`gcheck` and `scheck` answered false for every operand. The PLRM (3rd
ed., `gcheck`) says they are true for a simple object, and false only
for a composite one in local VM. The eps2write prolog copies its
initial graphics state into global VM and leaves a value alone only
when `gcheck` is true. So the integers in the `currenthalftone`
dictionary took the copy path, left the stack one item off, and the
next `put` failed with a typecheck in `cp2g`.
Simple objects now answer true. Composites still answer false, since
every composite here is in local VM.
The table chain's records and entry names now have a whole-archive allowance, only the
first name of an id is decoded and kept (no clone into the entry map), and an entry's
size is charged before it is decompressed and stays charged when it fails, with the
failure remembered so a broken entry is not decompressed again.
The walk that skips objects it has already visited keys them by address
instead of id, so two objects that share an id in a damaged file are
both counted. An object reached through a selected group and again on
its own still counts once.
Found while testing crates/svg/src/export/nodes.rs:492 (Writer::node, `xlink:href` built with xml_escape)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A character style whose Up/Down or Left/Right offset lies past MAX_COORD
either way now opens with the nearer end, as text runs already do, so
text that takes the style no longer gets the out-of-range offset. An
offset within range is not rewritten.
An object with a gradient or a pattern on both its fill and its stroke
counted twice in Objects. It now counts once for each paint kind it uses.
With Selection Only, a selection that holds a group and an object inside
it walked that object twice, so the object counts, the paths' total
length and Repeat Objects counted it twice. The walk now visits each
object once.
In a Separation color space, the colorant name All marks every plate and
None marks no plate (ISO 32000-1:2008, 8.6.6.4). A spot swatch with one of
those names was written under its own name, so its paint printed on every
plate or on none.
PDF export now writes such an ink as All Spot or None Spot, numbered
All Spot 2, All Spot 3 and on when a spot swatch already has that name,
the same rule EPS export uses. The new name is used for fills and strokes,
tint shadings, DeviceN gradients, colorized images and the Lab alternates.
Registration still writes All.
A manual kerning value on an inline graphic's character was stored and
shown but did not move the text after it. The graphic's advance now
includes the value, as a letter's does, and in right-to-left horizontal
type its art moves right by the value, so the space goes between it and
the next character in reading order. Auto and Optical kerning still apply
no font pairs to an inline graphic.
With Envelope Options > Distort Appearance on, a path whose Transform
effect has Scale Strokes & Effects or Transform Patterns on, or copies it
with a gradient, was baked with the effect as geometry only: every copy
kept the original's stroke weight, dashes and pattern placement before
the envelope bent it. bake_appearance now makes such a path into the
per-copy art that drawing, export and Expand Appearance already use, and
bakes each copy's strokes into filled outlines from there.
The menu bar takes ⌘V's key-down as Edit › Paste's key equivalent, and
`native_menu::key_events` turns it back into egui input. With text on the
clipboard that was a Paste event; with only a picture (a screenshot) it
was nothing, leaving the paste to the window's own key-up. egui's window
integration only releases a key whose press it saw, so that release never
came and ⌘V pasted nothing, while Edit › Paste and ⌘V with the menu open
worked.
`key_events` now ends ⌘V with the key's release, as it already did for
⌘X and ⌘C: without a Paste event that release is the picture paste
`PasteChord` looks for, and after one it ends that paste so the next
picture paste still fires.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The geometry effects after a fill's or stroke's own Transform effect with
Scale Strokes & Effects or Transform Patterns now take the bounds of the
transformed path and all its copies as their reference box, as an
object's own effects do. A later Rotate turns the copies about their
combined center instead of turning each copy about its own, and a later
Offset Path or plain Transform applies to the paths themselves. Each copy
keeps its own scaled distances.
Part of #885
transform_item_leaf now holds back the leaf's geometry for each plain or transformed piece that follows a transformed fill or stroke, so the copies of an earlier item no longer use up the budget that a later fill or stroke still needs. The nested pass over a transformed piece keeps to the same reduced limit.
Each fill or stroke without such a Transform effect is drawn on the object's geometry again, so its cost now counts toward the budget that limits the Transform effect's copies. The object's own geometry is no longer counted a second time next to the pieces that replace it. The Transform effect options entry in docs/target-app-parity.md links the current help pages.
Part of #885
A Transform effect in a fill's or stroke's own effect list now applies its
Scale Strokes & Effects and Transform Patterns options as the same effect on
the object does: the stroke's weight and dashes, the distances of the fill's
or stroke's later effects and its pattern follow the transformation, each
copy once more than the last, and with Transform Objects off the geometry
stays and the options apply once. The fill or stroke becomes an object of
its own in the art the canvas, export and Expand Appearance draw, and Use
Preview Bounds measures that art too (also for the object-level options).
Part of #885
The type objects in the selection are deduplicated with a set, each frame's
thread is looked up in a map built once, the locked artboards are measured
once per call, and the menu check stops at the first selected type object.
Type selected by id on a hidden, locked or template layer, or outside
the isolated group, no longer counts as selected type: the command stays
off and does not select that frame's thread. The check reads the
object's ancestry, so the Select menu does not walk the whole document.
Select › Same › Link Block Series no longer counts hidden or locked type
inside a selected group, or type inside a hidden or locked object there,
as selected. A group that holds only such type leaves the command off, and
the command does not select the other frames of that type's thread.
Select › Same › Link Block Series (select.same.linkBlockSeries) selects every
frame of the threads that the selected type objects, and the type inside
selected groups, are in, in thread order. Type in no thread selects itself,
other selected objects are left out, and with frames of several threads
selected it selects all of them. Hidden, locked and out-of-isolation frames
are left out, Reselect repeats it, and it records no undo step. The item is
off while no type is selected.
Menu row in every catalog, docs/mcp.md and a docs/target-app-parity.md line.
Brandon Thomas