untranslated_report lists 167 status and error messages under "messages,
all 23 languages checked". pl.tsv gains @msg rows for 114 of them, in one
commented block at the end of the file: image export and encoding
errors, color profiles, color books and swatch exchange files, binary
DXF and DWG import, 3D and Revolve limits, and script, zip, line and
file errors. Placeholders, parameter names, command ids and literal
values stay as the English writes them.
The other 53 are translated by #7211, #7378 and #7405 and are left out.
- addon.arrange.randomizeOpacity, type.orientation.vertical and .horizontal,
type.opticalMarginAlignment, type.systemLayout and type.fractionalWidths
run through edit_if_changed (the Edit Colors helper) and record an undo step
only when an opacity, a direction or a setting changes.
- A test for each command; the params text says so, and docs/mcp.md for the
commands it describes.
Remove Breaks, Break Text, Combine Point Text, Join Point Text, Set
Alignment, Keep Position and Reset Text Transform skipped locked and
hidden type even when `ids` named it, or named the group or layer
holding it, while other commands such as text.convertListToText act on
named locked or hidden objects.
- With `ids`, the type they name is taken locked or hidden too (not
type on a locked artboard); from the selection, only type that can
be edited, as before.
- Remove Breaks reads a named threaded story with a locked frame as one
text.
- Objects made from locked or hidden type are not selected.
Docs: docs/mcp.md (Text tools), docs/target-app-parity.md.
A freeform gradient's image was sampled, encoded and written inline at
every fill, outside the reuse placed images have. Fields now go through
the same codes and placements: a fill whose encoded image (color setup,
image dictionary, filter, operator and samples) matches one already
kept draws from it, so its samples are written once in the setup as
VCim<i>. A field drawn once is still written where it is drawn.
A fill whose placement can't be drawn, or that arrives when the page is
already at the 256 MB limit, is no longer sampled first, and a field
image taken back with art that passed the limit is forgotten.
Revolve sorted its faces by the depth of each face's middle only, so a
tilted profile with long edges, or a profile of several contours, could
draw a nearer face under a farther one where the two overlap.
- A revolved face carries its view-space plane (none when its corners lie
off one plane or reach the eye), and Revolve (Classic)'s facets keep it.
- Revolve and Revolve (Classic) put each surface's faces through the local
depth order Extrude & Bevel uses for its fill and strokes: when two
overlapping faces are drawn the wrong way round, every pair of
overlapping faces goes in the order of their depths at the middle of the
overlap, within the same 4,000,000-comparison limit. A surface already
in the right order keeps it.
- A group's members, sorted together by depth, go through the same order
across members.
Docs: docs/revolve.md, docs/effects-parity.md, docs/target-app-parity.md.
PDF, print, EPS and DXF wrote a symbol instance by placing its symbol's
art as stored, so live effects inside that art were missing: a square
moved 100 pt by a Transform effect stayed in place in the file while the
canvas drew it moved.
bake_document_placing_symbols replaces each instance of a symbol whose
art (or the art of a symbol nested in it) needs baking by that art
placed as the instance places it, then baked. The art is placed before
its effects apply, as on the canvas, so an instance that scales its art
does not scale what its effects do. A dynamic instance's own paint
changes apply before baking. Nesting stops at 32 levels and the placed
art at 16,000,000 objects per export; past them an instance stays an
instance. DXF places 9-slice cells unclipped, as its scene does. The
symbols' own art, SVG and the .ai editing data are unchanged, and HPGL
already baked each placed instance.
dotCooCoo