cs is in COMPLETE_MESSAGES, but the untranslated report listed 1,853
status and error messages with no Czech row, so with the interface in
Czech those messages showed in English.
- cs.tsv gains 1,813 `@msg` rows in one block after the last row. The
translations are VectorCraft's own, written from the English meaning
with the catalog's terms and typography (polite second person, Czech
quotation marks „…“). Placeholders, backticked names, command ids,
double-quoted values and bare true, false and null stay as the
English writes them.
- The 38 messages whose Czech rows open #7211, #7116 and #7330 add are
left out, so the catalog keeps one row per key when they merge.
- Menu strings, `tl!` literals, undo labels and swatch names are
unchanged.
- The Czech row of docs/localization-parity.md gives the catalog's
current counts.
craft_dxf::parse_recovering reads the tags (ASCII and binary, any code
page), model::Document::read the sections, tables, blocks, layouts and
entity followers, and Entity::read each entity. The pair parser, the
records, the header, layer, block and layout readers and the colour
palette are gone; what stays is the mapping onto VectorCraft art.
Binary DXF files now open instead of being refused. A damaged binary
file says so.
The Traditional Chinese catalog had no row for 1,852 of the status and
error messages that i18n::tests::untranslated_report finds in the
sources, so the status bar showed them in English.
- zh-hant.tsv gets 1,813 @msg rows under one comment line at the end of
the file, written in Taiwan usage with the catalog's existing terms.
Each row keeps the English key, its placeholders, doubled braces,
parameter names, command ids and quoted values unchanged.
- The 38 rows that open #7211, #7116 and #7330 add, and the row #7214
added, are left out, so the catalogs stay consistent.
- docs/localization-parity.md and docs/target-app-parity.md give the new
counts: 3,438 @msg and 48 @msgplural rows, 40 messages still listed.
The rows for `{name} must be {lo}–{hi}{unit} (got {v})` and
`unknown parameter `{within}{key}`; {why}` are counted by the report, but
Template::parse does not load a template with two placeholders in a row,
so those two messages still show in English. The row for
`{k} has control characters{_1}` does not match the message for a
multi-line File Info field, where its last placeholder is empty.
On Linux and the BSDs, the desktop draws the window's frame on X11, on
Wayland compositors that draw server-side decorations and in a window
opened through XWayland. There, with VectorCraft Title Bar on Every
Desktop off, the window has the desktop's title bar with System Title
Bar on or off, and the dialog showed nothing about it under System
Title Bar.
- The desktop app records at startup whether VECTORCRAFT_TITLEBAR is
unset and the desktop would draw the frame without VectorCraft Title
Bar on Every Desktop (VectorcraftApp::desktop_keeps_frame), from the
frame probe and the launch path's XWayland choice.
- Preferences shows a note under System Title Bar in that case while
VectorCraft Title Bar on Every Desktop is off, with rows in the 27
catalogs that carry the neighboring title bar notes. The value is
worked out at startup, so a Linux Display Server change shows in the
note from the next start.
Docs: docs/control-protocol.md, docs/target-app-parity.md.
In a document in picas, a bare number typed in Text Wrap Options › Offset
follows Preferences › Units › Numbers Without Units Are Points, as every
length field drawn by the shared unit field does: points while it is on
(the default), picas while it is off. A test covers both settings, and
the evidence line in docs/target-app-parity.md states the rule.
The search for brushed strokes that decides between knockout masks and
a PDF knockout group copied a dynamic symbol's art for every instance
with appearance changes, and looked through the evaluated art of live
objects, without a limit. Nested instances could make it copy and walk
art exponentially before any limit applied.
The search now visits and copies at most MAX_KNOCKOUT_MASK_OBJECTS
objects for a group, counting a dynamic symbol's art before copying it
and a live object's evaluated art before looking through it. When the
limit runs out, the group is written as a PDF knockout group with the
size warning. Each symbol's art with one set of appearance changes is
copied once, and art that holds itself ends the search.
The Korean catalog lacked a row for 1,852 of the status and error
messages that the untranslated report finds in the sources, so the
status bar showed those messages in English. ko.tsv now has an @msg
row for 1,813 of them: the errors of commands and their parameter
checks, scripts, file import and export, printing and plug-ins.
The other 39 are messages that open #7211, #7214, #7116 and #7330
also translate in ko.tsv. They are left out so the catalog has no
duplicate key when those pull requests merge.
