craft-svg builds against an older vectorcraft-geom and vectorcraft-pathops by git, so the
graph holds two packages of each name and `cargo check -p vectorcraft-geom` is ambiguous.
The wasm step now passes each workspace crate's package id.
warichu_is_a_character_attribute_set_saved_and_exported looked for Tj or
TJ anywhere in the exported PDF. The file ID in the trailer and the XMP is
a base64 hash that changes each second and now and then spells one of
them, so the test failed on main twice (bf3cf422e, 446bf59bc) while
export outlines warichu type every time. It now counts text-object lines
only, as the colour font PDF test already does.
Changing Preferences › Hyphenation › Exceptions bumped each open
document's revision, but the caches of laid-out type outside the text
crate were keyed on the font generation alone. The renderer kept the
glyph geometry, raster-effect pixels, live-effect and envelope art,
pattern tiles and placed symbol art of unchanged type objects, so
hyphenated area type kept its old line breaks on the canvas. The
hit-test art of blends and envelopes, the Fit to Artwork Bounds answer,
the layout caches of the Type and Touch Type tools and the out port's
overflow mark were keyed the same way.
vectorcraft_text::layout_inputs() returns a number that changes with
the fonts and with the hyphenation exceptions. Every one of those
caches now keys on it instead of FontDb::generation(), and envelope ink
uses it in place of the private envelope_ink_inputs(). The hit-test key
hashes it together with the plug-in revision.
Tests: a renderer that drew hyphenated area type, alone, with a drop
shadow, in a group with a Transform effect, in a symbol instance and in
an envelope, draws it as a new renderer does after the exceptions
change; the out port of selected area type shows the overflow that the
new exceptions cause. The render test helpers that run a step again
when the fonts change during it now also run it again when the
exceptions change.
egui places an Area by the size it had the frame before. When a family
name measured late (a face added for its script, a font found in the
background) widened the menu on the helper's last frame, that frame drew
it where the narrower menu fit, and a_menu_wider_than_its_field_stays_in_the_window
saw it 0.7 pt past the window's edge (three failed CI runs on 2026-11-13).
The helper now draws until the menu stops moving.
With the Selection tool, a change in the Character or Paragraph panel to a
selected frame of threaded text now changes every frame of its story,
locked and hidden frames included, in one undo step. Before, only the
selected frames changed.
- The panels send the frames of each selected story as the command's ids:
every Character and Paragraph field, the font family menu and its
preview, Bullets and Numbers, anti-aliasing, Variable Font axes, Reset
Panel in both panels, the Tate-chu-yoko, Warichu and Hyphenation
dialogs, and the Tabs panel's stops and Clear All Tabs. A story
selected through several frames or a group is listed once.
- The fields read every frame of the story and show a value only when all
frames share it.
- Clear All Tabs is enabled when another frame of the story has stops.
- Convert to Text keeps acting on the selected frames.
* PDF import: outlined Indic glyphs keep their own stroke and transparency (#5235)
Follow-up to #6906, for two review findings on how a line kept as
outlines is joined into paths:
- Glyphs were joined when their stroke widths matched; dash, cap, join
and miter limit were ignored, so a dashed glyph took the stroke of the
solid one before it. They join only when the whole stroke matches.
- Translucent glyphs were joined into one fill, where overlapping marks
paint once instead of compositing as the file draws them. Only opaque
glyphs join.
Also records the fix in the PDF row of docs/target-app-parity.md and in
docs/roadmap.md, as AGENTS.md asks.
Tests: outlined_glyphs_stroked_differently_stay_apart and
outlined_translucent_glyphs_stay_apart (both fail without the change).
* PDF import: outlined Indic glyphs under a soft mask stay apart; check kept geometry (#5235)
Review follow-ups on #6957 and #6906:
- Glyphs kept as outlines under a soft mask were joined into one path,
so the mask was applied once to all of them where the file applies it
to each glyph. They now join only when no soft mask is active.
- The fallback tests counted outline nodes only. A new test compares the
kept outlines (element count and bounding box) with the same file
opened as outlines, so a dropped or moved glyph fails it.
Tests: outlined_glyphs_under_a_soft_mask_stay_apart (fails without the
change) and kept_glyphs_are_where_the_file_draws_them.
* PDF import: mask outlined Indic glyphs one by one under a soft mask (#5235)
Review follow-up on #6957. Keeping glyphs out of one shared path was not
enough: each path still went into the soft mask's queue and
flush_masked wrapped them all in one masked group, so a mask that is not
constant was applied once to every glyph, where overlapping glyphs
composite one by one in the file.
With a soft mask active the queued art is now drained before the first
glyph and after each one, so every glyph gets a mask of its own.
Test: outlined_glyphs_under_a_varying_soft_mask_are_masked_one_by_one
checks that each outlined glyph carries its own mask (0 of 3 without
the change).
* #6957: clarify soft-mask exception in glyph grouping docs
---------
Co-authored-by: ruchirguitar <info@jeevantirth.org>
Adds 1,813 @msg rows to zh-hans.tsv, one for each status and error message the
untranslated report listed for Simplified Chinese, except the 38 that open
pull requests translate in their own rows: the composite font, justification
order and Blob Brush connect end errors. The catalog test rejects a second row
for the same key, so leaving them out keeps the catalog consistent when those
pull requests merge.
The report now lists 40 zh-hans messages: those 38, and two that no catalog
has a row for yet. Its menu, tl!, undo label and swatch name sections are
unchanged. Placeholders, backticked names, quoted values and JavaScript
identifiers stay as in the source.
Docs: docs/localization-parity.md (zh-hans row), docs/target-app-parity.md.
- After a fill drag, the Live Paint Bucket stores the release point, so the
cursor swatch preview shows there instead of where the pointer last moved
before the press.
- Arrow nudges and Alt+arrow type spacing read Shift and Alt from the key
press, as the tool keys do, so a modifier released within the same frame
still makes a 10 pt nudge, a copy, or a spacing step.
- tool.setOption accepts cursorSwatchPreview for the Live Paint Bucket and
refuses a value that is not true or false.
A closed freehand stroke is fitted as the open stroke would be and closed by a
straight segment from its end back to its start. Fitted as one loop, the
closing segment curved on past both ends and back, like a hat's brim.
The Polish catalog lacked a row for 1,854 of the status and error
messages that the untranslated report finds in the sources, so the
status bar showed those messages in English.
- pl.tsv gains 1,808 `@msg` rows: the errors of commands and their
parameter checks, scripts, file import and export, printing and
plug-ins. The translations are VectorCraft's own, written from the
English meaning with the catalog's conventions and its existing
feature names. Placeholders, parameter names, command ids and
literal values stay as the English writes them.
- 44 of the others get their Polish rows from open #7211, #7214,
#7116, #7330 and #1931, so this change leaves them out. 2 are
messages that no catalog has a row for yet. Menu strings, `tl!`
literals, undo labels and swatch names are unchanged.
- Two of the messages have two placeholders in a row. The catalog does
not load such a row, so those two are still shown in English.
- The Polish row of docs/localization-parity.md gives the catalog's
current counts.
Docs: docs/target-app-parity.md, docs/localization-parity.md.
craft_dxf::parse_recovering reads the tags (ASCII and binary, any code
page), model::Document::read the sections, tables, blocks, layouts and
entity followers, and Entity::read each entity. The pair parser, the
records, the header, layer, block and layout readers and the colour
palette are gone; what stays is the mapping onto VectorCraft art.
Binary DXF files now open instead of being refused. A damaged binary
file says so.
BFlat