A symbol whose natural size is not 20 x 20 is drawn through its 9-slice
guides by an instance that only moves, so art the guides move can draw
outside the art box moved by the instance. The visual box took that
moved art box alone, and the renderer culled the instance when only the
moved art was in view. The visual box now measures such an instance as
it does a scaled one.
A PDF, an EPS or .ai without ruler units, a raster image, a metafile, an
Affinity file or an importer plug-in's document opened (and reverted) in
points whatever the General unit was. They now open in the General unit,
as the reference app opens files that record no unit. Native, SVG and DXF
files and a .ai or EPS with %AI5_RulerUnits keep their own units. Only the
displayed units change, not the art.
Found while testing crates/engine/src/cmd/graph/data.rs:51 (parse_csv); written by crates/doc/src/graph.rs:497 (GraphSpec::to_csv)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Each artboard can carry a guide label: one of the layer colors or a
custom RGB. Guides that belong to an artboard draw in its label color,
and guides without an artboard, or on an artboard without a label, keep
the guide color from the preferences. Selected guides still draw in the
selection color.
- Artboard Options has a Guide Label row (None, the layer colors with
swatches, or Custom with a color swatch).
- artboard.new and artboard.setProps take guideLabel: null, a layer
color's name, or #rrggbb. Any other value is an error. The inspect
summary lists guideLabel when one is set.
- The native format saves the label and skips it when unset; a preset
index outside the layer colors reads as no label.
- artboard.setProps no longer adds an undo step when nothing changes.
Docs: docs/mcp.md, docs/target-app-parity.md.
A linear dimension between two clicked points, or dragged out from a
segment, always measured the straight distance between its points and
drew its line parallel to them, so two points at different heights gave
only a slanted dimension. The linear dimensions help describes aligned,
horizontal and vertical linear dimensions: after the second click,
clicking again gives an aligned one and moving the pointer gives a
horizontal or vertical one.
https://helpx.adobe.com/illustrator/desktop/measure-and-align/plot-and-measure/plot-linear-dimensions-of-objects.html
While a linear dimension is being placed, the pointer's position sets
whether it is aligned, horizontal or vertical. The rule is VectorCraft's
own. With the pointer beside the two points (the nearest point of the
line through them lies between them) or on that line, the dimension is
aligned. Past either point, the line through the points and the
perpendicular through that point bound a quarter on each side of the
line. The quarter that holds the direction straight up or down gives
the horizontal distance, and the quarter that holds the direction
straight left or right gives the vertical distance. A click within
reach of the second point, or of where the pointer was for the second
click, places it aligned. Points on one horizontal or vertical line
give an aligned dimension. The dimension stays linked to the anchors it
measures.
- Dimension recipes carry an orientation (aligned by default; files
without it open as before). The line runs along the axis, and each
extension line runs from its point to it.
- dimension.create and dimension.update take orientation: aligned,
horizontal or vertical, for linear dimensions only. Any other value
is an error. A new orientation keeps the line on the side of the
points it was on, and an update that changes nothing records no
undo step.
- A horizontal or vertical dimension keeps its orientation when it or
the art it measures turns, and shows 0 when its points come into line
across its axis. A line that lay outside the points stays outside
them after a turn.
- The hint bar names the two-click placement.
Docs: docs/dimensions.md, the Evidence list in docs/target-app-parity.md.
visit_node_colors visits the fill and stroke paints a dynamic symbol
instance keeps for objects of its art (symbol_overrides). Before, print
separations, Separations Preview and document color conversion left
those colors as they were, so an instance's own fill printed and
previewed unseparated.
Create Gradient Mesh, a Mesh tool click and Object > Expand of a gradient
to a mesh gave each border edge one cubic fitted between two mesh points
and picked the corners from the bounding box, so the border cut off
corners and curves: 49 pt off a five-point star, 54 pt off a notch.
- The border follows the outline of the largest subpath by length; border
points sit on it and an edge with no anchor inside is the exact piece
of its segment.