The rows keep every placeholder, parameter name, command id and
literal value of the English, and use the feature names the catalog
already has.
The report's Korean menu strings, tl! strings, undo labels and swatch
names are unchanged.
Docs: docs/localization-parity.md, docs/target-app-parity.md.
A straight compound path with Twist was read live up to 180° whatever
guides it held, and the live Twist was measured from bounds that take in
the guide members. A straight compound path with Twist whose guide
members reach past its other members now opens as its drawn look
instead of live, and so does a compound path made only of guides.
Compound paths whose guides lie inside their other members, a Twist of
0°, and single paths keep opening live.
The `.ai` writer keeps a graphic-style link only where the reader reads
the style live, so such an object is now written without the link, with
the existing style-link warning.
A CSV file that holds NUL bytes and has no byte-order mark was refused.
It is now read as UTF-16 when at least half of its two-byte units hold
a NUL byte, in the byte order that reads a line break. A file with fewer
NUL bytes (UTF-8 or Windows-1252 text with stray NUL bytes, or UTF-16
text made mostly of characters above U+00FF) is still refused, and so is
a file that reads a line break in both byte orders, has an odd length,
isn't valid UTF-16 in that order or holds a NUL character. Refused files
get the same message as before.
The test now sets the edited label's gradient vector and aspect with paint.setGradientGeom and checks that the gradient is placed before the graph redraws, so the later check that the kept gradient has no placement fails if the redraw keeps it.
A raster mesh warp with Preserve Shape Using Transparency cuts an image
into pieces with opacity masks and puts them in a knockout group, each
piece knocking out its triangle. The reader gives the pieces no such
mark, so each knocked out all that its image paints without its mask,
and the file opened with most of the image hidden.
The group of such pieces is now written without knockout. An image
whose pixels are partly transparent draws its alpha twice only where
neighboring pieces overlap.
Reading a brush library numbers the second brush of a repeated name, so
the panel's row of that name previews and drags the first brush, and the
second brush has a numbered row of its own.
uk is in COMPLETE_MESSAGES, but the untranslated report listed status
and error messages with no Ukrainian row, so with the interface in
Ukrainian those messages showed in English.
- uk.tsv gains 1,811 `@msg` rows. The translations are VectorCraft's
own, written from the English meaning with the catalog's terms and
typography (« » around interface names, ’ inside words).
Placeholders, backticked names, command ids, double-quoted values and
bare true, false and null stay as the English writes them.
- The 41 rows that open #7211, #7214, #7116, #7330 and #817 add to
uk.tsv are left out, so the catalog keeps one row per key when they
merge (bundled_catalogs_are_consistent rejects a second row for a
key).
- The Ukrainian row of docs/localization-parity.md gives the catalog's
counts.
docs/control-protocol.md said the window has no OS decorations on
Windows and Linux. On Linux and the BSDs the app bar is the title bar by
default only on a Wayland session without server-side decorations, such
as GNOME, in a window not opened through XWayland; elsewhere the desktop
draws the frame unless VectorCraft Title Bar on Every Desktop or
VECTORCRAFT_TITLEBAR=app turns the app frame on. The paragraph now says
so.
docs/development.md said the custom title bar is the Linux default. It
now says where the app bar is the default title bar. The comment on
CUSTOM_TITLEBAR in apps/vectorcraft/src/titlebar.rs made the same
Windows and Linux claim and now names Windows only.
The copies of symbol instances drawn in a knockout group's soft masks
counted toward the objects the export's visible symbol art may hold, so
overlapping instances could use that limit up and leave later visible
instances out. Mask copies now count toward a limit of their own. When a
group's masks would leave out symbol art because that limit runs out,
the masks are discarded and the group is written as a PDF knockout
group, with a warning.
The object count that decides whether a group is drawn through masks
left out the art a brushed stroke expands into. A group in which a mask
would draw a brushed stroke is now written as a PDF knockout group, with
its own warning. The search follows what the export draws: visible
members, opacity masks that are on, symbol and inline graphic art, live
objects and placed documents as evaluated, and pattern tiles, and it
skips strokes without paint, width or a known brush.
A knockout group whose elements need no masks is written as a PDF
knockout group without a warning, so the two engine PDF tests that
expected the old warning now check that case and the brushed one.
