroke reached such edges and changed nothing on screen. The command now
paints the topmost stroke that is shown, and adds a stroke above the
others when every stroke is hidden or there is none. The "nothing
changes" check reads the same stroke.
The doc comments of the scopes and of the press record describe the
drawn stroke paint, and the engine names Paint through its parent module
instead of in the import list. Live Paint Selection's comment on a
triple-click states that the tool takes no action on it.
New tests cover the edge the tool matches on a multi-click over a hidden
or fully transparent edge, the connected edge scope through transparent
and hidden edges, and painting the shown stroke.
When Gap Options cut an edge in two, each piece took the old edge's
stroke rows unchanged: both arrowheads, the dash phase of the edge's
start, and a brush or width profile spread over the whole edge. Each
piece now takes those rows fitted to its part of the old edge, as Make
fits a source path's rows to the edges cut from it.
File › Open's Import PDF dialog gets Import PDF pages as links. With it on,
each page picked opens as a placed document linked to that page of the
file, on an artboard of its Crop To box and a layer named after the page,
in place of editable art. The Links panel lists each page, and Embed makes
a page editable.
document.open takes the matching linkPages param. It is refused for a
file that is not a PDF or a PDF-compatible .ai, for bytes without a path,
with a password and with textAs: outlines. The pages share one copy of
the file, and the document opens in CMYK when most of its pages do.
Save asks for a name, as for other partly read PDFs.
Perspective Grid Options gets the two Automatic Plane Positioning
checkboxes, Anchor Point of Perspective Artwork and Intersection of
Gridlines. With the Perspective Selection tool, Shift held over an
anchor point of art in perspective, or over a gridline intersection,
with no button down, moves the active plane through that point and
hides the other planes. A plane made active then passes through the
same point. The plane goes back to its place once an object is drawn
on it or attached to it, when the grid hides or no plane is active,
when the file is opened again, and with Escape.
- perspective.plane.infer {at?, tolerance?, clear?} positions, reads
and clears the held point, which is view state, not an undo step.
- perspective.widget.options takes anchorPoint and gridlineIntersection,
both on by default and kept with the preferences.
- perspective.plane.move moves a held plane from where it is held.
The PDF/X-1a case of tagged_tiffs_keep_their_icc_profile also exports a
16-bit gray TIFF with a gray profile, kept as it is, resampled and
compressed with JPEG, and checks each written file with the PDF/X-1a
check as well as its image color space.
dotCooCoo