On a shaped frame, Inset Spacing keeps text that far from the frame's
edge, measured from the edge itself rather than along the line. Before,
the inset was trimmed from each end of a line after the frame's edge was
found, so on a sloped edge the text came closer than the inset: a
triangle (0,0), (100,0), (0,100) with a 10 pt inset gave the band
40..60 the span 10..30, where a 10 pt clearance gives 10..25.86. Holes
keep the same clearance.
A rectangular frame keeps its inset from each side as before, a
column's inner edges keep it once, and the gap kept beside a wrap
object along the line is unchanged.
With one Objects on Path group selected and an object chosen with its
Select/Move widget, Detach in the Properties panel's Objects on Path
Options section takes that object out of the group
(`object.objectsOnPath.detach {member?}`). The object goes just above
the group in the Layers panel, stays where it is drawn and is selected
alone. The other objects move up the path in their order: Auto Space
spreads them evenly again, and a Space value and the start are kept.
The group and its path stay with one object or none left. Hidden or
locked objects and groups are refused, and Detach is one undo step.
When the group is itself on another group's path, the object goes
above the outer group so it does not join that path.
Docs: docs/mcp.md, docs/target-app-parity.md. Detach and its undo name
have rows in every catalog, and the new message in the complete-message
catalogs.
The profiles Edit > Assign Profile gives a document stayed the active
color settings after another document came to the front, so a new,
opened or switched-to document drew and converted its colors through the
previous document's profile, and closing the last document left it in
use.
The session now puts the front document's profiles in use (the working
spaces where it has none, or no document is open) after a new or opened
document, a tab switch, a close, File > Revert, every command including
each batch step and Undo or Redo of Assign Profile, a failed batch or
plug-in call, a script's rollback and slice boundaries, a canceled
preview, undo group or undo scope, and for each document Export All Open
and the update of placed documents work in. The active settings are
rebuilt, and the documents redrawn, only when they change.
document.export and document.serialize to .ai with useArtboards: false
wrote the one page of the visible art, but embedded the one-artboard
stand-in as the native document and as the editing copy for other apps.
Reopened, the file replaced the document's artboards with one artboard
around the art.
- The .ai of the art's bounds now leaves out both editing copies and
returns the warning "Preserve editing was left out: an .ai file of the
art's bounds would replace the document's artboards when reopened",
as the PDF of the art's bounds does.
- useArtboards: false with pdfCompatible: false is refused, with or
without editingData, since the file would have blank pages and no
editing copy.
- Save, Save As, Save a Copy and exports of the artboards keep both
copies. Legacy version 7 .ai files are written as before.
Docs: docs/mcp.md, docs/target-app-parity.md, document.export params.
Session::place_read and Session::place_queue_read placed a file, or
loaded the place cursor, in whichever document was active when the read
finished. A job prepared in one document could land in another one that
was activated meanwhile, or that stayed open after the first was closed.
Replace did not stop it when the other document held an equal object
under the same id.
PlaceJob, QueueJob and QueueRead now keep the uid of the document they
were prepared in. Both calls refuse a read whose document is not the
active one with "the document it was prepared for is no longer active",
before any selection, edit, tool change or journal entry. Switching back
to the original document places the file as before.
Preferences > Performance > Use Monitor Profile for Canvas (on by default,
`monitorProfileDisplay`) converts the canvas's art, artboard paper and
transparency grid from sRGB into the ICC profile of the display that shows
most of the main window, after any proof. Arranged panes and the render
worker's frames are converted too; the worker keeps its frame in sRGB.
- Windows: the display's default profile for its standard color mode
(ColorProfileGetDisplayDefault, GetICMProfileW where it is missing). A
display with Advanced Color on is left to Windows.
- X11: colord's profile for the RandR output, then the output's
`_ICC_PROFILE`, then the screen's when only one output is active.
- A Wayland session stays sRGB; macOS converts the window itself.
- A profile that is missing, larger than 1 MiB, not an RGB display
profile or unreadable leaves the canvas sRGB, with the reason in
`ui.inspect`'s `displayProfile`.
The conversion is sampled into a 33x33x33 table when a profile is read, on
a background thread. Exports, `ui.render` and the document are unchanged.
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