A document saved with a CMYK TIFF whose alpha follows another extra
sample keeps it as a CMYK image with its ink amounts, so EPS and PDF
export write the same inks as before; Open and Place still read such a
file with its alpha.
- A CMYK file with two or more samples past its inks and its
ExtraSamples values, which the decoder gives no color type, reads the
alpha that one of those values names, and its Orientation tag is read.
- A TIFF with extra samples whose samples take more than the decoder's
256 MB buffer reads, up to the decoding allowance.
- A file read as black-is-zero gray is read in place instead of copied.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
When only some frames of a threaded story are selected, Remove Line
Breaks and Remove Paragraph Breaks built the story's frame list again
for every selected frame of it, so the work grew with the square of the
frame count. The command now notes a thread once its story is found not
to be selected in full, and reads that thread's other selected frames
on their own without going through the thread again. Each selected
frame still loses its own breaks, in the order selected, as one undo
step.
A test-only counter in threads.rs counts story_in calls, and
remove_breaks_goes_through_a_partly_named_story_once checks both break
kinds with frames named out of order and twice.
Direct Selection on a dynamic symbol's instance picked an object in the
region its clipping path's effects give it, but cut the object's outline
to the plain clipping path, so the outline came out empty or cut short.
In a layer of the art whose Preview is off, it tested the effect-shaped
region and the fills, where the canvas draws the plain clipping path and
outlines.
- `hit::symbol_part_outline` cuts to the bounds of the effect-shaped
region. The new `hit::symbol_part_outline_in_view` takes the view's
outline state, and the Direct Selection overlay passes it.
- `hit::symbol_part_at` tests art in a layer whose Preview is off in
outline.
The bounds of a plot of the art's bounds no longer count the objects a
plot leaves out (placed images, objects at 0% opacity, unpainted paths)
when they sit in the art of a symbol. An instance whose symbol holds
nothing else is left out, so a document with only such instances is
refused with "nothing to export". The art of a dynamic symbol, and of a
group with effects, fills or strokes of its own, is measured whole.
The Gujarati catalog lists every menu and command label, and it had no
rows for Show Learn Tab, Show Skill and Back One Level. It now has them.
docs/mcp.md said the For you and Skills tab buttons run learn.tab. A tab
button runs it only when the panel shows the other tab, and the page now
says so.
- A graph opened from a .ai file now saves `placedArt` too. Moving or
restyling one of its labels before the first redraw no longer moves or
stretches the plot.
- Type > Create Outlines on a graph's labels now adjusts the saved bounds,
so the outlines do not read as a move at the next redraw. A move of
the graph made before the outlining is still followed.
- A `placedArt` with no width or height falls back to the bounds of all
of the art, as a graph saved without it does.
- `art_bounds` moves to the doc crate so the .ai reader can use it.
- docs/mcp.md describes `placedArt`, `placed` and when a redraw follows
a move.
- Tests: a legend across the top, a legend after a right value axis and
legend labels of several lines keep the plot in place through label
size changes; moving a category label on its own; outlining labels
before and after a move; a flat `placedArt`; a label moved in an
opened .ai graph.
The edge built from a closed path that nothing cuts started at the anchor the
planar map gave it, so dashes, a width profile or a brush began at a different
place than on the path. The edge now starts at the anchor where its path
starts. An edge with no anchor there takes its dashes from its own start and
leaves off the profile and brush.
The command description and the progress doc say that dashes aligned to
corners and path ends are not fitted to cut edges.
The continuous-tone check exempts a neutral or single-curve picture when
sixteen colors leave at most a fifth of the error of eight. The
exemption is for flat art of up to sixteen clean levels, where sixteen
colors leave no error. A gray photo with 0 to 2 levels of noise measures
0.19, under the cutoff, so it was classed as flat art and traced without
smoothing, while its color original and the same photo with more noise
were smoothed.
The cutoff is now a tenth (VectorCraft's own value). Clean gray, sepia,
single-hue and duotone art of up to sixteen levels stays flat art.
Docs: docs/target-app-parity.md.
A clipping path that is a group clips by its visible members only. A
geometry effect on a hidden member made clicks inside the clip group
count the group's type by its glyph outlines, where they count it by its
frame when nothing has an effect.
Clicks now ask `effects::reshaped_clip_outline`, which gives a region
only when an object the clipping path clips by has a geometry effect.
`clip_outline` uses the same function.
The geometry effects of a clipping path's own fills and strokes stay live when the clipping path has a fill or stroke, so they reshape it after the geometry effects of the clip group and of the groups around it.
While a document's composite fonts are lent, type naming a composite font
the document does not define is set as in a missing font, even when the
front document or the document a placed document sits in defines one of
that name. A document that defines no composite font gets an empty scope
too, so a document in the back, a tiled window, a thumbnail or an export
made while another document is in front no longer borrows the front
document's definitions. A temporary document drawn while a document draws
keeps that document's fonts, and type laid out with nothing lent still uses
the registered ones.
- FontDb::composite_font looks only in the latest loan of the database.
- lend_composite_fonts lends an empty set at the top level when the
database holds composite fonts; lend_document_composite_fonts also lends
one inside another loan, for placed documents, back-document measuring
and threaded reflow on open.
- A loan that leaves out a registered font gets its own generation, so
layouts made with that font are not reused under it.
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