When the release frame held moves after the button-up, the last move
before it was dropped as the pointer's position, although the release
event carries its own position. That move's sample was lost from the
stroke. It is now kept unless it is at the button-up's position, and its
tilt and rotation still give the release's pose.
The Measure tool and the Measure & Inspect tool snapped the end point of
a drag without Shift, but with Shift held they only turned the pointer
onto its 45° step and kept its distance: with Snap to Grid on the
measurement ended off the grid, with Smart Guides on it did not land in
line with an anchor, and with no snapping a drag of (37.3, 12.1) measured
39.2 pt at 0°.
Both now project the pointer onto the 45° step nearest its direction and
snap it there as the Line Segment tool snaps a Shift-drawn end, so it
stays on the step: (37.3, 12.1) measures 36 pt at 0° on a 9 pt grid, and
37.3 pt with no snapping. With Snap to Point alone, the anchor the pointer
snaps to is projected onto the step instead, so the end lands on an
anchor on the step and in line with one beside it.
A stroke color given without strokeWidth left characters at weight 0, so
nothing was drawn. As paint.setStroke does, a painted stroke now gives a
run with no weight 1 pt, for the characters and for the label styles a
graph keeps; an explicit strokeWidth still sets the weight.
A Pencil or brush stroke takes every pointer move of a frame. In the
frame that releases the button, the moves that came after the button-up
were sent as drags before the release, so the stroke ran out to them
and back. The moves now stop at the primary button-up, and the pen pose
for the end of the stroke is the one kept for the last move before it.
text.setStyle takes stroke (a color or "none") and strokeWidth (the character
stroke's weight in document points, as stroke.set gives it), with keepModel
for both colors. They apply to all the text or to the start..end range, and
to graph label styles, in the same undo step as the command's other keys.
A stroke key was ignored before.
A drawing could make the importer keep far more than its own size: every dashed path held its
own copy of its linetype, every text object and symbol instance of an array copied its text,
font family or block name, and each placement of a block looked at all of its items, hidden or
not, without charging the work budget.
- Dash lengths kept across the import are capped; past the cap lines are drawn solid.
- Text, font family and block-name bytes copied into objects share one 64 MB budget, and a
font family longer than 256 bytes falls back to the default.
- Each block placement charges one visit per item it looks at, and stops once the budget is spent.
moxcms parses every entry of the tag table, so a profile listing one
description, copyright or table tag thousands of times, each pointing at
the same large data, made it decode and copy that data once per entry.
The ICC specification allows each tag signature once; such a table is now
refused before parsing.
A successful Export for Screens stored its params in the document's
export settings, which native saves write, PDF security passwords
included, although the PDF settings themselves are saved without them.
Saved export presets kept them in the preferences the same way. Both now
drop openPassword and permissionsPassword wherever they appear in the
settings, keeping the other security choices.
The overlap grouping swept left to right comparing each object's bounds
with every box still open at its left edge, so many objects sharing a
horizontal extent (stacked in a column) cost a comparison per pair
before any of the flattener's geometry limits applied, and the grouping
could not be cancelled.
Open boxes are now kept in a tree by their tops that knows the lowest
bottom below each branch, so each box meets only the open boxes it
overlaps; an open box inside a later box of its group, ending no further
right, is closed early. The grouping checks for cancellation as it goes.
Groups are unchanged: a test compares them with every-pair grouping.
Copy scaled its PNG down to fit 4096 pixels a side but never below 0.01
pixels a point, so art over 409,600 pt across produced a PNG far past
that side, up to the general raster export limit of a gigabyte of
pixels, on an ordinary copy. Such art now gets no PNG flavour.
A filter over `currentfile` waits until it is first read, and it took
its data from whichever file was running by then. One made over the
program's own file and first read inside a file run with `cvx exec`
read that file instead, and one made over a file being run, first read
in a file that one runs, read the inner file. The pending stream now
records the file it was made over (a chained filter inherits it), and
`materialize` decodes from that file.
A file run with `cvx exec` was read whole and run as a separate
program, while `currentfile` stayed the outer EPS. The PLRM has
`currentfile` return the topmost file being run, positioned after the
last token read. Ghostscript's eps2write runs each page's content and
each Type 3 glyph from a SubFileDecode filter, and its `ID` reads the
inline image's samples through `currentfile`, so they were read from
the outer file and then ran as program.
A file being run is now read object by object from its own data, and
while it runs it is `currentfile`. A filter made over it waits to
read, as one over the program's own file does, so it starts where the
program is when the filter is first read.
`known` raised a typecheck for any key that can't be a key here (an
array, a dictionary, a real with a fraction). The PLRM allows any
object but null as a key, and since `put` refuses such keys, no
dictionary holds one: `known` now answers false, and null still raises
the typecheck. Ghostscript's eps2write prolog looks each inline-image
value up in a dictionary of abbreviations, and an image with two
filters has an array there.
The standard encodings were names in systemdict only, and the Encoding
category was empty, so `/StandardEncoding /Encoding findresource`
failed with undefinedresource. The PLRM (3rd ed.) has both as
instances of the Encoding category, the same arrays as the names.
Ghostscript's eps2write prolog takes StandardEncoding that way for a
font whose encoding is a Differences dictionary with no BaseEncoding,
so files with its Type 3 text stopped there.
An agent confined to automation roots could load the place cursor, with
file.place.queue or tool.setOption, and the files were placed later, by
a click of the person at the keyboard, outside any roots. tool.setOption
checked a queued path but not files given inline, whose linked files (an
SVG's referenced images) were then read with the keyboard user's
unrestricted access.
The session now keeps the automation roots in force when the cursor's
queue is loaded, and both the engine's own placement and the desktop
app's background placement read the queued file within them. A queue
loaded outside any roots places as before.
Reflow copied each listed frame's text into its thread's story, so a
document that listed one frame several times in a thread, or in several
threads, repeated that text in the story and wrote the grown story back
for the next thread to copy again, growing the text with every
repetition while the document opened. Reflow now keeps each frame at its
first place in the thread list only.
The filter that keeps brush pieces from drawing a brush again walked a
mask's art but never looked at the mask's root itself. A symbol instance
at the root of a mask, whose symbol draws a stroke with the brush, then
survived and re-entered the brush while the mask was rendered, without
end. The mask goes now, as such an instance goes among the children.
BFlat