Open #7211, #7214 and #7116 add Japanese rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The Japanese lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
Open #7211, #7214 and #7116 add German rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The German lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
Open #7211, #7214 and #7116 add French rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The French row of docs/localization-parity.md gives the new counts.
A JPEG rounds each 8 x 8 block's tone on its own, which leaves a small
step at every block edge. Where a dark ground changes slowly, those steps
decided which of two palette colors a whole block got, and the trace
followed the block edges as a staircase.
The new deblock pass finds the block grid in the image: the mean step
between neighboring opaque pixels must peak at the same one of eight
positions at both block edges of a 16 px span, across and down. Cropped
JPEGs and JPEGs saved in another format are found the same way; pictures
of flat 8 x 8 cells are not. At each block edge, a stretch of eight lines
whose step is under the limit and whose pixels hold no edge has the step
spread over the eight pixels around the edge, as the deblocking filters
of ITU-T H.263 Annex J and MPEG-4 Part 2 Annex F.3.1 do. Larger steps are
kept. The limit, the edge guard and how much of each line's own step is
smoothed depend on the mode: Black and White smooths only the smallest
steps, and traces of more than 16 colors move every line of a stretch
by the same amount. The pass runs before the photo pre-filter and works
in strips of rows, so only its output is as large as the image.
Text Wrap Options showed Offset as a plain number in points. It is now a
distance field in the document's General unit: a bare number is in that
unit, a typed unit is read as typed, and OK sends points.
The field's range is the one object.textWrap.options keeps an Offset to,
-1000 to 1000 pt, read from the engine's TEXT_WRAP_OFFSET_RANGE. A value
typed outside it, or text that doesn't read, is refused: the field
flashes and the dialog stays open. The ends as the field shows them in
another unit (352.7778 mm for 1000 pt) read back as the ends.
In the dialogs drawn by the shared dialog window, a click on OK no
longer confirms the dialog when the field it takes the focus from
refuses its text, as Enter already did not. OK pressed from the keyboard
after such a click still confirms.
A Live Paint Bucket click or drag over faces that already have the
fill, a stroke on an edge that already has the paint and width, Gap
Options with the options the groups have and no gap to close, and Make
or Merge given one Live Paint group alone now leave the document, the
undo and redo steps and the saved state as they are, and reply as
usual. Such a fill or stroke also leaves the recent colors as they are.
Gap Options with Close Gaps With Paths makes a group's faces again only
when it adds a path or what paint stops at changes, so the faces keep
their ids otherwise.
Type > Create Outlines dropped the fills and strokes of the type object
itself (the items around the Appearance panel's Characters row), so the
outlines no longer drew what the type drew. On type without effects of
its own, Object > Expand outlines the type with the same command, so it
lost them before Fill or Stroke could expand them.
- Create Outlines puts those items on paths of the type's whole outline:
the items below the Characters row on one path under the glyph paths,
the others on one path over them, in their order. Unplaced gradients
are fixed to the type's layout box, as the canvas paints them.
- object.expand.info reports the type object's own strokes, pattern
fills and gradient fills, measuring a gradient on the whole outline.
It counts them only when the type has an outline: type of only spaces
reports none of them.
- The stroke flag of object.expand.info counts every stroke Outline
Stroke outlines, not only the topmost one, for paths as well as type.
Expand skipped Stroke for a visible stroke under a stroke with no
paint.
Create Outlines still does not carry over the type object's own effects.
Docs: docs/mcp.md, docs/target-app-parity.md.
The save commands' warnings now follow an export's .ai rules: a legacy
.ai file (aiVersion "7") reads only its own options, and the other .ai
and .ait files don't read outlineText, hiddenObjects, transparentImages
or preserveEditing. They name any option given beside the path that the
file doesn't read, not only compress, version, preview and precision,
and any such key in options. The bytes a save writes don't change.
The Save Options dialog sends a .ai save only the options the chosen
version reads, so a save from the dialog gets none of these warnings.
When the document's own file is already a .ai, the .ai options that a
save doesn't give and its file doesn't read keep their remembered
values, so the dialog still shows them; the save doesn't write them, and
a retry in another folder doesn't send them.
Export for Screens and Export Assets already accepted a key in a format
row or in a format's settings that only another format takes. Their
warnings now name it as given (formats[0].quality, settings.png.quality).
A key in a format's settings is named only when no row of that format,
as the export writes it, reads it. The options of an exportPreset, and
for assets.export the settings the document keeps, get no warning.
Docs: params text of document.save, document.exportForScreens and
assets.export; docs/mcp.md; docs/target-app-parity.md.
Invert Colors, the Convert to commands, Saturate, Adjust Color Balance,
the Blend commands and Recolor Artwork recorded an undo step even when
they changed no color, for example Invert Colors with fills and strokes
off, Saturate at 0 or a second Blend Front to Back. The empty step also
cleared the redo steps. paint.invert and paint.complement on whole
objects, Apply as Filter (addon.color.filter) and Apply Nearest Swatch
run the same pass and did the same.
These commands now run on a copy of the document and record the step
only when something changed. Convert to Indexed Color uses the same
helper. Recolor Artwork also compares the documents when it counted no
recolored paint, so rewriting a color group's swatches still records
its step.
