With one Objects on Path group selected, the Selection and Objects on
Path tools show a round handle beyond the top of the group's first
object, joined by a line to its attachment point. Dragging it adds the
angle the pointer turns about that point to the group's Rotate, previewed
while dragging and kept as one undo step on release
(object.objectsOnPath.options). Shift turns in 15 degree steps, Escape
cancels the drag, and the pointer shows the rotate cursor over the
handle.
Docs: docs/target-app-parity.md, docs/mcp.md.
Gutters and the first-baseline minimum were capped at 10,000 before the
art's scale was applied, so a Large Canvas file could bring in a gutter
of up to 100,000 pt, past the limit text.areaOptions sets. The cap now
also applies to the scaled value.
Area type made from the editing data's text document came in with one
row, one column, the 18 pt gutter and the Ascent first baseline,
whatever its frame kept. Each area frame now keeps its rows and columns,
the gutter between rows and the gutter between columns, and its first
baseline (Fixed, Cap Height, Leading or x Height) with its minimum,
scaled with the art's units. Each frame of a thread keeps its own, and a
key that is missing or can't be read leaves that option as it was. A
first baseline the frame keeps is no longer replaced by the fixed one
that matches the file's first line.
AreaOptions gets row_gutter (rowGutter, left out while unset), which
layout spaces rows by; text.areaOptions takes and reports rowGutter, a
gutter given alone sets both, and the Area Type Options dialog shows
Row Gutter.
Every graphic in a version 7 wraparound group (`*w` … `*W`), before
or after its type, is now a wrap object with an offset of 0 instead of
the 6 pt default, and a group with no type in it marks all of its
graphics. A graphic before the type is below it, so the type flows
around it only after it is moved above. Operands on `*w` or `*W`, and
a `*w` inside a compound path, are errors.
Docs: docs/file-format-parity.md.
Area type whose frame a wrap object covers sets no line and overflows.
Area type wrapped around a shape of 10,000 anchors sets its lines beside
the shape.
Fixes#2763. An object whose editing-data dictionary holds the text wrap
options keeps them (offset in points, 6 pt by default, clamped to
±1000 pt; Invert Wrap), and the objects after the text in a version 7
wraparound group (`*w` … `*W`) are wrap objects at the default options.
Area type below a wrap object in its layer flows around it before the
layers are compared with the page, and threaded type flows on into its
next frames. A Large Canvas file's offset is scaled with its art.
The wrap resolver moves into `vectorcraft_doc::text::resolve_wrap` for
the import and the edit-time refresh, and builds each wrap object's
outline once per layer. A file whose wrap shapes would copy more than
2,000,000 anchors is not read from its editing data.
Docs: docs/file-format-parity.md.
The status bar said "Opened with 1 note(s)", "Saved <path> with 1 note(s)",
"Discarded 1 recovered document(s)" and "Restored 1 recovered document(s)",
and the Global Edit options showed "Result(s): 1". They now use the singular
for 1 and the plural otherwise, in English through i18n::msg_n and in every
catalog through @msgplural rows (the Results line through an @plural row).
The engine's warnings for linked images and placed documents output as their
previews, and its errors for a page past a placed file's last page or
artboard, also name their counts in the singular or the plural.
The catalogs drop the rows no message reads any more: the plain "(s)" rows
of the changed messages and the @msg row for "Packaged {n} file(s){note}".
Follows #5002.
Reading a pattern library adds no pattern or swatch to the document. A
pattern added from it undoes and redoes with its swatch, and both are
kept after a save and reopen.
swatch.library.add looks for the library's pattern among the document's
patterns of that name or a numbered copy of it, instead of importing it
into a copy of the document. Only a swatch that paints with the pattern
unmoved counts as the pattern's swatch, so a swatch whose pattern was
moved in its space is not reused and applied in its place.
Window › Swatch Libraries and the Swatches panel's library menu get a
Patterns submenu with Geometric Patterns, a built-in library of eleven
black pattern swatches drawn in code (dots, stripes, a checkerboard, a
grid, diamonds, triangles, crosses and a zigzag).
