transparency.set and object.setProps with isolate, knockout or
knockoutShape on a series group now store them for the series
(groupIsolate, groupKnockout, groupKnockoutShape), and the series group
has them again when the graph is drawn again. Randomize Opacity, Sort
Objects and Global Edit store the opacity they give a series group, so
a redraw no longer puts back an older stored value over it.
A move or copy of an appearance onto a series group whose stored values
differ from its own now counts as a change, so the edit is kept. Tests
cover graphicStyle.redefine of a style linked to a series group.
Open #7211, #7214 and #7116 add Japanese rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The Japanese lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
Node::strip_ruler_guides and Node::map_ruler_guide_positions asked a
layer whether its whole subtree held a ruler guide, then asked each
sublayer the same question again when filtering the children and again
when the recursive call started. A layer nested d deep was tested
2d + 1 times, so a chain of N layers cost about N^2 layer tests.
strip_ruler_guides runs when a document's objects are placed or pasted
(Clipboard::from_document), when a copy of the document is saved
(Document::guides_to_saved) and when a temporary editing layer is
removed (Document::remove_edit_layer). map_ruler_guide_positions runs
when an imported EPS is scaled.
A new held_guides reads the layer once and records which children are
ruler guides and which sublayers hold one; strip_held and map_held then
visit and copy only those sublayers. The guides removed, the order f is
called in, the art and its order, and the sharing of layers without a
guide are the same as before. Neither method records an undo step.
Open #7211, #7214 and #7116 add German rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The German lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
Open #7211, #7214 and #7116 add French rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The French row of docs/localization-parity.md gives the new counts.
A JPEG rounds each 8 x 8 block's tone on its own, which leaves a small
step at every block edge. Where a dark ground changes slowly, those steps
decided which of two palette colors a whole block got, and the trace
followed the block edges as a staircase.
The new deblock pass finds the block grid in the image: the mean step
between neighboring opaque pixels must peak at the same one of eight
positions at both block edges of a 16 px span, across and down. Cropped
JPEGs and JPEGs saved in another format are found the same way; pictures
of flat 8 x 8 cells are not. At each block edge, a stretch of eight lines
whose step is under the limit and whose pixels hold no edge has the step
spread over the eight pixels around the edge, as the deblocking filters
of ITU-T H.263 Annex J and MPEG-4 Part 2 Annex F.3.1 do. Larger steps are
kept. The limit, the edge guard and how much of each line's own step is
smoothed depend on the mode: Black and White smooths only the smallest
steps, and traces of more than 16 colors move every line of a stretch
by the same amount. The pass runs before the photo pre-filter and works
in strips of rows, so only its output is as large as the image.
recorded_steps_filter_only_unreadable_locations expected
object.setLiveShape's `path` to stay, but that command does not take a
`path` param, so the recorded step reads the key as a file and drops a
path outside the read root. The case now expects that, and
text.createInPath, whose `path` is the id of a path in the document,
covers a key that names part of the document.
Text Wrap Options showed Offset as a plain number in points. It is now a
distance field in the document's General unit: a bare number is in that
unit, a typed unit is read as typed, and OK sends points.
The field's range is the one object.textWrap.options keeps an Offset to,
-1000 to 1000 pt, read from the engine's TEXT_WRAP_OFFSET_RANGE. A value
typed outside it, or text that doesn't read, is refused: the field
flashes and the dialog stays open. The ends as the field shows them in
another unit (352.7778 mm for 1000 pt) read back as the ends.
In the dialogs drawn by the shared dialog window, a click on OK no
longer confirms the dialog when the field it takes the focus from
refuses its text, as Enter already did not. OK pressed from the keyboard
after such a click still confirms.
A Live Paint Bucket click or drag over faces that already have the
fill, a stroke on an edge that already has the paint and width, Gap
Options with the options the groups have and no gap to close, and Make
or Merge given one Live Paint group alone now leave the document, the
undo and redo steps and the saved state as they are, and reply as
usual. Such a fill or stroke also leaves the recent colors as they are.
Gap Options with Close Gaps With Paths makes a group's faces again only
when it adds a path or what paint stops at changes, so the faces keep
their ids otherwise.
Type > Create Outlines dropped the fills and strokes of the type object
itself (the items around the Appearance panel's Characters row), so the
outlines no longer drew what the type drew. On type without effects of
its own, Object > Expand outlines the type with the same command, so it
lost them before Fill or Stroke could expand them.
- Create Outlines puts those items on paths of the type's whole outline:
the items below the Characters row on one path under the glyph paths,
the others on one path over them, in their order. Unplaced gradients
are fixed to the type's layout box, as the canvas paints them.
- object.expand.info reports the type object's own strokes, pattern
fills and gradient fills, measuring a gradient on the whole outline.
It counts them only when the type has an outline: type of only spaces
reports none of them.
- The stroke flag of object.expand.info counts every stroke Outline
Stroke outlines, not only the topmost one, for paths as well as type.
Expand skipped Stroke for a visible stroke under a stroke with no
paint.
Create Outlines still does not carry over the type object's own effects.
Docs: docs/mcp.md, docs/target-app-parity.md.
A command that writes a series mark's paint compared the mark's gradient
with the series' kept gradient placed on the mark's box exactly. After
the mark was moved, the two differed by rounding, so the graph stored a
slightly different gradient and recorded an undo step. The vector,
focal point and freeform points now match within 1e-6 pt.
