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A path with an Art brush comes in as the path, with the brush on its stroke at its weight, instead of as its drawn look, when the brush stretches art of solid-filled paths along the path, unflipped, at 100% in Tints. The art runs on the side of the path the file draws it. The drawn look stays for other colorizations and widths; Proportional, between-guides and flipped brushes; type; a path with settings of its own, a variable width, effects, a swatch stroke or an entry that isn't read; and art with strokes, gradients, patterns, masks or effects, or no length. A brushed stroke, Calligraphic ones too, takes the brush the Brushes panel keeps under its name, and an image with a brush keeps its drawn look. In every document, Tints and Tints and Shades take art in black ink alone by its ink amount, and a process or gray stroke color's tints and shades stay in that color's model. Place and Expand bring the brushes the art uses, renaming on conflict. Part of #637.