transparency.set and object.setProps with an object opacity or blend mode,
given a series group picked with Group Selection, set the group's own
opacity and blend mode, and the graph drew its series groups again
without them. The graph now stores them for the series (groupOpacity and
groupBlend) and puts them back on the series group when it is drawn
again. Commands that clear the group's own opacity and blend mode
(appearance.clear, graphicStyle.apply, appearance.transfer onto the
group, graphicStyle.redefine of a linked group) remove what the graph
stores.
A graph draws the art of a column or marker design inside a series again
from the stored design. Rows, effects and graphic styles that a command
gave that art were lost the next time the graph's data, type or size
changed. The paint commands already left the art out.
- The appearance.* row and whole-appearance commands, effect.apply,
appearance.addEffect and the effect.* commands that edit, move or
remove an effect, threeD.mapGraphic, graphicStyle.apply,
graphicStyle.addFromLibrary with apply, transparency.set with a fill
or stroke item, and appearance.copyFrom (as the target) leave out any
object inside a series group other than a path directly in it, given
by id, selected or reached through target: "contents". They edit the
other objects given, and a command whose objects are all design art
is an error.
- appearance.transfer with design art as its target, or as its source
without copy, is an error.
- A Pathfinder effect no longer groups selected design art.
- The paint commands given a design's copy with a fill or stroke item
leave it out as well.
docs/mcp.md states the rule, and the Graphs line in
docs/target-app-parity.md names it.
Deleting ruler guides and moving or scaling an artboard's guides asked
each layer whether its whole subtree held a matching guide, then asked
every sublayer the same question again on the way down. A layer nested
N deep was scanned N times, so a chain of N layers cost N(N+1)/2 layer
scans.
One read walk now records which children match and which sublayers hold
a match, and the edit visits and copies only those layers. The guides
removed, the count returned, the selection, the order the guides are
changed in and the sharing of untouched layers are the same as before.
The same walk replaces the repeated subtree scans in the other guide
edits in this file:
- tidying the ruler guides of an opened file (guides below art, in
objects, in opacity-mask art, in symbols and patterns)
- saving the guides as a list
- removing an editing layer while keeping its guides
A PDF-compatible .ai saved with Include Editing Data for Other Apps
wrote no text wrap options, so a wrap object opened from the file no
longer wrapped type. An object with only wrap options got no
dictionary at all.
The writer now writes each wrap object's options in its dictionary as
`AI11TextWrapOffset` (`/Real`) and `AI11TextWrapInvert` (`/Bool`, 1 or
0), the entries `text_wrap` in crates/eps/src/import/ai/read/document.rs
reads, beside the object's name, variables and opacity mask.
- The offset is the one in the art's space, so on a large canvas it is
written at 1/10 and read back at its size. An offset that is not
finite is written as the default 6 pt, and one past the -1000 to
1000 pt the reader keeps as the nearer end of that range.
- Art the writer draws for an object (a blend's steps, a symbol
instance written as its art, a brushed stroke's pieces, pattern
tiles, an object's drawn look) is written without the options of the
objects it is made from. The object itself and a symbol's own art
keep theirs.
- A clipping path written as its fills and its strokes has its options
once.
Docs: docs/file-format-parity.md, docs/target-app-parity.md.
On Linux and the BSDs, craft-window reads the desktop's window-button
layout (`button-layout` in `org.gnome.desktop.wm.preferences`) into
`Frame::App` when the desktop leaves the window's frame to the app, but
the app bar ignored it and always drew Minimize, Maximize and Close at
its right end.
- `CaptionLayout` lists the buttons at each end of the bar;
`caption_buttons` draws them there in the listed order, first one
leftmost, and the bar's other controls keep clear of both groups.
- The desktop app copies the layout of an app frame the desktop left to
it. An app frame turned on by `VECTORCRAFT_TITLEBAR=app` or by
VectorCraft Title Bar on Every Desktop, a window opened through
XWayland, macOS and Windows keep all three at the right.
Docs: docs/control-protocol.md, docs/target-app-parity.md.
A graph series kept a gradient with the document coordinates it had on
the one mark it was stored from, and gave that paint unchanged to every
mark when the graph was drawn again. The other marks showed the gradient
placed over the edited mark, and the placement stayed behind when the
data or the graph moved the marks.
The graph now stores a gradient relative to the unit box of the mark it
comes from (its geometric bounds, or its stroke's box for a stroke).
Each path of the series, the legend swatch and a Filled Lines band
included, takes it on its own box. Every store route does this:
paint.setFill and paint.setStroke, the Eyedropper, graphic styles,
Appearance commands, paint.setGradientGeom and the freeform point
edits. A command that writes a mark's paint as the graph drew it leaves
the stored gradient as it is and records no undo step.
The series paints save this as fillUnitBox and strokeUnitBox. A
gradient in a file saved without these flags is drawn where it was
stored. So is a gradient stored from a path with no width or height.
Docs: docs/mcp.md, the paint.setGradientGeom params text and the Graphs
line in docs/target-app-parity.md.
it is in COMPLETE_MESSAGES, but the untranslated report listed 1,842
status and error messages with no Italian row, so with the interface in
Italian those messages showed in English.