A recolor of a graph (Invert and Complement on the proxy, the Edit Colors
commands, Recolor Artwork, the color filters, Apply Nearest Swatch and the
ink limit of Print Ink Fixes) stored the new paint of the series marks but
not of the labels. stroke.set, the stroke weight steps, the gradient edits,
Swap Fill and Stroke and Default Fill and Stroke stored nothing when they
changed a label's characters. When the graph was drawn again, the labels
went back to their stored style.
- These commands now store, for every label of the kind they reach, the
label's object rows when they change, and the fill, stroke, stroke weight,
caps, joins, miter limit, dashes and stroke alignment of its characters
when all of them show the change alike.
- A gradient is stored without its placement, and each label fits it to its
own box. A stroke weight and dashes are stored as a scaled label shows
them.
- When labels of one kind change differently, the frontmost one sets what
the kind keeps.
- On a pie with Legends in Wedges, the legend labels' fill is stored only
when every legend label reached ends up with the same fill, so a recolor
of the whole pie leaves them black or white by their wedge.
- Axis lines, ticks and radar rings are not stored and are drawn again with
their default paint.
Docs: docs/mcp.md, the commands' params text, docs/target-app-parity.md.
The Limited palette's median cut ranks cuts by pixel-weighted gain. A
large near-black ground with faint noise therefore took two colors less
than 0.02 apart in Oklab, and the trace drew blotches of one over the
other.
With 9 to 16 colors, a cut whose two sides both have a dark gray mean
(Oklab lightness under 0.30, chroma under 0.03) and lie less than 0.03
apart now has its gain scaled by (distance / 0.03)^2 while the cut is
chosen. The ground keeps one color, and the color it would have taken
goes to another cut. Document Library without swatches follows Limited.
Other color counts, Full Tone and Automatic choose the same cuts as
before.
transparency.set and object.setProps with an object opacity or blend mode,
given a series group picked with Group Selection, set the group's own
opacity and blend mode, and the graph drew its series groups again
without them. The graph now stores them for the series (groupOpacity and
groupBlend) and puts them back on the series group when it is drawn
again. Commands that clear the group's own opacity and blend mode
(appearance.clear, graphicStyle.apply, appearance.transfer onto the
group, graphicStyle.redefine of a linked group) remove what the graph
stores.
A graph draws the art of a column or marker design inside a series again
from the stored design. Rows, effects and graphic styles that a command
gave that art were lost the next time the graph's data, type or size
changed. The paint commands already left the art out.
- The appearance.* row and whole-appearance commands, effect.apply,
appearance.addEffect and the effect.* commands that edit, move or
remove an effect, threeD.mapGraphic, graphicStyle.apply,
graphicStyle.addFromLibrary with apply, transparency.set with a fill
or stroke item, and appearance.copyFrom (as the target) leave out any
object inside a series group other than a path directly in it, given
by id, selected or reached through target: "contents". They edit the
other objects given, and a command whose objects are all design art
is an error.
- appearance.transfer with design art as its target, or as its source
without copy, is an error.
- A Pathfinder effect no longer groups selected design art.
- The paint commands given a design's copy with a fill or stroke item
leave it out as well.
docs/mcp.md states the rule, and the Graphs line in
docs/target-app-parity.md names it.
A PDF-compatible .ai saved with Include Editing Data for Other Apps
wrote no text wrap options, so a wrap object opened from the file no
longer wrapped type. An object with only wrap options got no
dictionary at all.
The writer now writes each wrap object's options in its dictionary as
`AI11TextWrapOffset` (`/Real`) and `AI11TextWrapInvert` (`/Bool`, 1 or
0), the entries `text_wrap` in crates/eps/src/import/ai/read/document.rs
reads, beside the object's name, variables and opacity mask.
- The offset is the one in the art's space, so on a large canvas it is
written at 1/10 and read back at its size. An offset that is not
finite is written as the default 6 pt, and one past the -1000 to
1000 pt the reader keeps as the nearer end of that range.
- Art the writer draws for an object (a blend's steps, a symbol
instance written as its art, a brushed stroke's pieces, pattern
tiles, an object's drawn look) is written without the options of the
objects it is made from. The object itself and a symbol's own art
keep theirs.
- A clipping path written as its fills and its strokes has its options
once.
Docs: docs/file-format-parity.md, docs/target-app-parity.md.
On Linux and the BSDs, craft-window reads the desktop's window-button
layout (`button-layout` in `org.gnome.desktop.wm.preferences`) into
`Frame::App` when the desktop leaves the window's frame to the app, but
the app bar ignored it and always drew Minimize, Maximize and Close at
its right end.
- `CaptionLayout` lists the buttons at each end of the bar;
`caption_buttons` draws them there in the listed order, first one
leftmost, and the bar's other controls keep clear of both groups.
- The desktop app copies the layout of an app frame the desktop left to
it. An app frame turned on by `VECTORCRAFT_TITLEBAR=app` or by
VectorCraft Title Bar on Every Desktop, a window opened through
XWayland, macOS and Windows keep all three at the right.
Docs: docs/control-protocol.md, docs/target-app-parity.md.
dotCooCoo