Object > Rasterize and the redrawn path of Crop Image allowed images up to
65,535 pixels a side, but the renderer draws at most 32,768. A 100 x 5569 pt
rectangle rasterized at 600 ppi came back 32,768 pixels tall, and the bottom
29% of the art was gone. Such an image is now refused like one over the
64 megapixel limit, and the art stays as it was.
A layer's Lb colour index was its position in LAYER_COLORS, but the file
numbers Magenta, Cyan and Yellow 4, 5 and 6 where LAYER_COLORS has Yellow,
Magenta and Cyan. Save (editing copy and legacy) and open now map the index
both ways; LAYER_COLORS keeps its order and the other 24 presets are unchanged.
While an envelope's contents are edited, the editing data keeps its mesh
in the envelope's dictionary. In some users' files that mesh lies away
from the drawn art by a plain move, the contents sitting with the drawn
art, as if the mesh hadn't followed the envelope when it moved. The
envelope then drew its contents elsewhere, failed the drawn-art check
and kept its drawn art. Nothing in the dictionary records the move, and
no envelope saved outside Edit Contents was found displaced.
A mesh or top object saved in Edit Contents (and a warp of type tried
on its saved grid) whose mesh draws the contents as large as the drawn
art, within half a point over width and height together, but further
from it than that, is now tried again after every other way, with one
more of the import's checks, its mesh moved by as far as the drawn
art's box lies from the box of what it draws. The drawn-art check, the
budget and the page comparison decide as before, so an envelope that
opened live before opens the same way.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The flattener limited an image's resolution only by its total pixels, while
the renderer draws at most 32,768 pixels a side. A long area, such as a narrow
see-through gradient strip down a 2 m banner at 1200 ppi, came back cut off
at that length and was placed as if whole, so the rest of the strip was lost
in Flatten Transparency and in PDF/X-1a, PDF/X-3 and PDF 1.3 exports. The
resolution is now also limited by the longest side, as raster effects are.
A merge left a second copy of the G9 `.ai`/EPS Missing bullet's opening inside the bullet. That copy says
writing the editing data is out of scope, while the same bullet and file-format-parity.md say a
PDF-compatible `.ai` carries an editing copy of the art. The bullet now has one copy, with the newer
brush wording that matches the 2026-11-05 entry above it.
The graph still stores an opacity or blend mode set on a series mark's row
that has no paint, as it does for transparency.set. The sentence now says
that such a row leaves only the stored paint unchanged.
`#strict on` and `//@strict on` no longer end the run as unsupported. They
turn on the checks the dollar-object help page gives for `$.strict`
(https://extendscript.docsforadobe.dev/extendscript-tools-features/dollar-object/):
an assignment to a read-only property throws a TypeError, and so does a new
property on an object that takes none.
VectorCraft's own rules: a getter-only property counts as read-only; the
objects that take no new properties are the non-extensible ones
(preventExtensions, seal, freeze, and the frozen vc and $ objects); the last
`#strict` line of the script and its includes sets the whole run, and runs
without one are unchanged; eval and Function take the checks of the code
that compiles them; a file $.evalFile runs keeps its own line's checks for
its code and functions, or takes the caller's without one. The rest of ES5
strict mode stays with 'use strict'.
The js crate carries the setting per compiled source
(Realm::set_strict_writes, and a strict_writes callback on
HostItem::Evaluator), and applies it only to property assignments.
A script's $ object now has the other members the Dollar object page
lists: about, appEncoding, bp, build, buildDate, colorPicker,
decimalPoint, engineName, error, flags, gc, getenv, setenv, global,
hiresTimer, level, line, locale, localize, memCache, os, screens, sleep,
stack, strict and version. Scripts also get the global
localize(object, ...values), toSource(value) and
Object.prototype.toSource().
Each run starts with the interface's locale and its own $ state;
$.setenv changes only the run's copy of LANG, LC_MESSAGES, LC_ALL and
OS, and $.getenv returns null for every other name. $.sleep waits from
0 to 1,000 ms between frames, and script.stop ends the wait. toSource
writes plain data only and throws on cycles, getters, host objects and
values past the data limits.
The script checker reports $.localize as a $ member instead of the
global localize function.
Pasted art whose svg.filter effect named one of the document's SVG filters
but drew another definition kept that name, so editing or deleting the
document's filter rewrote the pasted art's filter. Paste now renames such
a filter to a free name ("Soft 2") when the art comes from another
document or from SVG, and takes the document's filter when the art is
pasted back into the document it was copied from. Symbols, patterns,
brushes and graphic styles on the clipboard follow the same rule.
- The panel's report line gives a run without a clock as "time
unavailable", as script.console does, instead of "? ms", and shows the
slowest commands after "slowest:" as script.console does.
- "1 host call", "1 earlier line dropped" and "1 line cut" take the
singular in the panel and in script.console, and each catalog gives
its language's plural forms. The dropped and cut counts choose their
forms independently.
- A run whose state is gone still gets an end line: "stopped" when it is
abandoned, "internal" when the next slice finds it missing. Neither
adds a report line. The missing-run path in script_pump now also puts
the session's state back, as script_abandon does, so the next run can
start.
#6090 moved the pinned window width in
the_control_bar_shows_the_paragraph_alignment_of_the_selected_type from
1440 to 1536 pt, since the bar's right end now keeps room for the panel
menu button. The progress line still named 1440 pt.
A dimension selected with the art it measures became a plain group of
paths and text when Object › Expand, Object › Expand Appearance or
Object › Path › Outline Stroke ran, so it no longer redrew when moved
or restyled.
These commands now leave such a dimension's lines and label as they
are, also inside selected groups without fills, strokes or effects of
their own, and change only the other art. The dimension keeps its
export assets and variable bindings. When the new art no longer fits
the dimension's link, for example because the outlined stroke has
other anchors, the dimension stays where it was, no longer linked, as
it does when its art is deleted. Undo links it again.
When the dimension is all the command would change, the command
changes nothing and reports the error it gives for a selection with
nothing to change. Object › Expand… is no longer dimmed for the label
of such a dimension. A dimension selected without the art it measures,
a part of one, and one inside a selected group with an appearance of
its own still become plain groups, and Type › Create Outlines still
outlines the label.
Docs: docs/dimensions.md, docs/mcp.md, docs/target-app-parity.md.
The Dynamic symbols entry still said Edit Symbol expands the symbol's
own art. Since #5064, Edit Symbol opens symbol editing mode: every
instance stays linked and a dynamic symbol's instances keep their
changes for the objects the edited art still has.
dotCooCoo