In SVG and PDF output, each piece of a warped image whose pieces can show
through was drawn through a mask of every later piece that reaches it. On a
later piece's antialiased edge the viewer multiplies the earlier piece's
coverage by the mask and draws the later piece over it, so an image with
both opaque and partly transparent pixels came out lighter at its opaque
pixels along the triangles' edges (alpha 184 of 255 in the new SVG test).
A later piece now goes into an earlier piece's mask only when a pixel of
either piece's image within 2 pixels of their overlap is less than opaque
(vectorcraft_effects::WarpSeams). Where two pieces overlap over opaque
pixels, the later one is drawn over the earlier one without a mask.
A threaded story measured each type-on-a-path frame, and each area frame
whose lines align to the center, the bottom or justify vertically, with
the whole rest of the story. A story of 1,500 one-line paragraphs through
40 such frames was laid out over about 2.1 million bytes while the frames
were measured.
- Area type without Shrink Text to Fit now takes the paragraph probe for
every vertical alignment. A reflow pass that places less text is
undone, so when the final layout stops before the last paragraph break
measured, every pass placed the same lines as with the whole rest.
- Type on a path takes it when its line starts at the start bracket: no
Dynamic Text, Optical Margin Alignment or Roman Hanging Punctuation,
the first paragraph aligned Left, Justify Left or Auto, and vertical
type or no right-to-left text in the rest of the story. The story is
scanned for right-to-left text once per distribution.
- Shrink Text to Fit, the other path settings and a share that ends in
the story's last paragraph are still measured with the whole rest.
The same 40 frames are now measured over 21,035 bytes (aligned to the
center) and 20,583 bytes (paths aligned Left). Each frame's share is
unchanged: the tests compare every slice with the whole-rest result for
both distribution entry points, across alignments, frame shapes, wraps,
path settings, right-to-left text, styles, lists and seeded stories.
The Hindi catalog called a variable चर, परिवर्तनीय, वैरिएबल or
वेरिएबल from one row to the next: the Variables panel, Load and Save
Variable Library, Variable Options and the data-merge messages mixed
them, and so did variable widths, the font technology label and
environment variables. Every such row now says वेरिएबल (plural
वेरिएबल्स).
Close or Join, Join Point Text, Join the lines of each paragraph and
most of the path join messages said शामिल हों, which means joining a
group; the other join messages used जुड़ना, जॉइन or the English word.
They now say जोड़ें, as the Join command already did. The Discord rows
keep शामिल हों, and the stroke corner names and the Join tool keep
जॉइन.
hindi_rows_use_one_term_for_a_variable_and_for_joining_paths checks
both terms in every row. docs/localization-hi.md lists the terms, and
the Hindi row counts in it and in docs/localization-parity.md are
current (8,782 rows, 3,014 @msg).
Global Edit does not take images or text, so a group holding type or an
image is not a missing case. docs/gaps.md drops it from G5's Missing
line and states the exclusion next to the similar-groups entry, with
the help page. docs/ui-parity.md states the same exclusion and no longer
lists highlighting the matches before the start as remaining, since it
ships with a regression test. docs/target-app-parity.md gains an
Evidence line.
Closing a modified tab that is not in front shows it while the Save
Changes dialog asks about it. After Save or Don't Save, the closed tab's
neighbor became the current document instead of the document that was in
front before the question.
Closing a background tab with its close button, or `file.close` with its
`index`, now remembers the uid of the document in front in the dialog's
protected `__front` field, and once the asked document closes, that
document is made current again while it is still open. The field
survives a Save dialog shown off the UI thread. Cancel keeps the asked
document in front, closing the document in front still brings its
neighbor forward, and Close All and Quit are unchanged.
The two brush art tests in render's memory tests added a scatter brush
named Dots next to the default library's own Dots. Strokes now draw with
the first brush of a name, so the stroke drew the default brush and the
edits to the symbols and patterns its art shows no longer changed the
frame. The tests now remove the default Dots before adding their own.
Type with an inline graphic was resolved only in the layers, so type in
the art of another symbol, a graph design, a pattern tile or an opacity
mask kept the size its graphic had when it was made. The symbol holding
that type, its instances and the inline graphics that show it were
measured from the stale layout.