- it.tsv gains 1,802 `@msg` rows. The translations are VectorCraft's
own, written from the English meaning with the catalog's terms, and
await native review. Placeholders, backticked names, command ids,
double-quoted values and bare true, false and null stay as the
English writes them.
- The untranslated report now lists 40 Italian messages. 38 of those
keys get Italian rows from open pull requests 7211, 7214 and 7116,
so they are left out here. Menu strings, `tl!` literals, undo labels
and swatch names are unchanged.
- The Italian row of docs/localization-parity.md gives the catalog's
current counts, and docs/target-app-parity.md has a line for the
change.
Session::replace_document on a tab other than the current one cleared
the bounds of type set in a font named like a composite font and left
that type with estimated bounds until the document came to the front.
- The replacement's type without bounds is measured at once, in the
document's own composite fonts, lent for the measuring. The front
document stays the one whose composite fonts are registered.
- When the document then comes to the front unchanged, its type in its
own composite fonts is not measured again. Type set in a composite
font only another document defines is still measured again, as
missing, and so is type set in a composite font name that another
thread's loan held with a different definition.
addon.shapes.polygon and addon.shapes.star rounded a fractional side or
point count and clamped it to 3..1000, so 2.5, 2 or 5000 drew a shape
with a different count than asked for. addon.shapes.configure read
sides only as an unsigned integer, ignored a fraction and cut a large
value to 32 bits before clamping it, so 4294967299 gave a triangle.
The commands now refuse a supplied value outside its range with an
error that names the parameter and the range, and draw or change
nothing; an omitted or null value still takes its default:
- sides and points: a whole number from 3 to 1000
- rounded and randomized: -10 to 10; spokeRatio: 0.01 to 1
- turns: 0.01 to 1024; divergence: 0 to 1000; innerRadius: 0 to 0.999
- width, height, radius and radius1: 0 or more (a negative size was
made positive before, and a negative corner radius became 0)
- radius2: 0.01 to 1 times radius1 (the ratio was clamped before)
- radii: four numbers, each 0 or more (a malformed array was ignored)
- arcMode: whole, pie (slice), chord or arc (open); any other value
drew a whole shape before
addon.shapes.configure checks every value before it changes any of the
selected shapes, keeps fitting a corner radius to half each rectangle's
shorter side, and records no undo step when no shape changes.
Docs: docs/mcp.md (3D Box and shapes add-on), docs/target-app-parity.md.
The Japanese catalog lacked a row for 1,842 of the status and error
messages that the untranslated report finds in the sources, so the
status bar showed those messages in English.
- ja.tsv gains 1,842 `@msg` rows: the errors of commands and their
parameter checks, scripts, file import and export, printing and
plug-ins. The translations are VectorCraft's own, written from the
English meaning with the catalog's conventions and its existing
feature names. Placeholders, parameter names, command ids and
literal values stay as the English writes them.
- The untranslated report now lists no Japanese messages. Menu
strings, `tl!` literals and undo labels are unchanged.
- Two of the messages have two placeholders in a row. The status bar
cannot match such a row, so it does not use those two rows.
- The row for `{k} has control characters{_1}` does not match the
message for a multi-line File Info field, where the last
placeholder is empty.
- The Japanese row of docs/localization-parity.md gives the catalog's
current message counts.
Docs: docs/target-app-parity.md, docs/localization-parity.md.
The German catalog lacked a row for 1,842 of the status and error
messages that the untranslated report finds in the sources, so the
status bar showed those messages in English.
- de.tsv gains 1,842 `@msg` rows: the errors of commands and their
parameter checks, scripts, file import and export, printing and
plug-ins. The translations are VectorCraft's own, written from the
English meaning with the catalog's conventions and its existing
feature names. Placeholders, parameter names, command ids and
literal values stay as the English writes them.
- The untranslated report now lists no German messages. Menu strings,
`tl!` literals, undo labels and swatch names are unchanged.
- Two of the messages have two placeholders in a row. The catalog does
not load such a row, so those two are still shown in English.
- The German row of docs/localization-parity.md gives the catalog's
current message counts.
Docs: docs/target-app-parity.md, docs/localization-parity.md.
When a read document is brought within the canvas, each saved guide was
checked against the removed artboard ids and the removed layer ids with
linear scans, and each guide node against the removed artboard ids, so
the work grew with the number of guides times the number of removed ids.
The ids are now collected into ordered sets, and each guide is checked
in logarithmic time.
Removing what lies beyond the canvas scanned each container's whole
subtree to see whether anything reached beyond, then scanned each child
again while removing, one level down at a time, so a deeply nested
object was measured once for every group around it. Removing guide nodes
probed each layer's subtree the same way before descending into its
sublayers. Both now make one read-only walk that records, by index,
which objects reach beyond (or which guides are removed), and the
removal follows that record. The objects clipped by a clipping path
beyond the canvas are still not measured.
Containers with nothing to remove are still not copied. The objects and
guides that remain, their order, the counts, the retired artboard ids
and the saved selections are unchanged.