Reading a brush library now numbers the second and later brushes of a
repeated name, so the panel lists Twin and Twin 2 rather than two Twin
rows. The test expects those rows, and checks that rows of one name that
reach the panel unnumbered still preview and drag the first.
pt-br is in COMPLETE_MESSAGES, but the untranslated report listed 1,851
status and error messages with no pt-br row, so with the interface in
Brazilian Portuguese those messages showed in English.
- pt-br.tsv gains 1,812 `@msg` rows. The translations are VectorCraft's
own, written from the English meaning with the catalog's terms.
Placeholders, backticked names, command ids, parameter names,
double-quoted values and bare true, false and null stay as the English
writes them.
- The 39 messages that open #7211, #7214, #7116 and #7330 add pt-br rows
for are left out. bundled_catalogs_are_consistent rejects a second row
for the same key.
- The Portuguese row of docs/localization-parity.md gives the catalog's
counts: 9,260 rows, 3,445 of them `@msg` and 48 `@msgplural`.
The untranslated report missed messages that reach the status bar:
- MESSAGE_CRATES now includes effects, color, render, three-d and pathops,
whose errors the engine and the effects pass on (SVG filters, swatch
libraries, raster sizes and encoders, 3D solids, path operations).
- The scan reads the messages a .map_err closure returns, from each if
branch, match arm and the last expression of a block, the messages of
a handler that .map_err(name) names (a closure bound with let, or a
function), and the message given to a variant of an enum whose name
ends in Fail (CompileFail::Syntax). The steps of a script result's
path ([{i}]{place}, .{k}{place}) are not messages.
- The report and the VECTORCRAFT_I18N_DUMP_MESSAGES dump include the
phrases a parameter schema's error builds at run time (SCHEMA_PHRASES).
Missing translations stay report-only. On main at 0b29b2b1f6 the report
lists 126 more messages, missing in all 23 languages that translate
every message: 43,084 missing rows before, 45,983 after.
addon.pathtools.cornerSet and cornerRemove now refuse a key other than
id and anchors in an `items` member, with the standard unknown-parameter
error, instead of ignoring it. A misspelled `anchor` used to fall back
to the request's `anchors`, else the path's direct-selected anchors,
else every corner of the path. They also refuse `items` given together
with `ids`, which `items` replaces. Saved steps played with replay
still run as recorded.
Docs: docs/mcp.md, docs/target-app-parity.md.
Node::strip_ruler_guides and Node::map_ruler_guide_positions asked a
layer whether its whole subtree held a ruler guide, then asked each
sublayer the same question again when filtering the children and again
when the recursive call started. A layer nested d deep was tested
2d + 1 times, so a chain of N layers cost about N^2 layer tests.
strip_ruler_guides runs when a document's objects are placed or pasted
(Clipboard::from_document), when a copy of the document is saved
(Document::guides_to_saved) and when a temporary editing layer is
removed (Document::remove_edit_layer). map_ruler_guide_positions runs
when an imported EPS is scaled.
A new held_guides reads the layer once and records which children are
ruler guides and which sublayers hold one; strip_held and map_held then
visit and copy only those sublayers. The guides removed, the order f is
called in, the art and its order, and the sharing of layers without a
guide are the same as before. Neither method records an undo step.
Open #7211, #7214 and #7116 add German rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The German lines in docs/localization-parity.md and
docs/target-app-parity.md give the new counts.
Open #7211, #7214 and #7116 add French rows for 38 of the messages this
branch translates. A second row for the same key fails
bundled_catalogs_are_consistent once both sides merge, so this branch
drops its 38 rows and leaves those messages to the other pull requests.
The French row of docs/localization-parity.md gives the new counts.
A JPEG rounds each 8 x 8 block's tone on its own, which leaves a small
step at every block edge. Where a dark ground changes slowly, those steps
decided which of two palette colors a whole block got, and the trace
followed the block edges as a staircase.
The new deblock pass finds the block grid in the image: the mean step
between neighboring opaque pixels must peak at the same one of eight
positions at both block edges of a 16 px span, across and down. Cropped
JPEGs and JPEGs saved in another format are found the same way; pictures
of flat 8 x 8 cells are not. At each block edge, a stretch of eight lines
whose step is under the limit and whose pixels hold no edge has the step
spread over the eight pixels around the edge, as the deblocking filters
of ITU-T H.263 Annex J and MPEG-4 Part 2 Annex F.3.1 do. Larger steps are
kept. The limit, the edge guard and how much of each line's own step is
smoothed depend on the mode: Black and White smooths only the smallest
steps, and traces of more than 16 colors move every line of a stretch
by the same amount. The pass runs before the photo pre-filter and works
in strips of rows, so only its output is as large as the image.
