When the action New Action made for the recording in progress is deleted,
Stop Playing/Recording keeps none of the recorded steps. The step and
file limits measured a new action in the original set instead, so a
recorded command could be refused while the set's file was near 8 MiB.
The recording now has no target in that case, and no limit applies.
docs/file-format-parity.md held 36 copies of the paragraph on the
editing copy of a file. #6202 and #6249 each added a combined copy
without removing the copies it replaced, so the count went from 34 to
35 and then to 36. The section now holds one copy: #6249's combined
copy, with the Align to Path distance clause that seven of the other
copies carry from #6247. Every other clause of the removed copies is in
the kept one, word for word or in the newer, longer form another copy
wrote. The older Align to Path clause, with its measurements for one
font at 24 pt, is removed because #6247's wording replaces it. The
paragraph now starts with a capital letter.
The summary table also repeated its "Formats opened or placed" and
"Formats saved (Save As)" rows. The older row of each is removed: the
one that still lists HEIC/HEIF as missing, and the one that lists fewer
contents of the editing copy that `.ai` saves write.
The doc comments of the Transform, Free Distort, Tweak and Zig Zag
readers, and the Pucker & Bloat and Twist arms, now name the public
pages that list each effect's dictionary keys. No code changes.
The new General preference Show Bounding Box While Moving and Drawing
(`boundingBoxWhileMovingAndDrawing`, off by default) keeps the bounding
box and its handles visible during two kinds of drag, with View › Show
Bounding Box on. While a drag moves the selection (a Selection tool
move, an Alt-drag copy, or a shape tool's move by the center point),
the box is drawn where the drag has moved the selection. The box is
measured once when the drag starts and offset by each step's move.
While the Rectangle, Rounded Rectangle, Ellipse, Polygon and Star tools
draw a shape, the box is drawn around the shape. A rotation and a
widget drag still hide the box until the release. The Line Segment
tool, the Pen, the Pencil and the Paintbrush draw no box.
With the preference off, the box hides during a move (#737, for #712)
and while a shape is drawn (#5839), as before. A Selection tool move
with Real-time Drawing off still moves the box with the pointer, and a
shape tool's move by the center point hides it in both modes.
With Real-time Drawing off, the box of a shape being drawn is measured
from the pending preview, in the color of the layer the shape goes on.
A shape being drawn shows no box until a preview step has succeeded,
so a failed preview does not show the box of the selection from before
the drag. The preference's label has a row in every catalog.
Session::deferred_move() is replaced by Session::move_drag_box(), which
returns the moved box, and Session::deferred_transform_box() now also
returns the layer color of the box.
Docs: docs/mcp.md, docs/target-app-parity.md.
ui.action.record's params text now says that a recorded command whose
step passes a limit only from the values it adds as it runs keeps its
edit and result, that later recorded commands are an error and do not
run, and that ui.action.stop leaves its step out.
crates/mcp/src/ui_catalog.rs now matches the desktop table again
(cargo xtask ui-commands --check), including the action-limit params
texts of the earlier commit.
A blend between two strokes drawn with a pressure-sensitive brush gave
every step the pen recording of the nearer key, so the brush jumped at
the middle step. The steps now interpolate the pressure, tilt, bearing
and rotation at every position either key has a sample. A key without a
recording counts as half pressure, half tilt and 0 degrees, as brushes
read it. Angles turn the shorter way round, and steps and whole turns in
a recording stay in the steps. Different brushes still switch halfway.
pattern::tests::kept_tiles_count_the_images_they_could_not_decode
draws a pattern whose art is an image three times and expects one tile
to be rasterized. A tile of art with an image is kept only while
FontDb::global().generation() is the one it was drawn at (Deps::current
in pattern.rs). The render tests that hold adding_fonts() add fonts,
which increases it (tests/fontchange.rs, tests/typeedges.rs,
tests/alternate.rs, tests/colrglyphs.rs and tests/bitmapglyphs.rs).
When one of them added a font between the frames, the next frame drew
the tile again and the test failed with left 2 or 3, right 1. Run with
the tests in tests/fontchange.rs and tests/typeedges.rs, it failed in
23 of 30 runs on main.
The test now holds fonts_steady() and takes its counts from
with_fonts_unchanged(), as the other render tests that count kept work
do. Each run builds a new document, so its first frame does not find a
tile from an earlier run. Run with the same tests, it passed in all 30
runs.
A recorded command whose step passes a limit only from the values it adds
as it runs keeps its edit. The status bar names the limit, later recorded
commands do not run, and Stop Playing/Recording leaves its step out.
file.new refused a side over 163,830 pt, while artboard.new took larger
artboards. Both now take each side more than 0 and at most 3,999,856 pt:
the 4,000,000 pt the canvas reaches from the origin, less a 72 pt bleed
on both sides. A side outside that range is refused with an error that
names the limit in points and, when the document's units are not points,
in those units, rounded down so the value shown is accepted.
artboard.new now refuses a supplied width or height of 0 or less instead
of making a 1 pt side, and refuses a size taken from a larger artboard.
Saved and Recent presets are read with sides up to the new limit.
Follows #6643.
edit.assignProfile replaced the active color context whenever it tagged a
document, even when the profiles it assigned were the working spaces
already in use. The new context has the same settings, but renderers key
their cached effect images on it, so every open document was redrawn and
every cached blur, shadow or glow image was drawn again.
The command now sets the active settings, and raises the open documents'
revisions so they redraw, only when the working spaces it assigns differ
from the active ones, as edit.colorSettings already does.
This also fixes an intermittent failure of the test
canvas::tests::a_drag_over_a_wide_blur_draws_the_blur_from_the_still_frame.
The Document Setup tests assign the working profiles while it runs, and
its drag frames then drew the blur again instead of reusing the still
frame's image.
The Width menu now offers Tilt, Bearing and Rotation beside Fixed and
Pressure, each with the second width. Tilt goes from Width with the pen
lying flat to the second width upright; Bearing and Rotation go from
Width at -180 degrees to the second width at 180 degrees, as Scatter
Brush Options' modes do. A stroke drawn without that input is half way
between the two widths. brush.options takes width_mode tilt, bearing
or rotation.
Gujarati text from a PDF came in jumbled even with its fonts installed:
- A glyph with no advance (a vowel sign or anusvara set over its letter)
was taken for vertical type and opened as an object of its own, which
type then drew on a dotted circle. In a font the file writes
horizontally it now stays on its line.
- A line read glyph by glyph is not always the text that was set: the
file draws a vowel sign before the consonant it follows, and may not
name a conjunct. A line with characters of U+0900 to U+0DFF is now set
again and its glyphs compared with the ink the file drew; when they
differ the line keeps the file's glyphs as outlines, with a note.
Tests: crates/pdf/src/tests/reshaped.rs (two fail without the change).
Preferences > User Interface > UI Scaling sets egui's zoom factor, and the
canvas mapped one document point to one of the interface's points at
100%. A document point then covered UI Scaling times as many device pixels,
so the art grew and shrank with the interface.
The canvas now maps the document at the view's zoom divided by the UI
zoom (View::screen_zoom, Xf::at). The rendered frame, the pointer, rulers,
grids, Fit and Actual Size, pan, scroll, zoom and turn about a point, the
Zoom tool's marquee, Pixel Preview's check, tiled panes, the Navigator's
view box and the tools' tolerances use that mapping. The zoom value means
the same at every UI Scaling, and the interface still follows UI Scaling.
fit_zoom, zoom_about, rotate_about, pan_pixels and scroll_by take the UI
zoom, and Xf::new is now test-only.
Found while looking into a report by bortek about the art's size at 100%.
BFlat