The XML parser now throws SyntaxError when markup binds the xml or xmlns prefix or either fixed URI against the Namespaces in XML rules. addNamespace, setName, setLocalName and setNamespace throw TypeError for the same bindings and leave the node unchanged.
A new element or attribute cannot be in the xmlns namespace, and an attribute in no namespace cannot be named xmlns. The xmlns URI cannot be the default XML namespace. These assignments throw TypeError.
insertChild, prependChild, replace and list assignment take their heap
and fuel before moving a node out of its old parent. Replace past the
last child charges before the push, so a child is never left without
its parent link. Deleting a child or attribute by name, assigning an
attribute or assigning text to an element take the fuel for the whole
step before emptying the node. normalize removes the next text node
before it stores the joined text.
With `Options::e4x` set, vectorcraft-js runs ECMA-357 (2nd edition):
XML and XMLList literals with embedded expressions, the `..`, `.@`,
`.*`, `.()` and `::` selectors, assignment and `delete` on selected
nodes, `for each`, `default xml namespace`, and the four objects with
their methods and settings. The option is off by default, and without
it the syntax and globals do not exist.
Parsing, serializing, comparing and copying trees use no native stack,
and each takes fuel and counts against the heap limit. Inserting a node
into itself or its descendants throws a TypeError before the tree
changes. A literal or XML string nested past `Options::max_depth` gives
a SyntaxError, and a tree built past that depth stops at the heap limit.
`XML.prototype.xpath` is not provided.
A PDF image mask (`/ImageMask true`) painted in a solid color opened as an
RGB image with the color in its pixels: Fill and Recolor Artwork didn't
reach the color, a spot color lost its ink, and the same mask painted again
in another color took the first one, because the painted image was cached
by the mask alone, and so did an uncolored pattern whose cell draws a mask.
It now opens as a grayscale image of what it paints, colorized by that
color, as the .ai reader opens a 1-bit image mask (#5790). A spot color
keeps its swatch and tint. The page's walk counts paths, not images, so the
ink is found from the color space. Readings of a pattern cell are told
apart by colorized images' colors too. Inside an alpha soft mask, or
painted with a pattern, a mask opens as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A dithered fill or a Perceptual linear or radial gradient whose stops
are all CMYK was written as an RGB image. It is now a CMYK image.
The stops keep their inks, an off-center midpoint is halfway between
its two stops' inks, and a Perceptual curve uses the ink mixes a
DeviceN shading uses. Dither's noise is added per ink and adds no ink
where the gradient has none.
The Output settings convert the inks as they do for any CMYK image.
A gradient with an RGB, gray or Lab stop, a stop linked to a spot
swatch, or a Perceptual curve of more than 4,096 stops is still written
as an RGB image.
On macOS the canvas paints tool cursor glyphs into the frame, so they
trail the pointer by a frame or more (#2292). This interim adapter
delivers the same glyphs as native NSCursors, which AppKit moves
independently of canvas redraws.
ui-egui prepares cached 1x/2x RGBA requests from the existing cursor
rasterizer and hotspots (transparent padding only) and keeps returning
a visible system fallback icon. The desktop host builds NSImage/NSCursor
objects with point-sized images and hotspots, owns cursor-rectangle
suspension and restoration, and hands the cursor back on menu tracking,
focus loss, empty passes, cursor overrides and shutdown.
Windows/X11, Wayland and web delivery are unchanged. No artwork, no
production unsafe, no new dependency package: only four AppKit features
are enabled on the already-shipped objc2-app-kit. Remove once the pinned
winit sizes macOS cursor images and hotspots in points.
Addresses #2292.
docs/mcp.md: vectorcraft-cli's mcp and run sessions keep the words in the file too; only without preferences do they last until the app closes. docs/type-parity.md: the custom dictionary commands are done and only the dialogs and Auto Spell Check remain, with the evidence at the end of the row.
- A custom dictionary file that is there but can't be read whole (not a
file, unreadable, or larger than the 1,000,000 bytes craft-proof reads)
is not loaded and never written over: attaching it logs why, and every
add, delete or change is refused with that reason. A missing file is
still created by the first save.
- When a save fails, the command takes back only its own change, so memory
and file agree; words the save took in from the file stay.
When the page's type is matched with the text objects, page words are also
split at private-use characters (from uniXXXX ligature glyph names such as
/uniE028 for a "ti" ligature) and each piece is matched as its own word, so
"Quality" set with that ligature matches its text object and the layers are
read without a false note.
Spine stored a full clone of the blend's PathData but only ever read its
first subpath. Store that SubPath instead, which drops the extra
allocation and makes the field's purpose clear. Document the field and
the two cases where Spine::new returns None.
text.spelling.addWord, removeWord and changeWord are Check Spelling's Add
and Edit Custom Dictionary's Add, Delete and Change; text.spelling.dictionary
lists the words. They live in craft-proof, which every language's check
reads. The desktop app and vectorcraft-cli keep them in
`Custom Dictionary.txt` next to the preferences (none without preferences);
elsewhere they last until the app closes.
text.spelling.ignoreAll is Ignore All: the active document's checks skip the
word while it is open; not saved, not undoable, and not a change to the
document's revision.
Behaviour: https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/check-and-correct-spelling.html
A CMap name of the public Unicode CMap form (UniJIS-UCS2-H, UniGB-UTF16-H
and similar) is understood without being defined in the file, so type in a
CIDFont the file only names decodes to its Unicode characters and is set as
live type.
bfchar and bfrange mappings are kept in the CMap and carried over by
usecmap. A code mapped to a character code draws that code in the base font
usefont named; a code mapped to a glyph name draws that glyph.
Between each two characters the kshow procedure runs with the two codes and
the current point after the first, in any font, not only Type 3 fonts. Where
it moves the current point the next character follows, kept as tracking.
Adds composefont, the CIDInit and FontSetInit procedure sets and the CMap
operators, so EPS with CID-keyed fonts (as pdftops -level3 writes) opens.
Type 0 fonts with FMapType 9 decode their codes through the CMap's codespace
ranges and CID mappings, and the Identity CMaps are predefined.
Each CID-keyed font in a FontSet's CFF data is defined as a CIDFont named by
the CFF Name INDEX, with its glyphs found by CID through the charset and
FDSelect, so a composefont over it draws its type.
An embedded Type 1 font's eexec part is decrypted and its charstrings read,
so its glyphs and widths are used instead of the installed or fallback
font's. Codes are decoded through the font's Encoding, so fonts that place
glyphs at low codes no longer lose their type.
A plain Type 42 font now maps each code to its character through its glyph
names, or through the glyph its CharStrings give it in the font's own
character map or post names, instead of reading the code as Latin-1. The
font's own widths move the current point, charpath outlines its glyphs, and
the show operators' spacing and the embedded widths are kept on live type as
tracking. Type shown under nulldevice no longer appears.
Found while testing crates/engine/src/cmd/graph/data.rs:166-172 (fmt_value)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
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