A legacy .ai graph (%_Gs ... %_GS) opened as plain art, with its table,
type, axes and settings left out. A grouped column, stacked column, line
or area graph now keeps them on its group when every record has the
shape and values the version 7 specification's appendix A gives, the
table holds at least one number, the drawn art strokes the plot's left
and bottom edges, and each series group is tagged once as a whole
column, holds only paths and paints them with one fill and one stroke.
The saved art stays as it is on open; Graph Data redraws the graph from
its data afterward, with each series' fill and stroke kept.
Any other graph (pie and scatter graphs, designs, customizations, record
shapes of later versions, tables past 10,000 categories, 256 series or
2,600,000 cells) keeps its art as plain objects with the existing note.
Saving a graph to .ai, in either form, now warns that its data and
settings are not written.
fr is in COMPLETE_MESSAGES, but the untranslated report listed 1,842
status and error messages with no French row, so with the interface in
French those messages showed in English.
- fr.tsv gains 1,842 `@msg` rows in one block after the last row. The
translations are VectorCraft's own, written from the English meaning
with the catalog's terms and typography (no-break space before
: ; ? ! and inside « »). Placeholders, backticked names, command ids,
double-quoted values and bare true, false and null stay as the
English writes them.
- The untranslated report now lists no French messages. Menu strings,
`tl!` literals, undo labels and swatch names are unchanged.
- The French row of docs/localization-parity.md gives the catalog's
current counts.
Right-to-left type on a path that overflows searched for the start of its
text that fits with a binary search, which assumed that a longer start
never fits once a shorter one does not. A letter tracked to a negative
advance breaks that: with steps of 6, 6, -3 and 6 points in a 10 point
span, the first three letters fit while the first two do not, and the
search showed only the first letter.
- Without hanging punctuation, and with no spacing or on a path of one
straight segment, every start is measured in O(n log n): each glyph
keeps its place in the whole text's visual order, except the trailing
whitespace and controls that UAX #9 rule L1 sets to the paragraph's
level.
- With hanging punctuation, or spacing on a curve, when a letter has a
negative advance, a start is a candidate only when its glyphs, in its
own visual order and each at the least step it can take, reach no
farther than the path's length. This lower bound holds with negative
advances.
- At most 32 candidates are arranged from the longest. When none of
them fits, a binary search over the rest shows a start that fits,
which is not always the longest.
- With hanging punctuation, or spacing on a curve, text with no negative
advance keeps the binary search.
Right-aligned and centered type on a curve with Spacing was placed using
the width its glyphs have at the start bracket, while the steps were
measured where the line was placed, so a line that fits could end past
the end bracket and lose glyphs. It is now placed using the width of the
steps it has where it is placed.
A path directly in a graph series lost what these commands gave it when
the graph was drawn again, for example after graph.setData:
- While Global Edit is on in an isolated graph, a match that is a series
path, or a series group whose paths take the edit, now has what
changed on its paths stored for their series: the paint, weight,
opacity and blend mode of the topmost visible fill and stroke, and the
object's opacity and blend mode. The edited match is stored by its own
command as before.
- addon.arrange.randomizeOpacity and addon.arrange.sort with apply
"opacity" now store the object opacity, with the blend mode, of the
series paths whose opacity they change. When they change several
paths of one series, the frontmost of them sets what the graph
stores, as for the other commands.
The graph stores them in the same undo step as the edit. The params
text of addon.arrange.randomizeOpacity and addon.arrange.sort,
docs/mcp.md and docs/target-app-parity.md describe the new behavior.
The check after each edit that the selected objects stay within the
canvas measured the whole of every selected path. Moving one anchor of
a 10,000-anchor path measured all 9,999 segments. A path or compound
path whose anchors and handles are all finite and inside the canvas
range now passes without being measured, because its curves stay inside
their control points. A path with a point outside that range is still
measured, so the check accepts and refuses the same edits as before.
path.moveAnchor to the point the anchor is already at, and
path.setHandle to the point the handle is already at, now leave the
document as it is and record no undo step.
vectorcraft_geom::path::measured_segments counts the segments that
PathData::bounds measures, and the new engine tests use it.
Two contours of an area-type frame now count as meeting along a slanted
edge only when their edges lie exactly on one line, checked with an exact
cross product, and the intervals on either side of a seam join only
where both edges cross the middle of the band at the same x, found along
the same line. Before, both checks allowed a few units in the last place
of the coordinates, which near the edge of the canvas (x = 3,999,000)
is wider than a real gap of one to four units, so a line ran across the
gap outside the frame.
An edge divided by an anchor exactly on it still joins, including where
the divided edge's own crossing would round to another x.
A 3D effect on a fill or stroke worked on copies of the object's fills
and strokes, and the copies were looked up among the object's items by
identity, so a live-effect plug-in before that 3D effect was given
`_context.item` "object" and a deferred stage there was listed with no
item. The drawn art, the 3D meshes and Expand as Wireframes now pass the
original item, so the plug-in is given `{"fill": i}` or `{"stroke": i}`
as docs/plugins.md describes. The paints of a type's first run still have
no item.
ncic