The save commands' warnings now follow an export's .ai rules: a legacy
.ai file (aiVersion "7") reads only its own options, and the other .ai
and .ait files don't read outlineText, hiddenObjects, transparentImages
or preserveEditing. They name any option given beside the path that the
file doesn't read, not only compress, version, preview and precision,
and any such key in options. The bytes a save writes don't change.
The Save Options dialog sends a .ai save only the options the chosen
version reads, so a save from the dialog gets none of these warnings.
When the document's own file is already a .ai, the .ai options that a
save doesn't give and its file doesn't read keep their remembered
values, so the dialog still shows them; the save doesn't write them, and
a retry in another folder doesn't send them.
Export for Screens and Export Assets already accepted a key in a format
row or in a format's settings that only another format takes. Their
warnings now name it as given (formats[0].quality, settings.png.quality).
A key in a format's settings is named only when no row of that format,
as the export writes it, reads it. The options of an exportPreset, and
for assets.export the settings the document keeps, get no warning.
Docs: params text of document.save, document.exportForScreens and
assets.export; docs/mcp.md; docs/target-app-parity.md.
The location sweep listed imageTrace.make's `paths` as a document part
at the top of its params, so catalog_path_keys_match_location_policy
failed: Image Trace's path fidelity `paths` is exempt only inside its
tracing settings, and a top-level `paths` names a file, as it already
does for imageTrace.makeAndExpand.
In Full Screen Mode with Menu Bar and Full Screen Mode the canvas is
about 390 pt wide, so the Contextual Task Bar under the selected
rectangle now wraps onto a second row and covers the canvas's center.
The middle-button pan, hand, zoom and context menu tests pressed there
and reached the bar instead of the canvas. They now press low on the
canvas, at a point the helper checks is clear of the bar.
Invert Colors, the Convert to commands, Saturate, Adjust Color Balance,
the Blend commands and Recolor Artwork recorded an undo step even when
they changed no color, for example Invert Colors with fills and strokes
off, Saturate at 0 or a second Blend Front to Back. The empty step also
cleared the redo steps. paint.invert and paint.complement on whole
objects, Apply as Filter (addon.color.filter) and Apply Nearest Swatch
run the same pass and did the same.
These commands now run on a copy of the document and record the step
only when something changed. Convert to Indexed Color uses the same
helper. Recolor Artwork also compares the documents when it counted no
recolored paint, so rewriting a color group's swatches still records
its step.
A recolor of a graph (Invert and Complement on the proxy, the Edit Colors
commands, Recolor Artwork, the color filters, Apply Nearest Swatch and the
ink limit of Print Ink Fixes) stored the new paint of the series marks but
not of the labels. stroke.set, the stroke weight steps, the gradient edits,
Swap Fill and Stroke and Default Fill and Stroke stored nothing when they
changed a label's characters. When the graph was drawn again, the labels
went back to their stored style.
- These commands now store, for every label of the kind they reach, the
label's object rows when they change, and the fill, stroke, stroke weight,
caps, joins, miter limit, dashes and stroke alignment of its characters
when all of them show the change alike.
- A gradient is stored without its placement, and each label fits it to its
own box. A stroke weight and dashes are stored as a scaled label shows
them.
- When labels of one kind change differently, the frontmost one sets what
the kind keeps.
- On a pie with Legends in Wedges, the legend labels' fill is stored only
when every legend label reached ends up with the same fill, so a recolor
of the whole pie leaves them black or white by their wedge.
- Axis lines, ticks and radar rings are not stored and are drawn again with
their default paint.
Docs: docs/mcp.md, the commands' params text, docs/target-app-parity.md.
a_file_key_counts_at_any_depth grew past clippy's cognitive complexity
limit (34 of 30) and stopped the gate's clippy step. Its Image Trace
`paths` cases, its custom arrowhead cases and its deep-nesting case now
run as three tests of their own, with the same assertions.
The Limited palette's median cut ranks cuts by pixel-weighted gain. A
large near-black ground with faint noise therefore took two colors less
than 0.02 apart in Oklab, and the trace drew blotches of one over the
other.
With 9 to 16 colors, a cut whose two sides both have a dark gray mean
(Oklab lightness under 0.30, chroma under 0.03) and lie less than 0.03
apart now has its gain scaled by (distance / 0.03)^2 while the cut is
chosen. The ground keeps one color, and the color it would have taken
goes to another cut. Document Library without swatches follows Limited.
Other color counts, Full Tone and Automatic choose the same cuts as
before.
crates/mcp/src/ui_catalog.rs now carries the ui.actionSet.save params
text from crates/ui-egui/src/menus/ui_commands.rs, so `cargo xtask
ui-commands --check` passes.
crates/mcp/src/ui_catalog.rs now carries the file.exportAs params text
from crates/ui-egui/src/menus/ui_commands.rs, so `cargo xtask
ui-commands --check` passes.
Art and pattern brushes bent their art along the chords of the flattened
path, with the tangent blended linearly between vertices, and scatter
brushes placed and turned their copies on the same chords. On a smooth
curve the bent art's edges followed the chords, and the curve fitted to
the result turned by up to a few degrees at its smooth anchors.
- On a chord that comes from flattening a curve, the frame now follows
the cubic through both vertices with their tangents, so position and
tangent meet at every vertex. A vertex tangent between two such chords
is the tangent of the circle through the vertex and its neighbors, and
it stays within a few times the flattening tolerance of each chord, so
the frame stays near the curve next to a long chord. A curved chord
whose end tangents turn further than that keeps to the chord.
- Art on a line of the path stays on the line, and a line keeps its own
direction where it meets a curve.
- A calligraphic nib that follows the pen samples between vertices on
the same frame, so its outline keeps its distance from the curve.
dotCooCoo