- Where no single cubic follows a run within 0.1 pt (a thousandth of the
size on a small outline), a mesh line goes through an anchor, the
sharpest corner first; at most 256 lines each way. Rectangles and
ellipses keep the rows and columns asked for.
- Smooth runs keep their end tangents; border handles are no longer made
collinear.
- To Center and To Edge highlight placement accounts for the extra lines
(for_path_shaded, also used for gradient fills).
- Non-finite points give no mesh; a degenerate outline keeps the old
bounding-box mesh.
Holes of a compound path are still left out, as before.
Docs: docs/target-app-parity.md.
Direct Selection showed and dragged the anchors of type on a path's path
(#3980) but not their direction handles: handle_anchors read only a
path's own data, and the canvas draws only a path's handles.
- text.setPathHandle moves a handle of type on a path's path, in
document space, as path.setHandle moves a path's; the brackets keep
their fractions and the text reflows. One undo step.
- Direct Selection draws the handles of selected type on a path and
drags them with it (Alt: one side, Shift: 45 degree steps).
A document a script opens now counts the art in its graph designs and in
the original of the pattern being edited toward the growth allowance.
`Document::art_roots` and `art_roots_mut` list every tree of a document's
art; `any_node`, `edit_nodes_where` and the script's object count use them.
`script.run` checks the depth of `args` without recursion before it copies
or writes them out, so `args` nested 10,000 levels deep is refused with the
place it went past 64 levels instead of overflowing the stack.
New tests: graph-design art and the growth allowance, `args` nested 10,000
levels deep from a script (a RangeError) and from a caller, `run --cmd
script.run` on the command line with a report and with a thrown error, and
a property test that sends arbitrary source through `script.run`.
With Measure Type by Glyph Bounds on, point type is measured by its
glyph outlines and its underline and strikethrough bars, as the canvas
draws them. A typed W or H gives what is drawn that size, and underlined
or struck-through spaces are measured by their bars instead of the em
box.
The texts now say that each point type object selected as an object
(not inside a selected group) is measured this way, that moved type
snaps by its ink box, and which Arrange Tools commands follow the
option: Swap Objects, Replace with Top Object, Set Size of Each and
Sort Objects. Arrange in Grid and Group Overlapping Objects keep
measuring visual bounds.
Measure Type by Glyph Bounds (`typeGlyphBounds`, off by default) is in
Preferences > Type > Glyph Bounds and the Transform panel menu. With it
on, the bounding box, the Transform, Control bar and Properties X, Y, W
and H, `object.setBounds`, the transform tools' reference point and the
Arrange commands measure point type selected on its own by the ink of
its glyphs instead of its em box. A typed W or H scales the live type
until its ink has that size.
- The engine caches each type object's ink in text space with its
layout bounds; the cache is not saved.
- Use Preview Bounds adds the characters' strokes, and type with
geometry effects is measured as drawn. Skewed type is measured by its
outlines.
- Type that draws nothing, area type, type on a path and type inside a
selected group are measured as before. Align and Distribute keep
following Align to Glyph Bounds.
Docs: docs/mcp.md, docs/control-protocol.md, docs/target-app-parity.md,
object.setBounds params text.
With Use Preview Bounds on, a curve piece that bends more tightly than
half the stroke weight after the last split had its box grown by half
the weight on every side. A handle on an end point makes the curve's
first or last control difference zero, so such a curve always reached
that fallback and measured past its butt end: a vertical 2 pt curve
from (50,10) to (50,60) with its first handle on (50,10) measured
Rect(49, 9, 51, 60) instead of Rect(49, 10, 51, 60).
The fallback now measures the piece from the directions its tangent can
take, the nonzero control differences, when they all lie within a
quarter turn of their sum. Pieces whose tangent turns further are still
grown on every side.
File › Scripts › Other Script… picks a .js or .jsx file, shows a warning
that can be turned off in Preferences › General, and runs the script
against the open documents through the `vc` object. The new
`script.run` and `script.stop` commands run and stop a script over MCP.
