The put-back after a failed page check replaces each live envelope with
its drawn art in one go, which fails as a whole when one envelope lies in
another's art: only the outermost are put back now. A live envelope of
type removes its hidden type only once it has found the drawn art it
replaces. The file format docs lose a revision row left twice by a rebase.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The file-format revision row for #3179 says that the page check weighs
a live envelope of type as the art it draws, that layers used though
they don't draw as the page leave envelopes of type their drawn art,
and that a slot bound to a visibility variable keeps it too, and lists
the new tests. The parity assessment's evidence says the same, and
the change gets its row and status entry there.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A variable library binds the text object a slot of the envelope's
contents became, which stays hidden beside the drawn art. Once the
envelope opened live that hidden text object went, and its type in the
envelope has an id of its own, so a visibility binding was dropped and
counted as one that wasn't made. A slot bound to a text variable
already kept the drawn art; one bound to a visibility variable does
too now, with the note, so the binding is kept.
Carrying the binding over to the type in the live envelope would bind
an object inside an envelope's contents, which nothing in the import,
the data sets or the .ai writer is known to handle, so it is left for
later.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An envelope of type opens live only where the layers with it draw as
the page. Two ways of using layers that don't left it live all the
same: the editing data trusted (they come from it with a note), and
the objects that draw differently coming in as the page's art. In both
the envelope now keeps its drawn art and its type, hidden, with the
note, as where its drawn art is put back. A .ai whose layers would
open alone, without its PDF part, then opens alone again, as it did
before envelopes of type could open live, rather than compared with
the page.
The type put back no longer carries the mark of type made from the
text document in its name.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The comparison with the page counts the area of each text object that
shows as type, which it holds to less (type laid out again from the
file's text can sit a little apart from the page's). It took the text
object in a live envelope's contents for such type, at its own unbent
box, so most of what an envelope of type draws went unweighed: one
opened live where the page draws other art there, with only a note
that the type differs. The envelope draws its type bent, as art, and
is now weighed as such, as the drawn art it takes the place of is.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An envelope whose contents hold type kept its drawn art, with the type
hidden, because the type is laid out from the text document only after
the layers are read. It now waits for that, as warped type does: once
its text slots hold their type, the envelope is made of that type and
drawn by VectorCraft's own rule, and where it draws as the drawn art the
file saves (the same check and budget as other envelopes) it takes the
drawn art's place, with the type visible and editable in Edit Contents.
The hidden copy of the type goes.
As other live envelopes are, it is held to the page: when the layers
with it don't draw as the page, its drawn art and hidden type are put
back. A .ai whose layers would open alone, without its PDF part, now
waits on the PDF part when an envelope of type is in them; where none
opens live, the layers open alone as before. Layers built without a page
leave envelopes of type their drawn art.
Elsewhere it keeps its drawn art and hidden type, with the note: type in
a font that isn't available, a slot without made type (threaded, bound
to a text variable, a wrap object, type a look draws), an envelope that
doesn't read, no check left, or one that draws differently. Envelopes in
a symbol's or a pattern's art keep their drawn art.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Move a stray table row and the PR #3273/#3272 revision notes into
Feature revisions, keep one "Feature evidence last updated" line, drop the
duplicate Flyout update status line and fold eight reconciliation rows
into one per date. No score or estimate changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Move the unheaded change bullets above the Stage line and the revision
row inside the Headline numbers table into Revision history, each under
the date of the commit that added it. No score or estimate changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Exports RGB, CMYK and grey JPGs at qualities 100, 80 and 50, at 1x and 2x,
and decodes each one. It also checks that only the CMYK files leave out the
JFIF segment (#3140). Covers #2096 too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The existing entity tests are unit tests that place the references in
attributes. This adds an import-level test with the references inside
<desc>, which the import refuses, and checks that the namespace entities
drawing apps write (&ns_svg;) still import.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Direct Selection showed and dragged the anchors of type on a path's path
(#3980) but not their direction handles: handle_anchors read only a
path's own data, and the canvas draws only a path's handles.
- text.setPathHandle moves a handle of type on a path's path, in
document space, as path.setHandle moves a path's; the brackets keep
their fractions and the text reflows. One undo step.
- Direct Selection draws the handles of selected type on a path and
drags them with it (Alt: one side, Shift: 45 degree steps).
BFlat