An envelope of type opens live only where the layers with it draw as
the page. Two ways of using layers that don't left it live all the
same: the editing data trusted (they come from it with a note), and
the objects that draw differently coming in as the page's art. In both
the envelope now keeps its drawn art and its type, hidden, with the
note, as where its drawn art is put back. A .ai whose layers would
open alone, without its PDF part, then opens alone again, as it did
before envelopes of type could open live, rather than compared with
the page.
The type put back no longer carries the mark of type made from the
text document in its name.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The comparison with the page counts the area of each text object that
shows as type, which it holds to less (type laid out again from the
file's text can sit a little apart from the page's). It took the text
object in a live envelope's contents for such type, at its own unbent
box, so most of what an envelope of type draws went unweighed: one
opened live where the page draws other art there, with only a note
that the type differs. The envelope draws its type bent, as art, and
is now weighed as such, as the drawn art it takes the place of is.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An envelope whose contents hold type kept its drawn art, with the type
hidden, because the type is laid out from the text document only after
the layers are read. It now waits for that, as warped type does: once
its text slots hold their type, the envelope is made of that type and
drawn by VectorCraft's own rule, and where it draws as the drawn art the
file saves (the same check and budget as other envelopes) it takes the
drawn art's place, with the type visible and editable in Edit Contents.
The hidden copy of the type goes.
As other live envelopes are, it is held to the page: when the layers
with it don't draw as the page, its drawn art and hidden type are put
back. A .ai whose layers would open alone, without its PDF part, now
waits on the PDF part when an envelope of type is in them; where none
opens live, the layers open alone as before. Layers built without a page
leave envelopes of type their drawn art.
Elsewhere it keeps its drawn art and hidden type, with the note: type in
a font that isn't available, a slot without made type (threaded, bound
to a text variable, a wrap object, type a look draws), an envelope that
doesn't read, no check left, or one that draws differently. Envelopes in
a symbol's or a pattern's art keep their drawn art.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Move a stray table row and the PR #3273/#3272 revision notes into
Feature revisions, keep one "Feature evidence last updated" line, drop the
duplicate Flyout update status line and fold eight reconciliation rows
into one per date. No score or estimate changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Move the unheaded change bullets above the Stage line and the revision
row inside the Headline numbers table into Revision history, each under
the date of the commit that added it. No score or estimate changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Exports RGB, CMYK and grey JPGs at qualities 100, 80 and 50, at 1x and 2x,
and decodes each one. It also checks that only the CMYK files leave out the
JFIF segment (#3140). Covers #2096 too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The existing entity tests are unit tests that place the references in
attributes. This adds an import-level test with the references inside
<desc>, which the import refuses, and checks that the namespace entities
drawing apps write (&ns_svg;) still import.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Direct Selection showed and dragged the anchors of type on a path's path
(#3980) but not their direction handles: handle_anchors read only a
path's own data, and the canvas draws only a path's handles.
- text.setPathHandle moves a handle of type on a path's path, in
document space, as path.setHandle moves a path's; the brackets keep
their fractions and the text reflows. One undo step.
- Direct Selection draws the handles of selected type on a path and
drags them with it (Alt: one side, Shift: 45 degree steps).
The check that keeps a live envelope or warped type only where it draws
as the art saved with it renders each on its own, over nothing, and
compared the pixels as seen on white. White art over nothing looks like
nothing on white, so white contents that drew somewhere else passed and
opened live in the wrong place.
Pixels now also differ when they look different seen on black, so such
art keeps its saved art, as colored art does. Opaque colored art is
compared as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With the Linear mode, two problems kept a click on an anchor from
taking it:
- A press on an anchor that moved more than 3 pixels before the release
dragged out the dimension of the segment under the pointer and
committed it almost on top of the art. A press on an anchor now picks
it unless the pointer moves past the anchor's 8-pixel reach; a longer
drag still dimensions the segment.
- A pick linked only an anchor of the segment nearest the pointer. An
anchor of another path near that segment, for example one inside a
group lying just inside another object's edge, was taken at most as a
Smart Guides point with no link, so the dimension did not follow it
when the art changed. A pick now links the nearest anchor of any
visible, unlocked path within reach, in groups and compound paths too.
In Outline the canvas kept the Preview pasteboard color and filled each
artboard with white paper. Paths and type draw as black hairlines, so
art on the pasteboard was close to invisible in the dark interface
brightnesses.
In Outline the whole canvas is now white in every interface brightness
and Canvas Color, pasteboard included. The artboards draw no paper and
show as their edges, so Simulate Colored Paper, an artboard's background
color and the paper of View > Hide Artboards no longer show in Outline.
The artboard names and the ruler origin's crosshair draw in dark gray
there. In split views and floating windows the artboard names follow
that window's own Outline setting, as the canvas already did.