Text Wrap Options showed Offset as a plain number in points. It is now a
distance field in the document's General unit: a bare number is in that
unit, a typed unit is read as typed, and OK sends points.
The field's range is the one object.textWrap.options keeps an Offset to,
-1000 to 1000 pt, read from the engine's TEXT_WRAP_OFFSET_RANGE. A value
typed outside it, or text that doesn't read, is refused: the field
flashes and the dialog stays open. The ends as the field shows them in
another unit (352.7778 mm for 1000 pt) read back as the ends.
In the dialogs drawn by the shared dialog window, a click on OK no
longer confirms the dialog when the field it takes the focus from
refuses its text, as Enter already did not. OK pressed from the keyboard
after such a click still confirms.
A Live Paint Bucket click or drag over faces that already have the
fill, a stroke on an edge that already has the paint and width, Gap
Options with the options the groups have and no gap to close, and Make
or Merge given one Live Paint group alone now leave the document, the
undo and redo steps and the saved state as they are, and reply as
usual. Such a fill or stroke also leaves the recent colors as they are.
Gap Options with Close Gaps With Paths makes a group's faces again only
when it adds a path or what paint stops at changes, so the faces keep
their ids otherwise.
Type > Create Outlines dropped the fills and strokes of the type object
itself (the items around the Appearance panel's Characters row), so the
outlines no longer drew what the type drew. On type without effects of
its own, Object > Expand outlines the type with the same command, so it
lost them before Fill or Stroke could expand them.
- Create Outlines puts those items on paths of the type's whole outline:
the items below the Characters row on one path under the glyph paths,
the others on one path over them, in their order. Unplaced gradients
are fixed to the type's layout box, as the canvas paints them.
- object.expand.info reports the type object's own strokes, pattern
fills and gradient fills, measuring a gradient on the whole outline.
It counts them only when the type has an outline: type of only spaces
reports none of them.
- The stroke flag of object.expand.info counts every stroke Outline
Stroke outlines, not only the topmost one, for paths as well as type.
Expand skipped Stroke for a visible stroke under a stroke with no
paint.
Create Outlines still does not carry over the type object's own effects.
Docs: docs/mcp.md, docs/target-app-parity.md.
A command that writes a series mark's paint compared the mark's gradient
with the series' kept gradient placed on the mark's box exactly. After
the mark was moved, the two differed by rounding, so the graph stored a
slightly different gradient and recorded an undo step. The vector,
focal point and freeform points now match within 1e-6 pt.
The save commands' warnings now follow an export's .ai rules: a legacy
.ai file (aiVersion "7") reads only its own options, and the other .ai
and .ait files don't read outlineText, hiddenObjects, transparentImages
or preserveEditing. They name any option given beside the path that the
file doesn't read, not only compress, version, preview and precision,
and any such key in options. The bytes a save writes don't change.
The Save Options dialog sends a .ai save only the options the chosen
version reads, so a save from the dialog gets none of these warnings.
When the document's own file is already a .ai, the .ai options that a
save doesn't give and its file doesn't read keep their remembered
values, so the dialog still shows them; the save doesn't write them, and
a retry in another folder doesn't send them.
Export for Screens and Export Assets already accepted a key in a format
row or in a format's settings that only another format takes. Their
warnings now name it as given (formats[0].quality, settings.png.quality).
A key in a format's settings is named only when no row of that format,
as the export writes it, reads it. The options of an exportPreset, and
for assets.export the settings the document keeps, get no warning.
Docs: params text of document.save, document.exportForScreens and
assets.export; docs/mcp.md; docs/target-app-parity.md.
In Full Screen Mode with Menu Bar and Full Screen Mode the canvas is
about 390 pt wide, so the Contextual Task Bar under the selected
rectangle now wraps onto a second row and covers the canvas's center.
The middle-button pan, hand, zoom and context menu tests pressed there
and reached the bar instead of the canvas. They now press low on the
canvas, at a point the helper checks is clear of the bar.
dotCooCoo