With the Appearance panel's active row, the row belongs to the first
selected object, which need not paint first. effect.move reported where
the effect landed in the first target in paint order; it now reports
where it landed in the first selected object for the active row, and in
the first target for an explicit fromItem, as effect.apply does.
The backdrop that takes a click outside the slider strip sensed clicks
with Sense::click(), which egui makes focusable, so Tab stopped on an
invisible full-screen widget. It now uses Sense::CLICK, as the modal
dialog backdrop does; a click outside the strip still keeps the result.
Export for Screens compared names and folders by upper-casing each
character, which turned dotless ı into I. A row with the folder ı then
wrote into the folder i, and an artboard named ı was numbered as a
second i. NTFS keeps ı apart from i and I, and so does Unicode case
folding outside Turkic languages, so fold now leaves ı as it is.
With one Objects on Path group selected, the Selection and Objects on
Path tools show a round handle beyond the top of the group's first
object, joined by a line to its attachment point. Dragging it adds the
angle the pointer turns about that point to the group's Rotate, previewed
while dragging and kept as one undo step on release
(object.objectsOnPath.options). Shift turns in 15 degree steps, Escape
cancels the drag, and the pointer shows the rotate cursor over the
handle.
Docs: docs/target-app-parity.md, docs/mcp.md.
Gutters and the first-baseline minimum were capped at 10,000 before the
art's scale was applied, so a Large Canvas file could bring in a gutter
of up to 100,000 pt, past the limit text.areaOptions sets. The cap now
also applies to the scaled value.
Area type made from the editing data's text document came in with one
row, one column, the 18 pt gutter and the Ascent first baseline,
whatever its frame kept. Each area frame now keeps its rows and columns,
the gutter between rows and the gutter between columns, and its first
baseline (Fixed, Cap Height, Leading or x Height) with its minimum,
scaled with the art's units. Each frame of a thread keeps its own, and a
key that is missing or can't be read leaves that option as it was. A
first baseline the frame keeps is no longer replaced by the fixed one
that matches the file's first line.
AreaOptions gets row_gutter (rowGutter, left out while unset), which
layout spaces rows by; text.areaOptions takes and reports rowGutter, a
gutter given alone sets both, and the Area Type Options dialog shows
Row Gutter.
Every graphic in a version 7 wraparound group (`*w` … `*W`), before
or after its type, is now a wrap object with an offset of 0 instead of
the 6 pt default, and a group with no type in it marks all of its
graphics. A graphic before the type is below it, so the type flows
around it only after it is moved above. Operands on `*w` or `*W`, and
a `*w` inside a compound path, are errors.
Docs: docs/file-format-parity.md.
Area type whose frame a wrap object covers sets no line and overflows.
Area type wrapped around a shape of 10,000 anchors sets its lines beside
the shape.
Fixes#2763. An object whose editing-data dictionary holds the text wrap
options keeps them (offset in points, 6 pt by default, clamped to
±1000 pt; Invert Wrap), and the objects after the text in a version 7
wraparound group (`*w` … `*W`) are wrap objects at the default options.
Area type below a wrap object in its layer flows around it before the
layers are compared with the page, and threaded type flows on into its
next frames. A Large Canvas file's offset is scaled with its art.
The wrap resolver moves into `vectorcraft_doc::text::resolve_wrap` for
the import and the edit-time refresh, and builds each wrap object's
outline once per layer. A file whose wrap shapes would copy more than
2,000,000 anchors is not read from its editing data.
Docs: docs/file-format-parity.md.
The status bar said "Opened with 1 note(s)", "Saved <path> with 1 note(s)",
"Discarded 1 recovered document(s)" and "Restored 1 recovered document(s)",
and the Global Edit options showed "Result(s): 1". They now use the singular
for 1 and the plural otherwise, in English through i18n::msg_n and in every
catalog through @msgplural rows (the Results line through an @plural row).
The engine's warnings for linked images and placed documents output as their
previews, and its errors for a page past a placed file's last page or
artboard, also name their counts in the singular or the plural.
The catalogs drop the rows no message reads any more: the plain "(s)" rows
of the changed messages and the @msg row for "Packaged {n} file(s){note}".
Follows #5002.
Reading a pattern library adds no pattern or swatch to the document. A
pattern added from it undoes and redoes with its swatch, and both are
kept after a save and reopen.
swatch.library.add looks for the library's pattern among the document's
patterns of that name or a numbered copy of it, instead of importing it
into a copy of the document. Only a swatch that paints with the pattern
unmoved counts as the pattern's swatch, so a swatch whose pattern was
moved in its space is not reused and applied in its place.
BFlat