- Inline graphics are resolved in every tree that holds type. Symbols
are resolved in dependency order, so a symbol's type is laid out
before the type that shows that symbol inline. Edits, opening,
reverting and Refresh Font List use the same pass.
- The pass visits each object once: it resolves the children first and
copies a node only when something below it changed. It measures each
symbol's art once per pass.
- An inline graphic of a symbol whose art shows that symbol inline,
directly or through other symbols, is an empty slot. The symbols on
such a cycle are found once and cached until the symbols change.
- A changed inline graphic also clears the text's cached baselines.
A band whose top and bottom are equal lost its only piece when the repeated cut was removed, so the line kept the frame's whole width. Anchor cuts now apply only to a band with height.
With Enable Touch Gestures on, a two-finger tap on the canvas undid and a
three-finger tap redid even while a modal dialog was open, and in the Touch
workspace a two-finger tap switched modes behind it. Fingers already down
when a dialog opened could still complete a tap when they lifted, during
the dialog or after it closed.
While a modal is open, from the frame it opens:
- no finger tap runs a command and no multi-finger gesture begins; the
fingers already down are forgotten, so lifting them later runs nothing
- a primary press does not reach the tool, a middle-button press does not
start a pan, and a double-click does nothing
- a long touch does not drop the canvas press
- a click in Presentation Mode does not step to the next artboard
- a pinch, wheel turn or trackpad rotation does not move the view, and the
rest of a wheel turn made under the dialog is dropped after it closes;
a new wheel turn after the dialog closes moves the view at once
Docs: docs/target-app-parity.md, docs/mcp.md.
Legacy .ai type (version 7) now reads the operators it used to skip:
- `autoKern kernValue Tk` (and `TK` in overflow text) sets the manual
kerning of the character before the pair, or at the start of a line
the space before the line's first character; autoKern 1 sets the
pair back to automatic. Values are kept to -1000..10000.
- `T+` and `T-` (discretionary hyphens) become soft hyphens.
- `languageID XL` sets the characters' language (ids 0 to 11).
- A visible text object read while a line breaking value (`TG`) or
Japanese layout rules (`Xu`, `Tu`) are set opens with a warning,
once per file for each.
Final-form positions (Tc, Tw, Tm, Td, T*, TR) stay ignored.
Legacy .ai saves now write manual kerning as `0 value Tk` after each
character that has it and before a paragraph's first character with
space before it, and soft hyphens as `T+`; manual kerning is no longer
listed among the attributes left out. The writer's prolog defines Tk
and T+.
Docs: docs/file-format-parity.md, docs/target-app-parity.md.
The UI chrome rows in target-app-parity.md listed SVG Interactivity and
context menus beyond the canvas as remaining work. The SVG Interactivity
panel ships, and the canvas, Layers rows, artboard rows, libraries,
rulers and toolbar grips have menus, so the rows now name context menus
in the panels that have none. ui-parity.md drops a second checklist row
that listed SVG Interactivity as missing; the row above it already
lists Retype, Comments and Version History.
The runs of transparent and left-out pixels that the first round checks
holes against were kept in a list for each row. A tall, narrow image paid
a list header for every row: 1.1 MB for a 3 x 20,000 pixel image with
two runs. The runs are now one list over the whole image, so they take
at most four bytes a pixel, as the half-gigabyte bound counts them.
The gap lists and area tables said Layers rows, panels and type have
no context menu. Layer, sublayer, group and object rows offer Collect
for Export for the row or every highlighted row, and right-clicking
type opens the canvas menu. The docs now list what ships and name the
remaining gaps: other row menu commands, guide and blend spine rows,
and panels without a menu. The Layers panel menu list adds Collect for
Export, and SVG Interactivity leaves the missing list.
docs/target-app-parity.md listed the "Preferences that act" bullet three
times. Two older copies disagreed on Highlight Alternate Glyphs (one said
on by default, the code sets it off in Prefs::default) and still counted
about 14 stored options. The newest copy is kept, now with the Highlight
Alternate Glyphs clause (off by default), and its count names the two
options still stored only: Scratch Disks and the legacy vector clipboard.
