Reading a brush library numbers the second brush of a repeated name, so
the panel's row of that name previews and drags the first brush, and the
second brush has a numbered row of its own.
docs/control-protocol.md said the window has no OS decorations on
Windows and Linux. On Linux and the BSDs the app bar is the title bar by
default only on a Wayland session without server-side decorations, such
as GNOME, in a window not opened through XWayland; elsewhere the desktop
draws the frame unless VectorCraft Title Bar on Every Desktop or
VECTORCRAFT_TITLEBAR=app turns the app frame on. The paragraph now says
so.
docs/development.md said the custom title bar is the Linux default. It
now says where the app bar is the default title bar. The comment on
CUSTOM_TITLEBAR in apps/vectorcraft/src/titlebar.rs made the same
Windows and Linux claim and now names Windows only.
Reading a brush library now numbers the second and later brushes of a
repeated name, so the panel lists Twin and Twin 2 rather than two Twin
rows. The test expects those rows, and checks that rows of one name that
reach the panel unnumbered still preview and drag the first.
pt-br is in COMPLETE_MESSAGES, but the untranslated report listed 1,851
status and error messages with no pt-br row, so with the interface in
Brazilian Portuguese those messages showed in English.
- pt-br.tsv gains 1,812 `@msg` rows. The translations are VectorCraft's
own, written from the English meaning with the catalog's terms.
Placeholders, backticked names, command ids, parameter names,
double-quoted values and bare true, false and null stay as the English
writes them.
- The 39 messages that open #7211, #7214, #7116 and #7330 add pt-br rows
for are left out. bundled_catalogs_are_consistent rejects a second row
for the same key.
- The Portuguese row of docs/localization-parity.md gives the catalog's
counts: 9,260 rows, 3,445 of them `@msg` and 48 `@msgplural`.
Node::strip_ruler_guides and Node::map_ruler_guide_positions asked a
layer whether its whole subtree held a ruler guide, then asked each
sublayer the same question again when filtering the children and again
when the recursive call started. A layer nested d deep was tested
2d + 1 times, so a chain of N layers cost about N^2 layer tests.
strip_ruler_guides runs when a document's objects are placed or pasted
(Clipboard::from_document), when a copy of the document is saved
(Document::guides_to_saved) and when a temporary editing layer is
removed (Document::remove_edit_layer). map_ruler_guide_positions runs
when an imported EPS is scaled.
A new held_guides reads the layer once and records which children are
ruler guides and which sublayers hold one; strip_held and map_held then
visit and copy only those sublayers. The guides removed, the order f is
called in, the art and its order, and the sharing of layers without a
guide are the same as before. Neither method records an undo step.
Open #7211, #7214 and #7116 add German rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The German lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
A JPEG rounds each 8 x 8 block's tone on its own, which leaves a small
step at every block edge. Where a dark ground changes slowly, those steps
decided which of two palette colors a whole block got, and the trace
followed the block edges as a staircase.
The new deblock pass finds the block grid in the image: the mean step
between neighboring opaque pixels must peak at the same one of eight
positions at both block edges of a 16 px span, across and down. Cropped
JPEGs and JPEGs saved in another format are found the same way; pictures
of flat 8 x 8 cells are not. At each block edge, a stretch of eight lines
whose step is under the limit and whose pixels hold no edge has the step
spread over the eight pixels around the edge, as the deblocking filters
of ITU-T H.263 Annex J and MPEG-4 Part 2 Annex F.3.1 do. Larger steps are
kept. The limit, the edge guard and how much of each line's own step is
smoothed depend on the mode: Black and White smooths only the smallest
steps, and traces of more than 16 colors move every line of a stretch
by the same amount. The pass runs before the photo pre-filter and works
in strips of rows, so only its output is as large as the image.
A Live Paint Bucket click or drag over faces that already have the
fill, a stroke on an edge that already has the paint and width, Gap
Options with the options the groups have and no gap to close, and Make
or Merge given one Live Paint group alone now leave the document, the
undo and redo steps and the saved state as they are, and reply as
usual. Such a fill or stroke also leaves the recent colors as they are.
Gap Options with Close Gaps With Paths makes a group's faces again only
when it adds a path or what paint stops at changes, so the faces keep
their ids otherwise.
Type > Create Outlines dropped the fills and strokes of the type object
itself (the items around the Appearance panel's Characters row), so the
outlines no longer drew what the type drew. On type without effects of
its own, Object > Expand outlines the type with the same command, so it
lost them before Fill or Stroke could expand them.
- Create Outlines puts those items on paths of the type's whole outline:
the items below the Characters row on one path under the glyph paths,
the others on one path over them, in their order. Unplaced gradients
are fixed to the type's layout box, as the canvas paints them.
- object.expand.info reports the type object's own strokes, pattern
fills and gradient fills, measuring a gradient on the whole outline.
It counts them only when the type has an outline: type of only spaces
reports none of them.
- The stroke flag of object.expand.info counts every stroke Outline
Stroke outlines, not only the topmost one, for paths as well as type.
Expand skipped Stroke for a visible stroke under a stroke with no
paint.
Create Outlines still does not carry over the type object's own effects.
Docs: docs/mcp.md, docs/target-app-parity.md.
In Full Screen Mode with Menu Bar and Full Screen Mode the canvas is
about 390 pt wide, so the Contextual Task Bar under the selected
rectangle now wraps onto a second row and covers the canvas's center.
The middle-button pan, hand, zoom and context menu tests pressed there
and reached the bar instead of the canvas. They now press low on the
canvas, at a point the helper checks is clear of the bar.
Invert Colors, the Convert to commands, Saturate, Adjust Color Balance,
the Blend commands and Recolor Artwork recorded an undo step even when
they changed no color, for example Invert Colors with fills and strokes
off, Saturate at 0 or a second Blend Front to Back. The empty step also
cleared the redo steps. paint.invert and paint.complement on whole
objects, Apply as Filter (addon.color.filter) and Apply Nearest Swatch
run the same pass and did the same.
These commands now run on a copy of the document and record the step
only when something changed. Convert to Indexed Color uses the same
helper. Recolor Artwork also compares the documents when it counted no
recolored paint, so rewriting a color group's swatches still records
its step.
BFlat