An image or a gradient mesh with a visible Crop Marks effect, or with a
Vector Halftone effect that makes dots, is measured in a plot of the art's
bounds. A halftone that makes no dots, such as one past the effect's cell
limit, leaves the image out as before.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
When only some frames of a threaded story are selected, Remove Line
Breaks and Remove Paragraph Breaks built the story's frame list again
for every selected frame of it, so the work grew with the square of the
frame count. The command now notes a thread once its story is found not
to be selected in full, and reads that thread's other selected frames
on their own without going through the thread again. Each selected
frame still loses its own breaks, in the order selected, as one undo
step.
A test-only counter in threads.rs counts story_in calls, and
remove_breaks_goes_through_a_partly_named_story_once checks both break
kinds with frames named out of order and twice.
The bounds of a plot of the art's bounds no longer count the objects a
plot leaves out (placed images, objects at 0% opacity, unpainted paths)
when they sit in the art of a symbol. An instance whose symbol holds
nothing else is left out, so a document with only such instances is
refused with "nothing to export". The art of a dynamic symbol, and of a
group with effects, fills or strokes of its own, is measured whole.
While a document's composite fonts are lent, type naming a composite font
the document does not define is set as in a missing font, even when the
front document or the document a placed document sits in defines one of
that name. A document that defines no composite font gets an empty scope
too, so a document in the back, a tiled window, a thumbnail or an export
made while another document is in front no longer borrows the front
document's definitions. A temporary document drawn while a document draws
keeps that document's fonts, and type laid out with nothing lent still uses
the registered ones.
- FontDb::composite_font looks only in the latest loan of the database.
- lend_composite_fonts lends an empty set at the top level when the
database holds composite fonts; lend_document_composite_fonts also lends
one inside another loan, for placed documents, back-document measuring
and threaded reflow on open.
- A loan that leaves out a registered font gets its own generation, so
layouts made with that font are not reused under it.
docs/mcp.md said that for both learn.markStep and learn.resetProgress a
missing, non-string or unknown `tutorial` is an error. learn.resetProgress
takes no params and clears the progress without reading `tutorial`
(crates/ui-egui/src/panels/learn.rs), so the sentence now names the
tutorial errors under learn.markStep alone, and the rule that an error
changes nothing stays with them.
livePaint.info reported only the top fill of each face and the top
stroke and weight of each edge, so a lower row that draws under an
unpainted top row was not visible to a client. Each face and edge now
also carries `appearance`: every fill and stroke row, bottom first, as
{index, kind, paint, opacity, visible, width (strokes only), drawn}.
`drawn` follows Expand's rule row by row: the part is shown with an
opacity above 0, and the row is shown, has paint and an opacity above
0, and a stroke has a weight above 0. The existing `fill`, `stroke`,
`width`, `bounds`, `sources`, `gapOptions` and `gaps` fields are
unchanged.
The params text no longer says the group defaults to the selection:
the command takes `group`, or `id` when `group` is left out, and
returns an error without either.
The Vietnamese row's message column said "all" while the same cell counts messages without a Vietnamese row. It now says dialogs and tooltips are complete and messages are partial, as the Indonesian row does. The row and the evidence line in docs/target-app-parity.md give the catalog's current counts: 1,750 @msg and 49 @msgplural rows, with 1,875 messages in the untranslated report.
The Indonesian and Bosnian rows now give the catalog counts and the
untranslated-report gaps measured on main at 676f0524cc: Indonesian has
6,825 rows (1,036 @msg) and lacks 60 menu strings and 2,508 scanned
messages; Bosnian has 6,887 rows (1,144 @msg) and lacks 97 menu strings
and 2,416 scanned messages.
BFlat