- Clicking a pattern in its library panel adds the pattern and its
swatch to the document and applies it to the active fill or stroke
(Alt: the other one), as one undo step. A second click reuses the
swatch; a different pattern under the same name keeps its name and
the library's pattern comes in numbered.
- swatch.library.list lists the pattern libraries after the gradient
libraries (category "patterns"), and swatch.library.add brings a
pattern swatch's pattern as pasting art painted with it does.
- The library panel draws each pattern tile from the library's pattern.
- "Geometric Patterns" is translated in every catalog.
The Actions panel menu has Duplicate, between New Set… and Delete. With
an action selected it copies that action to right after it in the same
set; otherwise it copies the current set, with all its actions, to right
after that set. The copy is named after the original with " copy" added
and is selected, and a copied set gets an id of its own. Copies are
saved with the other sets.
ui.actionSet.duplicate {set?: index, action?: index} does the copy and
returns {set, action?}. An index past the last set or action is an
error. A recording into a later set and an open Set Options or Batch
dialog stay on their own set and action.
The bucket outlines the face under the pointer at its Width setting and an
edge at half of it (4 px and 2 px by default), as the help page says faces
are highlighted with a thick line and edges with a thin line. The Live
Paint Selection tool keeps one width for faces and edges.
A bin table that lists more than 100,000 runs of character or of paragraph
properties is refused while its pages are read. Every paragraph now counts
against the 100,000-paragraph limit, hidden and deleted ones and those in
field instructions included, and so does every line break. The properties
of the styles and of the property runs are read from one budget of 16 MiB,
and a document with more is refused.
Text inside a field's instructions is found with a count of the fields
open in their instructions instead of a search of the open fields for each
character.
Stshif.cstd counts the LPStd records of the style sheet and must be less than
0x0FFE. A sheet that ended before cstd records was read as far as it went, and
paragraphs in the missing styles were placed with the document defaults; a
cstd of 0x0FFE or more was cut to 0x0FFE. Both are now refused as a damaged
style sheet.
A paragraph style can set a logical start or end indent and the paragraph
itself only a physical left or right one, or the other way round. The
indent applied last now holds, after the sides are mapped for the
paragraph's direction; before, the logical indent always held, so a
paragraph's own indent was lost under its style's.
Each style's formatting is now worked out once, on top of the style it
is based on, and each property run's formatting once, so a document with
many hidden paragraphs or long style chains no longer resolves the
chains again for every paragraph and run. Character styles are applied
as a change to the paragraph's formatting.
A bin table whose file positions do not rise, a property page listed
twice, pages whose runs overlap, and styles based on each other in a
loop are refused as damaged, as MS-DOC requires (PlcBteChpx, ChpxFkp,
StdfBase). Property runs refer to their page instead of copying it.
Art taken from a `.ai`'s PDF part on a later page is moved to where the
editing data puts that artboard. The move left pattern fills and strokes
where they were, so their tiles no longer lined up with the art. This
happened in three places: the page art that stands in for an unread
object (#5050), the page's type given to text objects, and the art on
each page when the file comes in as its PDF part with the artboard
layout kept. Each move now transforms the pattern tiles too.
The file-format and progress docs named three of the cases in which an
unread object's page art is not used and the file comes in as its page.
The import also does this when the object lies on an artboard that has
no page, when no page art lies inside its box, when that page art is
inside a page group with a clip, mask, transparency or appearance, when
the object holds a frame of threaded type, and when the page art uses a
pattern, image or swatch that the page lacks or that differs from the
editing data's (`replace_unread` and `copy_page_resources` in
`crates/eps/src/import/native/build.rs`).
Each Objects on Path record measured the bounds of every object it names,
and checked its path, before it was turned down. A thousand copies of a
record whose object is a group of 20,000 paths took 5.6 s to open instead
of about 50 ms. A record now checks its group and ids first, and the path
and objects of a group are measured for one record at most.
BFlat