- A run is one transaction. Each document it changed gets one undo step
named Run Script. An uncaught error, a limit or a stop puts every
document, the paint, the clipboard, menu state and preferences back.
- A command that fails inside a run, or whose result is too large to
reach the script, is undone and throws an error the script can catch.
- Files a command wrote stay on disk and the report names them, also
when the run is stopped from the quit question.
- While a script runs, other commands that change anything fail with a
busy error; MCP reports it as JSON-RPC error -32003.
- In the app the run advances one slice per frame with a Stop button in
the status bar. A run that adds a great many objects asks whether to
continue; Stop and Escape end it.
- Commands that change state outside the documents, such as prefs.*,
plugin.* and file.place.queue, are refused to scripts.
Docs: docs/mcp.md, docs/gaps.md, docs/roadmap.md,
docs/target-app-parity.md.
With Use Preview Bounds on, the visual box of a butt-capped stroke on an
open path grew by half the stroke weight past each end of the path, where
a butt cap paints nothing. A 2 pt vertical line set to H: 10 mm in the
Transform panel drew about 9.3 mm long.
The box of an open subpath with butt caps no longer reaches past its
ends. A straight segment's box comes from the four corners of its stroked
rectangle, and a curve's box comes from the stroke at its ends and where
its tangent is square to an axis. Bevel joins, and miter joins the limit
bevels, are measured by the stroked corners, and round joins by the arc
they paint outside the turn, instead of half the weight all round. Round
and projecting caps, arrowheads, closed paths and miter tips measure as
before. Two cases can still measure larger than the stroke paints: a
curve that bends more tightly than half the weight, and a butt-dashed
path whose first or last dash is a gap, which is measured to the path's
ends.
A horizontal or vertical butt line now measures one stroke weight less
along its length in W or H, and Align places it by its end points. A
slanted line's box shrinks by less: the stroke's corners still reach
past the end points across the line. object.setBounds measures as drawn,
after each scale it tries, a butt-capped open path with a segment at a
slant, symbol instances' art included.
Edit Colors > Convert to Grayscale wrote the new image as an RGBA PNG, so
a PDF wrote it as DeviceRGB, in a CMYK document too. The image is now
stored as a gray PNG, with alpha only when some pixel is not opaque. Adjust
Colors with mode gray and convert does the same.
An RGB image whose pixels are already neutral now converts, and an image
already stored as gray with no visible change is left as it is.
Add Line Arrow, a 41st generated arrowhead: two arms as thick as the line
(at 100 % scale) meeting at right angles in a sharp tip, cut square at their
ends. It is saved by the new name `LineArrow`, appended so existing names
stay stable, and listed third in the arrowhead menus after Arrow (open).
Its arms spread four weights either side of the line, twice as wide as the
other heads, so Arrowhead now states its own reach and half width. Visual
bounds and clicks on the canvas (head_reach, head_contains) use them instead
of one fixed 4.6 x 2 box; every other head keeps the sizes it had.
Tests: the outline test checks each head against its own reach and half
width; a new test checks the line arrow's tip, corners, open middle and arm
thickness; outset_covers_arrowheads checks that the wider head grows the
outset; the saved-name list includes LineArrow.
Spine stored a full clone of the blend's PathData but only ever read its
first subpath. Store that SubPath instead, which drops the extra
allocation and makes the field's purpose clear. Document the field and
the two cases where Spine::new returns None.
A painted live effect's pieces name swatches, so a kept evaluation could outlive a swatch that was renamed or removed and answer a click with art the document no longer draws. The kept evaluation now holds the document's swatches and color groups and is stale when they change.
With Scale Strokes & Effects or Transform Patterns on, the path and each copy are moved by Node::transform, which fixed a fitted gradient to its fit before a scale of 0 flattened it to one color. Scaling::keep_fit_when_flat keeps the gradient fitted under a map that flattens the object (node::flattens, the gate fixes_fit already used), and the Transform effect's path transforms set it.
docs/target-app-parity.md also says that the Gradient tool still shows a fitted gradient's vector at its unturned fit.
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