The older of the two "Preferences audit (2026-10-30)" bullets, which still
listed five stored-only options, is removed, and the UI chrome summary row
now says 2 options, matching docs/gaps.md G12.
Crossings of the middle of a line's band that lay within a few units of rounding of each other were joined as a seam, so two contours of an area type frame 1e-7 pt apart at x = 1e8 held one line across the gap between them. A vertical edge crosses the middle at its own x with no rounding, so a gap at one is no longer joined.
Brushes, Spot Color Objects, Pattern Objects and Gradient Objects left
out a fill or stroke that was hidden or at an opacity of 0, but still
listed an object that was itself hidden or at an opacity of 0, and the
objects inside such a group or layer. They now leave those out, their
characters' paints and colorized images included. With Selection Only,
an object selected inside a hidden group or layer, or one at an
opacity of 0, is left out too. Objects still counts every object.
With Invert Wrap and an offset, each piece of a line's band kept only the x that one part of the shape held within the offset of every height of the piece. Where the offsets of two parts met across a gap (one above and one below), the heights between them held neither part, and the line lost that x although the grown shape covered the whole band.
The band is now also cut at every height an offset above or below an anchor of the shape (when there are at most 64 of them), and the horizontal edges at the ends of a piece's window count, so the window of the piece between the meeting offsets reaches both parts.
While the Type tool edits text, holding Space no longer lends the Hand
tool or, with Shift, the Rotate View tool: the canvas does not show the
hand or rotate cursor, and a drag with Space held does not pan or turn
the view. Cmd+Space still lends the Zoom tool. The default keyboard
shortcuts help page lists the Spacebar as the Hand tool when not in
text-edit mode.
Test: canvas::tests::space_types_a_space_while_editing_text_and_does_not_pan
Edit > Edit Colors > Convert to Indexed Color... (edit.colors.toIndexed)
stores the embedded images in the selection as indexed-color PNGs: a
palette of at most 256 RGB colors, each pixel the index of one. The
dialog previews live and OK is one undo step.
- The palette is chosen as for a PNG-8 export (selective, perceptual,
adaptive, web, gray, black and white), as evenly spaced levels of red,
green and blue (uniform), or from the document's swatches. Dithering
is diffusion, pattern, noise or none, with an amount.
- Pixels under half opacity become one transparent entry; the others
become opaque in their own color. Linked images, colorized images and
color glyph images keep their pixels.
- An image that is already an indexed PNG and would show the same pixels
is left as it is, and no undo step is recorded when no image changes.
- An image of more than 134,217,728 pixels (33,554,432 in the web app)
is refused, read from its header before decoding.
- With Select All, locked and hidden objects that hold an image that is
not an indexed PNG yet are counted in notChanged, without converting
them.
- The quantizer gains quantize_to, which maps pixels to a given palette.
Docs: docs/mcp.md, docs/target-app-parity.md.
The overlapping test now traces the same image eight times with several
levels found at a time and compares each result with the one traced a
level at a time. The doc comment of the stacked rounds says that the
components kept for the second pass take up to 256 MiB outside the half
gigabyte that sets how many levels are traced at once.
When the desktop portal's process exited while its save dialog was
open, no Response came. The stream that save_file read does not end
while the session bus stays up, so the save waited forever on the
calling thread and rfd's dialog never showed.
save_file now waits with the screen color sampler's Responses, which
moves from linux_screen_color/request.rs to portal_request.rs and is
built on Linux and the BSDs. Before the call it listens for the
Response and for the bus's NameOwnerChanged for the portal's name, so
the wait ends with an error when the connection that replied leaves
the bus, and the caller shows rfd's dialog, as for other portal errors.
When the bus reports the portal gone, the wait first reads the
Responses already queued, so an answer the portal sent before it left
is still the answer. Before, the sampler's wait could take the bus's
report while that answer was queued and end with an error.
The mock portal gains three modes that close its connection after the
reply: 300 ms later without a Response, at once without a Response,
and at once after the Response. The private bus helper of the
sampler's tests moves to portal_request.rs, and the save dialog's
tests use it, so a failing test also stops its bus.
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