docs/target-app-parity.md listed the "Preferences that act" bullet three
times. Two older copies disagreed on Highlight Alternate Glyphs (one said
on by default, the code sets it off in Prefs::default) and still counted
about 14 stored options. The newest copy is kept, now with the Highlight
Alternate Glyphs clause (off by default), and its count names the two
options still stored only: Scratch Disks and the legacy vector clipboard.
The older of the two "Preferences audit (2026-10-30)" bullets, which still
listed five stored-only options, is removed, and the UI chrome summary row
now says 2 options, matching docs/gaps.md G12.
file.newProfiles.edit and file.newProfiles.reset returned the automation
access check and file system errors with the profile file's whole path,
so a client confined to read roots that leave out the preferences folder
learned where the folder is. The errors now go through naming_in_error,
like other paths the client did not give: whole inside the read roots,
otherwise by file name. docs/mcp.md and the params text say so.
An envelope around type of only spaces and a rectangle mapped from the
union of the rectangle and the type's laid-out box, so the empty type
moved and scaled how the rectangle was distorted. Type that draws
nothing now adds no box while other content in the envelope has one,
in groups and layers and as a clipping path too. When nothing else in
the envelope has a box, the type keeps its laid-out box, so an envelope
of only empty type keeps its frame, Make with Mesh and Reset with Mesh
still work, and Release still gives back the warp shape.
This applies to Make with Warp, Make with Mesh, Make with Top Object,
Reset with Mesh, Edit Contents and the stroke margins. Type that has
not been measured yet keeps its laid-out box as before.
The PDF/.ai import's boxes for envelopes with Distort Appearance
measure each object as the whole contents measure it, so the margins
the import tries match the contents' geometric box. The three import
tests that measure type without registering the glyph measure now
register it first, so another test registering it while they run no
longer changes their result.
The widget's Constrain button was grayed out in Free Distort, and
neither it nor Shift changed a Free Distort corner drag. Constrain is
now available in Free Transform and Free Distort, and stays unavailable
in Perspective Distort.
With Constrain on, or Shift held, a corner dragged in Free Distort
moves only along the line through the opposite corner, in the box's
own proportions, and the other three corners stay in place. On a
turned box the line runs through the box's own corners. A box with no
size leaves the corner where it is. Cmd/Ctrl+Alt+Shift on a corner
still drags in Perspective Distort. The measurement label shows how
far the corner moved.
A Transform effect whose result would pass the geometry budget (2 million
anchors or 8 million lines drawn) is left out and the art stays where it
was, but the raster effects listed before it still scaled and moved with
it: before a Transform effect that scales the art 1000 times, a Drop
Shadow's offset grew 1000 times and its blur went to the 1000 pt limit
around art that had not moved, and Expand kept those values.
The geometry pass now notes each Transform effect that moves the art once
and that it leaves out, in the Carry it already returns, and
Carry::hide_skipped hides those effects in the list the raster effects
are read from. The canvas (a path's own effects and its fills' and
strokes'), its bounds, bake (SVG and PDF export), shape art, Expand,
Expand Appearance and Outline Stroke use it, and a fill's Transform
effect inside a piece no longer scales the effects before it when the
budget leaves it out. The budget itself is unchanged.
A path drawn as its own art inside a group whose geometry effects run
after its members' own read its object effects whole. The reshaping pass
now notes a Transform effect that no path in the art took past the
budget, and the member's art hides it before its raster effects are read.
The bounds skip the extra geometry pass when no raster effect could
follow a Transform effect, and painted_reach runs it once for both
measurements.
A line in area type of a shape other than a rectangle was measured at five heights of its band, so an edge that pinched in between two of them (a notch tip at y = 47.5 in a 40..60 band) left the line running outside the frame. The frame's intervals over a band are now the intervals at its middle minus the x range of every edge within the band, which is exact for any number of vertices, holes and crossing contours.
Edges that contours meet along do not shorten a line: horizontal ones count by coverage, and collinear ones by overlap, and an edge that only touches the top or bottom of the band is left out. Rectangles keep their fast path.
Text wrap shapes were sampled at the same five heights, so a wrap object whose tip reached into a band between two of them let the line run across it. A line now keeps clear of every x at which a wrap shape, grown by its offset, lies anywhere in the band: the shape's intervals at the middle of the band plus every edge within it. With Invert Wrap, the band is cut into pieces a quarter of the offset tall (64 at most), and a line keeps to the x within the offset of the shape at the heights each piece's offset window holds, so it stays inside the grown shape over the whole band; an offset of 0 takes the shape's intervals over the whole band.
A frame less than 0.0002 pt tall no longer panics when a line is measured in it.
The Live Paint Selection tool always showed the plain arrow. Its cursor
now says what a click at the pointer selects, by the same rules as the
click (Alt, Select Fills, Select Strokes, locked, hidden and isolated
groups): the arrow with a filled square over a face, with a short line
between two anchor marks over an edge, and with an x where a click
selects no face or edge. From a press to the release the cursor keeps
the look it had at the press. Use Precise Cursors shows the crosshair.
- Cursor: LivePaintSelectFace, LivePaintSelectEdge and
LivePaintSelectOutside, with cursors.toml entries and drawn glyphs.
- Tests: live_paint_selection_cursor_shows_what_a_click_selects,
live_paint_selection_shows_the_arrow_with_a_face_edge_or_x_badge, and
the precise-cursor list.
Docs: docs/mcp.md, docs/target-app-parity.md.
file.close {index} on a tab other than the current one made the
document now at the closed index current and reset the tool, so the
document the user was working in went to the back. The current
document now stays current, found by its id as document.move does, and
its tool keeps its state. Closing the current tab still makes its
neighbor current.
Docs: docs/mcp.md, docs/target-app-parity.md.
BFlat