A clip group whose clipping path is type with a fill or stroke lost that
paint when a group around it had a geometry effect. Outlining the type
for the effect replaced it with a group of glyph outlines, and a group
paints nothing as a clipping path. Distort effects lost it on the canvas
and in SVG and PDF; Transform effects that only move lost it in SVG and
PDF when other type in the group stayed type.
The type's outlines now clip, its fills become art behind the clipped
art inside the clip, and its strokes become art over it outside the
clip, as the canvas draws an unaffected clip group.
While the Selection, Direct Selection or Group Selection tool moves the
selection, or the Gradient tool draws a vector, W and H show the change
in x and y, with the distance and the angle under them. A Scale tool
drag shows its percentages; a Rotate, Reflect or Shear tool drag shows
the center of the selection's box and its angles. The Zoom tool adds the
magnification and the Paintbrush the name of its brush.
W and H follow Use Preview Bounds. With several objects selected, the
panel shows only the fill, stroke and type values they share, and Show
Options adds a tint's swatch and percentage and a gradient's swatch name.
- Tool::readout and Readout (crates/tools/src/readout.rs).
- info.readout returns the selection's size and the tool's readout.
- Docs: docs/mcp.md, docs/ui-parity.md.
- perspective.grid.set rejects an offset that puts a plane behind the
viewer even while Automatic Plane Positioning holds that plane, so the
plane does not vanish when positioning ends.
- The gridline intersection nearest the pointer is found on strongly
skewed planes: each drawn line is searched at the point nearest the
pointer on the page, instead of a few cells around the pointer's
inverse.
- Moves while an artboard name is pressed no longer reach the tool as
hover, so Shift does not position the plane while the button is down.
A startOffset given as a length now counts in the units of the
referenced element's pathLength, so pathLength="100" on a path 400
long puts startOffset="50" at 200. A percentage stays a share of the
computed length. A pathLength of 0 keeps an offset of 0 at the start
and puts any other offset past the end, and an offset too large to
scale starts at the path's end instead of its start.
https://www.w3.org/TR/SVG2/text.html#TextLayoutAlgorithmhttps://www.w3.org/TR/SVG2/paths.html#PathLengthAttribute
The 3D and Materials panel gets a Render Settings menu with Wireframe.
Extrude & Bevel, Revolve, Inflate and Rotate take a `render` parameter,
`{mode: "shaded" | "wireframe"}`. In wireframe mode the effect stays
live and draws the edges Expand as Wireframes gives, each once, as
0.5 pt black strokes with round joins, with no shadow or graphics. The
object's own opacity, blending mode and opacity mask apply to the mesh.
Commands that set wireframe mode are checked against the edges it
draws: the shaded surface's paint copies, graphics and shadow limits do
not refuse them. A `render` value that is not an object holding only a
valid `mode`, and `render` on the 3D (Classic) effects, are refused.
Docs: docs/three-d.md, docs/mcp.md, docs/effects-parity.md,
docs/target-app-parity.md.
A triple-click with the Live Paint Selection tool on a face now selects
every face of its group with that face's fill, and on an edge every edge
of its group that draws with that edge's stroke paint. Hidden faces and
edges are left out. Before, a triple-click selected only what its third
click selected.
With Shift held, the parts are toggled from the selection there was
before the clicks: the tool keeps what the double-click and the Shift
clicks of the series toggled, and the triple-click toggles those back.
docs/target-app-parity.md's Live Paint Selection line says so.
Replace measured the image inside a PSD or PSB file's clip group only
when the new file brought its own clipping path. A plain image placed
with `replace` over such a clip group took only the group's center and
came in at 100%, losing the image's scale and rotation. The image in
the group is now measured whenever the new art is an image, clipped or
not.
set_by_not_rules tested every rule with a :not() against every element,
while matched_bytes, which charges the import's selector budget, counts
only the rules Index::candidates gives for the element. A style sheet of
many class-keyed :not() rules made the pre-pass test rules x elements
selectors that the budget never saw. It now loops over the same
candidates, which hold every rule that can match the element, so the
properties it returns are unchanged.
With Update Links: Manually, Cancel in Linked File Not Found, or in the Find Linked Files dialog its Find in Folder… opened, shows the line about the linked files that changed on disk before the open's notes, as the last answer does. With Ask When Modified, Cancel still asks nothing more.
The writer compared the top object's patch with the one the reader makes
of the written grid on an even 9 x 9 grid of places. A split side can
change how the reader samples a short curve that falls between those
places, so a top object could be written live although the reader would
map the contents differently there.
Coons::places gives the places in u and v where the patch's sides have
points. Each side runs straight between them, so the writer now compares
the four sides of both patches at every one of those places, within a
third of the tolerance; a point inside a patch blends its sides and
corners, so the patches then lie within the tolerance everywhere.
dotCooCoo