Under a perspective, a piece of a graphic's curve that lies in front of the eye while one of its control points does not is halved until its control points map, instead of dropping the piece. A curve that dips behind the eye between the ends of its pieces is still clipped. The extra pieces count toward the effect's element limit, and a path that passes the limit is not sent to the clipping.
- The graphics of one 3D effect share one limit on drawn path elements
across every member and opacity group, so a group effect with many
members no longer multiplies the limit.
- Copy and paste follow the symbols that mapped graphics name, in object
and graphic style appearances: a document without the symbol gets it,
and one whose symbol of the same name is other art gets the copied
symbol under a free name, which the graphic then names.
- A face's inverse map refuses the points its page map refuses, so a
handle drag cannot save an offset whose handle is not shown.
- A press on a graphic's handle with Space held, or with the Hand, Zoom
or Rotate View tool, pans, zooms or turns the view.
- A handle drag ends, keeping its preview, when the selection or the
document changes while the pointer is down.
- A Learn link that locates a tool on a toolbar made with New Toolbar
brings that toolbar to the front once before its button is marked, so
another floating toolbar no longer covers the mark. A group torn off
into a strip still brings the strip to the front instead.
- A docked flyout whose rows are taller than the window scrolls them, and
a Learn link scrolls the located row into view before marking it. The
mark is clipped to the rows' view.
Color and Grayscale traces smoothed a gray photo before choosing its
colors, but a tinted photo with the same tones skipped smoothing: the
0.065 error rule applied only to pictures whose channels stay within 8
levels of each other. A picture whose opaque pixels lie, 19 in 20, within
6 levels of one tone curve now takes the same rule. The curve runs
through the median color of each 8-level stretch along the colors' main
direction, and a pixel on it must also lie within 6 levels of the plane
the colors spread along most, so art in several unrelated colors is not
counted. The sixteen-versus-eight exception still keeps clean flat art
on the flat-art route.
a_shadow_on_each_fill_a_painted_effect_returns_follows_the_transform_after_it
installed test.engine.twofills, which
a_second_painted_effect_on_a_fill_keeps_the_piece_s_other_fills also
installs with a different module. Installed plug-ins are kept for the
whole test process, so running the two tests in parallel could run one
test's effect with the other's module. The test now installs
test.engine.shadowedfills.
Under a colored light a surface in a gradient with transparent stops carries an
opacity mask. A graphic drawn on such a cap now takes that mask, and each such
solid gets a graphic of its own, so a graphic is hidden where its cap is.
Single Word Justification adds no space inside an inseparable pair. A
right-to-left line draws the second half's cluster before the first half,
with the cluster's glyphs in logical order, so a dash followed by a
combining mark puts the mark next to the first dash. The pair is now found
from the two neighboring clusters instead of neighboring glyph indices.
Effects apply in the order they are listed, so an effect listed after a
Transform effect applies to the art the Transform effect made, at its
own values, as an object's later effects do after the object's
Transform effect. With Scale Strokes & Effects on, a fill's or stroke's
own Transform effect scaled the effects listed after it in that fill's
or stroke's list by the mean scale: a 300% Transform turned a 5 pt
Offset Path after it into a 15 pt one, and a Drop Shadow after it took
three times its offset. With Transform Patterns or Scale Strokes &
Effects on, an SVG filter after it also had the origin of its user space
moved.
- The effects after such a Transform effect now keep their values, on
the transformed art and on each copy, on every fill and stroke a
live-effect plug-in paints the piece with, and when the copies are
counted against the effect budget.
- With Transform Objects off, the effects before it keep their values
too.
- The Transform params text, docs/target-app-parity.md and docs/gaps.md
describe the rule, and drop the note that listed an object's later
effects keeping their distances as a shortfall.
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